| Photos (see all 64 | slideshow) | Videos (see all 8) |
| Guy Pearce | ... | Leonard | |
| Carrie-Anne Moss | ... | Natalie | |
| Joe Pantoliano | ... | Teddy Gammell | |
| Mark Boone Junior | ... | Burt | |
| Russ Fega | ... | Waiter | |
| Jorja Fox | ... | Leonard's Wife | |
| Stephen Tobolowsky | ... | Sammy | |
| Harriet Sansom Harris | ... | Mrs. Jankis | |
| Thomas Lennon | ... | Doctor | |
| Callum Keith Rennie | ... | Dodd | |
| Kimberly Campbell | ... | Blonde | |
| Marianne Muellerleile | ... | Tattooist | |
| Larry Holden | ... | Jimmy | |
| rest of cast listed alphabetically: | |||
| Buzz Visconti | ... | Motel Guest (uncredited) | |
Directed by | |||
| Christopher Nolan | |||
Writing credits | ||
| Jonathan Nolan | (short story "Memento Mori") | |
| Christopher Nolan | (screenplay) | |
Produced by | |||
| Christopher Ball | .... | co-executive producer (as Chris J. Ball) | |
| Elaine Dysinger | .... | co-producer | |
| Aaron Ryder | .... | executive producer | |
| Emma Thomas | .... | associate producer | |
| Jennifer Todd | .... | producer | |
| Suzanne Todd | .... | producer | |
| William Tyrer | .... | co-executive producer | |
Original Music by | |||
| David Julyan | |||
Cinematography by | |||
| Wally Pfister | (director of photography) | ||
Film Editing by | |||
| Dody Dorn | |||
Casting by | |||
| John Papsidera | |||
Production Design by | |||
| Patti Podesta | |||
Set Decoration by | |||
| Danielle Berman | |||
Costume Design by | |||
| Cindy Evans | |||
Makeup Department | |||
| Scott H. Eddo | .... | key makeup artist (as Scott Eddo) | |
| Larry Waggoner | .... | key hair stylist | |
Production Management | |||
| Jenifer Chatfield | .... | post-production supervisor | |
| Page Rosenberg-Marvin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michael Musteric | .... | second second assistant director (as Michael J. Musteric) | |
| Robert Ohlandt | .... | second assistant director: second unit (as Robert J. Ohlandt) | |
| Christopher Pappas | .... | first assistant director | |
| Michelle Pappas | .... | second assistant director (as Michelle 'Muggs' Pappas) | |
| Marlon Smith | .... | first assistant director: second unit | |
| Chris Edmonds | .... | first assistant director (uncredited) | |
Art Department | |||
| Fanée Aaron | .... | draftsperson (as Fanee Aaron) | |
| Patrick Bolton | .... | swing gang | |
| Mark Lambert Bristol | .... | storyboard artist (as Mark Bristol) | |
| Randy Budka | .... | set painter | |
| Andrew Max Cahn | .... | draftsperson | |
| Erik Carlson | .... | assistant art director (as P. Erik Carlson) | |
| Lamont Carson | .... | propmaker | |
| Walsh Carvalho | .... | swing gang (as Walsh Creek Carvalho) | |
| Tessa Chasteen | .... | assistant property master (as Tessa 'Lucky' Chasteen) | |
| Derek Christensen | .... | stand-by carpenter | |
| Julia D'Agostino | .... | art department assistant | |
| Dan Dorfer | .... | head painter foreman | |
| Sean Fallon | .... | property master | |
| J.J. Fleisher | .... | swing gang | |
| Lilly Frank | .... | stand-by painter | |
| Katie Gonzalez | .... | propmaker (as Katie Sanner) | |
| William F. Graves II | .... | propmaker | |
| Jay Hadley | .... | art department assistant | |
| Jeff Leahy | .... | set painter | |
| Gabriel Lopez | .... | propmaker | |
| David Mocsary | .... | leadman | |
| Marilyn Morgan | .... | on-set dresser | |
| Liz Ruckdeschel | .... | art department assistant | |
| Paul A. Still | .... | construction coordinator | |
| Dan Wilson | .... | propmaker | |
Sound Department | |||
| Charlie Ajar Jr. | .... | sound recordist | |
| Michael C. Casper | .... | sound re-recording mixer (as Michael Casper) | |
| Norval D. Crutcher III | .... | adr supervisor (as Norval Crutcher III) | |
