| Sydney Arnold | |||
| Guy Bertrand | |||
| Andrew Bicknell | |||
| Ross Davidson | |||
| Myrtle Devenish | |||
| Tim Douglas | |||
| Eric Francis | |||
| Matt Frewer | |||
| Billy John | |||
| Russell Kilmister | |||
| Peter Mantle | |||
| Len Marten | |||
| Peter Merrill | |||
| Cameron Miller | |||
| Gareth Milne | |||
| Larry Noble | |||
| Paddy Ryan | |||
| Leslie Sarony | |||
| John Scott Martin | |||
| Eric Stovell | |||
| Wally Thomas | |||
| Jack Armstrong | |||
| Robert Carrick | |||
| Douglas Cooper | |||
| George Daly | |||
| Chick Fowles | |||
| Terry Grant | |||
| Robin Hewlett | |||
| Tommy Isley | |||
| Juba Kennerley | |||
| Tony Lang | |||
| John Murphy | |||
| Terry Rendell | |||
| Ronald Shilling | |||
| Albert Welch | |||
| rest of cast listed alphabetically: | |||
| Michael Palin | ... | Workman | |
| Graham Chapman | ... | Clerk (uncredited) | |
| Terry Gilliam | ... | Workman (uncredited) | |
| Terry Jones | ... | Clerk (uncredited) | |
Directed by | |||
| Terry Gilliam | |||
Writing credits | ||
| Terry Gilliam | (written by) | |
Original Music by | |||
| John Du Prez | |||
Cinematography by | |||
| Roger Pratt | |||
Art Direction by | |||
| John Beard | |||
Makeup Department | |||
| Elaine Carew | .... | makeup artist | |
| Sallie Evans | .... | hair stylist | |
| Maureen Stephenson | .... | hair stylist | |
Sound Department | |||
| Debbie Kaplan | .... | sound mixer | |
Visual Effects by | |||
| Michael Beard | .... | model maker | |
| Peter Pullen | .... | model maker | |
Camera and Electrical Department | |||
| John Clark | .... | electrician | |
| Clive Coote | .... | still photographer | |
| Mark Cridlin | .... | clapper loader | |
| Tony Cridlin | .... | grip | |
| John Ignatius | .... | focus puller | |
| Sue Knight | .... | clapper loader | |
| Reg Parsons | .... | best boy | |
| Roy Rodhouse | .... | gaffer | |
| Malcolm Smith | .... | grip | |
| Toby Tyler | .... | electrician | |
| Geo. J. White | .... | electrician | |
Costume and Wardrobe Department | |||
| Joyce Stoneman | .... | wardrobe | |
Other crew | |||
| Patricia Carr | .... | production assistant | |
| William Hobbs | .... | fight arranger | |
| Maggie Jones | .... | continuity | |
| Recent Posts (updated daily) | User |
|---|---|
| Seperate movie? | Raedzeck |
| Is Gilliam an auteur? | nicklockey |
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| 10,000 BC | The Secret of Treasure Island | The Transformers: The Movie | Star Wars | Treasure Island |
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| Full cast and crew | Company credits | News articles |
| IMDb Adventure section | IMDb UK section |
The short film that directly precedes The Meaning of Life by Monty Python(meaning, it runs directly before the rest of the film starts), this was put together by Terry Gilliam, the masterful director among the team, and the man behind both Twelve Monkeys and the animations that the team include in the Flying Circus television series. I have to admit that this is my least favorite of all of the full production, but it can't be claimed that this is not well-done. Direction is top-notch, and the whole thing runs very smoothly. Acting fits well. Production values are all of very high quality. The music and score is great, and this even gets a Monty Python song, and a good one at that. Cinematography and editing(save for just a few obvious cuts for effects) are rather good. This hardly features the Monty Python people(on-screen) at all, save for a few cameos. It's got a run-time of 16 minutes or so, if you count the credits. The pacing is marvelous. It doesn't overstay its welcome, nor does it end before it should. It has the utter madness and bizarre humor that most things Python do, coupled with that of Gilliam himself. The ending itself is typically Monty Python, and a fitting end. I recommend this to any fan of Gilliam and Monty Python, but do give the rest of The Meaning of Life your time and attention, too... I personally think it's worth it. 7/10