| Photos (See all 23 | slideshow) |
| Adam Chubbuck | ... | Ken Park | |
| James Bullard | ... | Shawn | |
| Seth Gray | ... | Shawn's Brother | |
| Eddie Daniels | ... | Shawn's Mother | |
| Zara McDowell | ... | Zoe (as Zara Mcdowell) | |
| Maeve Quinlan | ... | Rhonda | |
| Stephen Jasso | ... | Claude | |
| Wade Williams | ... | Claude's Father (as Wade Andrew Williams) | |
| Tiffany Limos | ... | Peaches | |
| Julio Oscar Mechoso | ... | Peaches' Father (as Julio Oscar Mochoso) | |
| James Ransone | ... | Tate | |
| Patricia Place | ... | Tate's Grandmother | |
| Amanda Plummer | ... | Claude's Mother | |
| Mike Apaletegui | ... | Curtis | |
| Harrison Young | ... | Tate's Grandfather | |
| Ashley Crisp | ... | Rebekah (as Ashley E. Crisp) | |
| Lazavier James | ... | Rebekah's Friend | |
| Daniel Helwick | ... | Friend #1 | |
| Gabe Nava | ... | Friend #2 | |
| Sam Baptista | ... | Friend #3 | |
| Shanie Calahan | ... | Hannah | |
| Chelsey Earlywine | ... | Hannah's Girlfriend | |
| Bill Fagerbakke | ... | Bob (as Bill Faggerbakke) | |
| Richard Riehle | ... | Murph | |
| Caroline Kristiahn | ... | Prostitute | |
| Loranne Maze | ... | Ken Park's Girlfriend | |
| Luna | ... | Legs | |
| rest of cast listed alphabetically: | |||
| Larry Clark | ... | Hot-dog seller (uncredited) | |
| Elvis Strange | ... | (uncredited) | |
Directed by | |||
| Larry Clark | |||
| Edward Lachman | (as Ed Lachman) | ||
Writing credits | ||
| Harmony Korine | (screenplay) | |
| Larry Clark | (based on stories and characters by) | |
Produced by | |||
| Pascal Breton | .... | executive producer | |
| Olivier Brémond | .... | executive producer (as Olivier Bremond) | |
| Victoria Goodall | .... | line producer | |
| Kees Kasander | .... | producer | |
| Jean-Louis Piel | .... | producer | |
| Wang Wei | .... | associate producer | |
Cinematography by | |||
| Larry Clark | (photography) | ||
| Edward Lachman | (photography) (as Ed Lachman) | ||
Film Editing by | |||
| Andrew Hafitz | |||
Casting by | |||
| Carmen Cuba | |||
Production Design by | |||
| John DeMeo | (as John De Meo) | ||
Costume Design by | |||
| Michele Posch | |||
Makeup Department | |||
| Sabina Bonvillain | .... | hair designer (as Sabine M. Bonvillain) | |
| Sabina Bonvillain | .... | makeup designer (as Sabine M. Bonvillain) | |
| Jamie Escarra | .... | additional hair stylist | |
| Stacey Panepinto | .... | hair assistant | |
| Stacey Panepinto | .... | makeup assistant | |
Production Management | |||
| Charlie Vogel | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jennifer Fragoso | .... | second second assistant director | |
| Chad Rosen | .... | first assistant director | |
| Dawn Stewart | .... | second assistant director | |
Art Department | |||
| Reed Bernstein | .... | prop master | |
| Krit Fagtongpun | .... | swing | |
| Craig Getman | .... | lead man | |
| Jim Kingslan | .... | swing | |
Sound Department | |||
| Dennis Grzesik | .... | sound mixer (as Dennis 'Big D' Grzesik) | |
| Malaika Langa | .... | audio post coordinator | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Roland Vajs | .... | additional mixing | |
| Roland Vajs | .... | sound editor | |
| Magdaline Volaitis | .... | sound editor | |
| Stacey A. Washer | .... | boom operator | |
Special Effects by | |||
| Kam Cooney | .... | special effects (as Cam Kooney) | |
| P. David Miller | .... | special effects crew (as Paul D. Miller) | |
Visual Effects by | |||
| Reinier van Brummelen | .... | digital effects (as Reinier Van Brummelen) | |
Stunts | |||
| Lou Simon | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nicolas Amato | .... | best boy electric | |
| Bennett Cerf | .... | additional second assistant camera (as Bennet Cerf) | |
| Dale Cole | .... | grip | |
| John W. DeBlau | .... | lighting (as John W. Deblau) | |
| Jeff Dyer | .... | first assistant camera (as Jeff Dryer) | |
| Scott Eades | .... | best boy grip | |
| Gayle Hilary | .... | loader | |
| Courtney Jones | .... | key grip | |