| Norval D. Crutcher III | .... | dialogue editor (as Norval Crutcher III) | |
| William Fiege | .... | sound mixer (as William M. Fiege) | |
| Diana Flores | .... | adr recordist | |
| Gary S. Gerlich | .... | supervising sound editor | |
| Jeff Gomillion | .... | adr mixer | |
| Alan Holly | .... | adr mixer | |
| William Hooper | .... | sound effects editor | |
| Richard LeGrand Jr. | .... | supervising sound editor | |
| Dean Minnerly | .... | foley artist | |
| Robert Muchnicki | .... | foley artist (as Rob Muchnicki) | |
| Patrick O'Sullivan | .... | sound effects editor | |
| Albert Romero | .... | foley mixer | |
| Walter Spencer | .... | dialogue editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Samuel Webb | .... | assistant sound editor | |
| Ace Williams | .... | boom operator | |
| Marilyn Graf | .... | foley editor (uncredited) | |
Special Effects by | |||
| Andrew Sebok | .... | special effects coordinator | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging: THDX (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
Stunts | |||
| Brian Avery | .... | stunts | |
| Christopher Doyle | .... | stunts (as Chris Doyle) | |
| Corey Michael Eubanks | .... | stunts (as Corey Eubanks) | |
| Steve Hulin | .... | stunts | |
| Julius LeFlore | .... | stunt coordinator (as Julius Leflore) | |
| Monte Rex Perlin | .... | stunts (as Monte Perlin) | |
Camera and Electrical Department | |||
| David Bodin | .... | best boy grip | |
| Kevin Chickanis | .... | key grip: second unit (as Kevin Chickauis) | |
| Eric M. Davis | .... | lamp operator | |
| Kenny Davis | .... | dolly grip | |
| Cory Geryak | .... | gaffer | |
| Bob Hall | .... | camera operator | |
| D.J. Harder | .... | first assistant camera: second unit (as David J. Harder) | |
| Toulouse Holliday | .... | best boy grip: second unit (as Shane Toulouse Holliday) | |
| Richard James Hughes | .... | second assistant camera: second unit (as Rich Hughes) | |
| Dan Lynch | .... | grip | |
| Jim McComas | .... | best boy electric | |
| Greg McEachen | .... | lamp operator (as Gregory E. McEachen) | |
| Daniel C. McFadden | .... | second assistant camera | |
| Jason Newton | .... | key grip | |
| Daniel C. Rothenberg | .... | still photographer (as Danny Rothenberg) | |
| Landon Ruddel | .... | gaffer (as Landen Ruddell) | |
| Joaquin Sedillo | .... | director of photography: second unit | |
| Philip Shanahan | .... | first assistant camera (as Phil Shanahan) | |
| Don Spiro | .... | lamp operator | |
| R. Michael Stringer | .... | grip | |
| Rachel Wells | .... | lamp operator | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Terrence Harris | .... | casting associate (as Terence Harris) | |
| Wendy O'Brien | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Anne Laoparadonchai | .... | set costumer | |
| Laura Marolakos | .... | assistant costume designer | |
Editorial Department | |||
| Jamie Burris | .... | post-production assistant | |
| Don Capoferri | .... | color timer | |
| Mike Grant | .... | first assistant editor | |
| Mato | .... | color timer (as Mato Der Avanessian) | |
| Cybele O'Brien | .... | apprentice editor | |
| Michael Matsumoto | .... | post-production assistant (uncredited) | |
| Chris Miller | .... | post-production services (uncredited) | |
Music Department | |||
| David Klotz | .... | music supervisor | |
| Mikael Sandgren | .... | music editor | |
Transportation Department | |||
| Robert Blatchford | .... | driver | |
| Bruce Callahan | .... | driver | |
| John Cardos | .... | driver (as John Bud Cardos) | |
| Gary DeVoe | .... | driver (as Gary Devoe) | |
| Dan Duffy | .... | driver | |
| Joe Feeney | .... | transportation captain (as Joseph R. Feeney) | |
| Denise Fligg | .... | driver | |
