IMDb > Mundo grúa (1999)

Mundo grúa (1999) More at IMDbPro »


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Overview

User Rating:
7.0/10   383 votes
MOVIEmeter: ?
Down 3% in popularity this week. See why on IMDbPro.
Director:
Writer:
Pablo Trapero (writer)
Contact:
View company contact information for Crane World on IMDbPro.
Release Date:
17 June 1999 (Argentina) more
Genre:
Plot:
The portrait of a man and his attempts to make things up with life after losing his job. | add synopsis
Plot Keywords:
Awards:
17 wins & 6 nominations more
NewsDesk:
Holiday Preview: A Repertory Calendar
 (From IFC. 3 November 2009, 1:01 PM, PST)

User Comments:
Like a radio portrait on NPR more (4 total)

Cast

  (in credits order)
Luis Margani ... Rulo
Adriana Aizemberg ... Adriana
Daniel Valenzuela ... Torres
Rolly Serrano ... Walter
Graciana Chironi ... Rulo's mother
Federico Esquerro ... Claudio
Alfonso Rementería
rest of cast listed alphabetically:
Alejandro Zucco ... Zucco
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Directed by
Pablo Trapero 
 
Writing credits
(in alphabetical order)
Pablo Trapero  writer

Produced by
Lita Stantic .... producer
Pablo Trapero .... producer
 
Cinematography by
Cobi Migliora 
 
Film Editing by
Nicolas Goldbart 
 
Production Design by
Andrés Tambornino 
 
Production Management
Hernán Musaluppi .... production manager
 
Sound Department
Federico Esquerro .... sound
David Miranda .... sound mixer
Catriel Vildosola .... sound
 
Camera and Electrical Department
Cristian Vega .... assistant camera
 
Other crew
Matías Mosteirín .... production assistant (uncredited)
 

Production CompaniesDistributors
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Additional Details

Also Known As:
Crane World (International: English title) (USA)
Hoch hinaus (Germany) [de]
Kosmos-geranos (Greece) (festival title) [el]
Mondo Grua (Italy) [it]
Mundo grúa (France) [fr]
more
Runtime:
90 min
Country:
Language:
Aspect Ratio:
1.66 : 1 more
Sound Mix:

FAQ

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8 out of 16 people found the following comment useful.
Like a radio portrait on NPR, 19 June 2003
5/10
Author: B24 from Arizona

That's really all one can compare this film with. One of those verbal slices of life that no one really listens to unless trapped in a moving car on a transcontinental highway about a hundred miles outside Albuquerque.

Not that it's entirely boring. The script and direction are coherent, and the viewer can certainly identify with the main character as another poor schmoe who's been run over by life, with no way out. In a way, it elicits a positive reaction because Rulo, the fiftyish and overweight protagonist, never seems to lose spirit as he suffers one telling blow after another.

As with many other recent films coming out of post-fascist South America, it is moreover revealing of the intense personal struggles these basically European people have faced as time continues to run against them in terms of their general redundancy within the context of a world economy.

In a word, sad. But I would watch it again if only to find those small connections with a more universal meaning, like how important it is personally not to give up against great odds. For all his problems, Rulo still possesses the love of his friends, his family, and his sweetheart.

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