| Julie Kovermusz | .... | grip: second unit | |
| Miek Krajci | .... | second assistant camera | |
| Leigh Ledare | .... | still photographer | |
| Dean Lent | .... | additional camera | |
| Dean Lent | .... | additional camera: second unit | |
| James McMillan | .... | key grip: second unit (as Jim Mcmillan) | |
| Steve Mulcahey | .... | key grip: second unit | |
| Tuan Nguyen | .... | video camera: second unit | |
| Kevin Blair Rogers | .... | additional loader (as Blair Rogers) | |
Casting Department | |||
| Natasha Cuba | .... | assistant casting director | |
| Joey 'Pain' Young | .... | extras casting: second unit | |
Costume and Wardrobe Department | |||
| Jasmine Kostraba | .... | assistant costume designer (as Jasmine Christina Kostraba) | |
| Michael Maize | .... | wardrobe assistant | |
Music Department | |||
| Matt Clark | .... | music consultant | |
| Howard Paar | .... | music supervisor | |
Transportation Department | |||
| George M. Geminiano | .... | driver (as George Geminjano) | |
| Doug S. MacLean | .... | transportation captain (as Doug S. Maclean) | |
| Mark E. Mobley | .... | transportation coordinator | |
Other crew | |||
| Rhonda Bingham | .... | paymaster | |
| Maxine Brooks | .... | studio teacher | |
| Krenton Caudle | .... | emergency medical technician: second unit (as Nrenton Caudle) | |
| Dwight Hovey | .... | studio teacher | |
| Brent M. Jones | .... | production consultant | |
| Leslie Kharma | .... | production office assistant | |
| Max Kraus | .... | assistant location manager | |
| Kent Linker | .... | studio teacher (as Kent Lanker) | |
| Jay Mason | .... | script supervisor | |
| Barb Maze | .... | baby wrangler | |
| Jonathan McCoy | .... | production coordinator (as Jonathan Mccoy) | |
| Joe McGraw | .... | locations (as Joe Mcgraw) | |
| Maggie Means | .... | production accountant | |
| Mark Moore | .... | set medic | |
| Jane Nisselson | .... | title design | |
| Mrs. Parker | .... | production therapist | |
| Irwin M. Rappaport | .... | legal services (as Irwin Rappaport) | |
| Leslie Rogers | .... | assistant production coordinator | |
| Leslie Rogers | .... | post production coordinator | |
| Steven Ruecker | .... | assistant to directors | |
| Gerry Villareal | .... | title design | |
| Dan Riley | .... | legal assistant (uncredited) | |
| Lou Simon | .... | fight choreographer (uncredited) | |
Thanks | |||
| Bruce Bennett | .... | thanks | |
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| Bully | Savage Grace | My Own Private Idaho | Head On | Novecento |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
ken park or krap nek as they say is basically four episodes with each episode dealing with an individual's family situation or lack thereof. These episodes are inter-cut within each other.
Though Larry's Clark's movies deal with very explicit, or "realistic" subject matter his presentation is overwrought. Characters are more caricatures than 'real' people. The zealot father, the aging housewife, the weird kid, the father with unrequited love. The scenes with these characters were hard for me to take in. The actions and reactions they take seemed so hackneyed to me. Could it be that Larry Clark is developing a "larry clarkness"? a style? As one who is purported to be a breaker of styles and conventions this movie was shot pretty conventionally with lots of sex. I wasn't too impressed with this effort. Some shots, as Larry Clark says, are there for realistic purposes but I just found it to be sensationalistic and unnecessary.
The cinematography was great that is probably due to the Ed Lachman. The blue and red tinge really added to their respective scenes. Probably use of tungsten for outdoors and daylight inside.
Correct me if I'm wrong but I could swear Larry Clark is moving from realism to symbolism. In one scene he has the family gather together on the front steps. Your good Ole' American suburban family, full of deceit and infidelity but putting up a great face none the less. It seemed like a tableau.