| P. Gerald Knight | .... | transportation coordinator | |
| Charles Newland | .... | driver | |
| Shaun Ryan | .... | driver | |
| Steve Shoemaker | .... | driver (as Steve 'Shoe' Shoemaker) | |
| Keven Simmons | .... | driver (as Keven Hale Simmons) | |
| Travis Stake | .... | driver | |
| Dan O. Wiseman | .... | driver | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
Other crew | |||
| Brent Amelingmeier | .... | executive: Newmarket | |
| Terrence Beasor | .... | adr voice | |
| Elizabeth A. Bergman | .... | post-production accountant (as Elizabeth Bergman) | |
| Jose Carrillo | .... | chef helper | |
| Rene Cogan | .... | executive: Newmarket | |
| John B. Crye | .... | executive: Newmarket (as John Crye) | |
| Vicki Davis | .... | adr voice | |
| John DeMita | .... | adr voice (as John Demita) | |
| Judi M. Durand | .... | adr voice (as Judi Durand) | |
| Russ Fega | .... | location manager | |
| Bennett Fidlow | .... | additional legal services (as Bennett J. Fidlow) | |
| Efrain Figueroa | .... | adr voice | |
| Greg Finley | .... | adr voice | |
| Jeff Fischer | .... | adr voice | |
| Antonio García | .... | chef | |
| Steve Gehrke | .... | script supervisor (as Steven R. Gehrke) | |
| David 'Cajun' Guilbeau | .... | craft service (as Cajun Guilbeau) | |
| Linda Hawkins | .... | executive: Newmarket | |
| Erika Hemmerle | .... | assistant: Jennifer Todd | |
| Rafael Hernandez | .... | chef helper | |
| Doris Hess | .... | adr voice | |
| Frank S. Johnson | .... | assistant: Suzanne Todd (as Frank Johnson) | |
| Monica Kenyon | .... | key set production assistant (as Monica M. Kenyon) | |
| Christina Kim | .... | assistant production coordinator | |
| Kenneth Kim | .... | executive: Newmarket | |
| Chad Lane | .... | stand-in | |
| Amanda Lawrence | .... | publicist | |
| Scott Leclau | .... | executive: Newmarket | |
| Larry T. Lewis | .... | production coordinator | |
| Ed McGrady | .... | production assistant | |
| Denise Mora | .... | first assistant accountant | |
| Bob Neill | .... | adr voice | |
| Jonathan Nolan | .... | production assistant (as Jonah Nolan) | |
| Scott Pierce | .... | stand-in | |
| Debra Pollack | .... | executive: Newmarket | |
| William M. Povletich | .... | production accountant (as William Povletich) | |
| Michelle Purple | .... | assistant: Suzanne Todd (as Michelle Glass) | |
| Jasan Sherman | .... | assistant location manager (as Howie Sherman) | |
| Audrey Tallard | .... | production assistant | |
| Marianne E. Titiriga | .... | assistant: Jennifer Todd (as Marianne Titiriga) | |
| Rhonda Wheelan | .... | craft service | |
| Cindy Wilkinson Kirven | .... | executive: Newmarket | |
| Anthony Woods | .... | first aid | |
| Jenny Worman | .... | stand-in | |
| Charlie Yook | .... | production assistant | |
| Ruth Zalduondo | .... | adr voice | |
| John B. Crye | .... | story editor (uncredited) | |
| Bridgette Kelley | .... | additional script supervisor (uncredited) | |
| Frederic Perrin | .... | caterer (uncredited) | |
Thanks | |||
| Howard Abramson | .... | special thanks | |
| Dan Aloni | .... | special thanks | |
| Chris Andrews | .... | special thanks | |
| Keya Khayatian | .... | special thanks | |
| Nancy Kirhoffer | .... | special thanks | |
| Gleb Klioner | .... | special thanks | |
| Stephanie Reuler | .... | special thanks | |
| Vanessa Ryder | .... | special thanks | |
| Michael Schenkman | .... | special thanks | |
| Michael Schlitt | .... | special thanks | |
| Todd Schulkin | .... | special thanks | |
| Diane Upson | .... | special thanks | |
| Patrick Wachsberger | .... | special thanks | |
| Cal Worthington | .... | special thanks | |
| Henry Wrenn-Meleck | .... | special thanks | |
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MEMENTO / (2001) ***1/2 (out of four)
