| Photos (see all 14 | slideshow) | Videos |
| Miles Anderson | ... | Jack | |
| Romane Bohringer | ... | Catherine | |
| David Bradley | ... | Henry | |
| David Calder | ... | Charles | |
| Bruce Davison | ... | Ray | |
| Brion James | ... | Ashley | |
| Peter Khubeke | ... | Kanana (as Peter Kubheka) | |
| Vusi Kunene | ... | Moses | |
| Jennifer Jason Leigh | ... | Gina | |
| Janet McTeer | ... | Liz | |
| Chris Walker | ... | Paul | |
| Lia Williams | ... | Amanda |
Directed by | |||
| Kristian Levring | (uncredited) | ||
Writing credits | ||
| William Shakespeare | (inspired by play "King Lear") | |
| Kristian Levring | (screenplay) & | |
| Anders Thomas Jensen | (screenplay) | |
Produced by | |||
| Svend Abrahamsen | .... | producer: Danish Broadcasting Corporation | |
| Christopher Ball | .... | executive producer (as Chris J. Ball) | |
| Malene Blenkov | .... | associate producer | |
| Kobus Botha | .... | line producer | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Patricia Kruijer | .... | producer | |
| David Linde | .... | executive producer | |
| William Tyrer | .... | executive producer (as William A. Tyler) | |
| Vibeke Windeløv | .... | producer | |
Original Music by | |||
| Derek Thompson | |||
Cinematography by | |||
| Jens Schlosser | (director of photography) | ||
Film Editing by | |||
| Nicholas Wayman-Harris | (as Nicholas Wayman Harris) | ||
Casting by | |||
| Mali Finn | |||
| Moonyeenn Lee | |||
| Bruno Levy | (as Bruno Levi) | ||
| Joyce Nettles | |||
Art Department | |||
| Simon Bang | .... | credit graphics | |
Sound Department | |||
| Jan Juhler | .... | sound | |
| Chris Martin | .... | boom operator | |
| Peter Schultz | .... | sound engineer | |
| Torben Strand | .... | boom operator | |
Camera and Electrical Department | |||
| Lars Bo Blarke | .... | assistant camera | |
| Troels Levring | .... | assistant still photographer | |
| Gavin McCloud | .... | assistant camera | |
| Frantisek Novák | .... | assistant camera (as Franticek Novak) | |
| Anders Overgaard | .... | still photographer | |
| Richard Valls | .... | assistant camera | |
Casting Department | |||
| Lindsey Hayes Kroeger | .... | casting assistant: USA (uncredited) | |
Costume and Wardrobe Department | |||
| Rosa Díaz | .... | wardrobe consultant | |
Editorial Department | |||
| Lars Kaaber | .... | editor: Shakespeare text | |
| Kelly Miller | .... | post-production: Good Machine International | |
| Gabriela Soria | .... | assistant to editor | |
| Kelli Taylor | .... | post-production assistant | |
| Nick Willis | .... | assistant to editor | |
Music Department | |||
| Derek Thompson | .... | song producer: "Blood on the Moon" (as Hoodlum Priest) | |
Other crew | |||
| Dag Alveberg | .... | support: Nordic Film and Television Fund | |
| Daniel Auchab | .... | production assistant | |
| Caroline Behrens | .... | caterer | |
| Gert Behrens | .... | location manager | |
| Steen Bergholdt | .... | accountant | |
| Elmarie Botha | .... | production coordinator | |
| Neelsie Botha | .... | production assistant | |
| Laurence Brown | .... | legal advisor: Richards Butler Law Firm, London (as Lawrence Brown) | |
| Louise Cross | .... | assistant: Joyce Nettles | |
| Claire Downs | .... | script doctor | |
| Carlos K. Goodman | .... | legal advisor: Lichter, Grossman, Nichols & Adler, Inc. (as Carlos Goodman) | |
| Jakob Grønlykke | .... | assistant to director | |
| Jakob Grønlykke | .... | creative advisor | |
| Henrik Gutterman | .... | travel agent: Hemingways | |
| Jens Georg Hansen | .... | insurance: Marsh A.S. | |
| Carla Hoffman | .... | production assistant | |
| Karen Hogarty | .... | legal advisor: Richards Butler Law Firm, London | |
| Lars Kaaber | .... | advisor: Shakespeare text | |
| Ann Køj | .... | accountant (as Anne Koej) | |
| Tareq Kubaisi | .... | tk: VTR | |
| Linda Lichter | .... | legal advisor: Lichter, Grossman, Nichols & Adler, Inc. | |
| Hans Lönnerheden | .... | completion bond: Film Finances | |
| Dieter Mack | .... | production assistant | |
| Bibi Malby | .... | set assistant (as Bibi Husted Malby) | |
| Mikkel Maltha | .... | legal advisor: Zentropa Entertainment | |
| Jill McCullough | .... | dialogue coach | |
| Ingrid Morgen | .... | caterer | |
| Mette Nelund | .... | assistant: Vibeke Windeløv | |
| Gino Noli | .... | location manager | |
| Mikael Olsen | .... | support: The Danish Film Institute | |
| Frida Paustian | .... | production coordinator | |
| Carsten Rasch | .... | set assistant | |
| Ulrich Reik | .... | set assistant | |
| Katrine Schlüter | .... | legal advisor: Dragsted, Schlüter & Aros | |
| James Shirras | .... | completion bond: Film Finances | |
| Leonore Skousen | .... | production assistant | |
| Armelle Verenka | .... | set assistant | |
| Ann Vognsen | .... | accountant (as Anne Vogensen) | |
| Rikke Williams | .... | travel agent: Hemingways | |
Thanks | |||
| Sam Bassett | .... | special thanks | |
| Ginger Corbett | .... | special thanks | |
| Linda Hawkins | .... | special thanks | |
| Susan Jacobs | .... | special thanks (as Sue Jacobs) | |
| Brion James | .... | in memoriam | |
| Amy J. Kaufman | .... | special thanks (as Amy Kaufman) | |
| Gleb Klioner | .... | special thanks | |
| Leif Magnusson | .... | thank you for giving us light | |
| Jes Olson | .... | special thanks | |
| Paula Paisez | .... | special thanks | |
| Ulla Rørdam | .... | special thanks | |
| Paul Schwartzman | .... | special thanks (as I Consiglieri Paul Schwartzman) | |
| Jan Tvilling | .... | special thanks | |
| Ray Williams | .... | special thanks | |
| Katrine Winnicki | .... | special thanks | |
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| The Loss of Sexual Innocence | Prick Up Your Ears | O | King Lear | Runt |
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A brilliant and yet cruel tale of the human condition by the words of Shakespeare's King Lear. The true nature of this film is in the relationship between the rawness of the desert and the fragility of the social being. Amazingly, the spirit of the desert witnesses the demise of a group of people who are facing death, acting Shakespeare to deceive it and ironically get deceived by fate itself at the end. The realistic notion, given by hand-held camera as well by the wonderful colors captured, will dive one's in the crucial themes of the movie: death, love and hope.