By Blake French:
How is this for a scenario? A man breaks into your house in the middle of the night. He kills your wife and leaves you with brain injuries. Furious, you pledge your life to track down and kill whoever is responsible. There is just one problem: after the head injury, you are no longer capable of creating new memories; everything before the accident is crystal clear, but now you cannot remember anything past several minutes.
Now chew on this: what happens to guilt if you cannot remember what you did? How can a person have emotions if he does not know where they came from? How can we learn from our experiences if we cannot remember them. What is the purpose of revenge if someone cannot recollect or prosper from it?
"Memento" wins this year's prize for inducing the most audience participation. Not only is the film thought-provoking and unusually absorbing, but it also places us in the main character's shoes. How can we be in the same mental status with the main character when he cannot remember anything? Writer/director Christopher Nolan has that answer: he tells the story backwards. We begin at the end and work our way towards the beginning. However, each individual scene plays running forward, often overlapping, providing us with clear, constructive transitions. The main character, Leonard, is confused in prospects of time and experience, and so are we.
Other characters include Natalie (Carrie-Anne Moss, from "The Matrix"), who also lost someone close and can help Leonard, and Teddy (Joe Pantoliano, also from "The Matrix"), whose identity often shifts mysteriously. Then there is the series of flashbacks of Leonard's experiences while working as an insurance agent. The situation involves an individual named Sammy, who has a memory disorder similar to Leonard's. His diabetic spouse is not sure whether her husband is faking his condition or not. To prove it to herself she arranges a test I dare not reveal. Leonard is more intricately involved in this story than he even believes.
"Memento" is smart and imaginative. It doesn't pass up little details of the characters. Leonard is constantly jotting himself notes and taking Polaroid pictures so his life can make some sense. He even gets permanent tattoos all over his body so he does not lose or forget some of the most important information.
In a movie like this, it would be almost impossible to make without leaving some information out; even some of the film's actors were confused and requested a script told in sequence order. But these filmmakers have constructed a movie with a plot hole big enough to drive a semi through: If Leonard cannot remember anything after the accident, then how can he remember that he has a memory condition? There are no tattoos or notes to remind him, and whenever he meets someone he explains his condition thoroughly. This is necessary information he reveals, but there are better ways to do so. We could be there when his doctor explains the condition to him, or see his friends talking about it. The sky is the limit in a movie like this. It was not essential to leave such a massive, obvious hole in the plot.
"Memento" is still a unique mystery thriller. It is a tantalizing experience we do not often come across at the movies. For audiences who like to sit back and relax, this film is a waste of time. It requires us to follow along, participate, fit puzzle pieces together-"Memento" doesn't provide any easy or obvious answers. All but the most intelligent and thoughtful kids will not be able to follow this film; it is intended for adult audiences. "Memento" is one of the year's most challenging movies, not to be missed if you are looking for something clever and original.