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Directed by | |||
| Agnès Jaoui | |||
Writing credits(in alphabetical order) | ||
| Jean-Pierre Bacri | ||
| Agnès Jaoui | ||
Produced by | |||
| Christian Bérard | .... | producer | |
| Charles Gassot | .... | producer | |
| Jacques Hinstin | .... | executive producer | |
Original Music by | |||
| Jean-Charles Jarrel | |||
Cinematography by | |||
| Laurent Dailland | |||
Film Editing by | |||
| Hervé de Luze | |||
Casting by | |||
| Brigitte Moidon | |||
Production Design by | |||
| François Emmanuelli | |||
Set Decoration by | |||
| Marie Cheminal | |||
Costume Design by | |||
| Jackie Budin | (as Jackie Stephens-Budin) | ||
Makeup Department | |||
| Sarah Guetta | .... | hair stylist | |
| Philippe Mangin | .... | hair stylist | |
| Jacky Reynal | (as Jackie Reynal) | ||
| Catherine Vrignaud | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Sébastien Deux | .... | second assistant director | |
| Antoine Garceau | .... | first assistant director | |
| Beryl Peillard | .... | assistant director trainee | |
Art Department | |||
| Marie Cheminal | .... | set dresser | |
| Ludovic Erbelding | .... | construction coordinator | |
| Denis Hager | .... | property master | |
| Philippe Lacomblez | .... | first assistant decorator | |
| Marie Rossignol | .... | painter | |
Sound Department | |||
| Jacques Ballay | .... | sound assistant | |
| Nicolas Becker | .... | foley artist | |
| Laurent Boudaud | .... | sound engineer | |
| Katia Boutin | .... | dialogue editor | |
| Assia Dnednia | .... | assistant foley artist (as Assia Zipper-Dnednia) | |
| Jean-Pierre Duret | .... | sound engineer | |
| Philippe Escanecrabe | .... | sound mixer | |
| Dominique Gaborieau | .... | sound | |
| Michel Klochendler | .... | sound editor | |
| Jean-Noël Yven | .... | sound effects editor | |
Special Effects by | |||
| Georges Demétrau | .... | special effects | |
| Pascal Fauvelle | .... | special effects | |
Visual Effects by | |||
| Frederic Moreau | .... | visual effects | |
Stunts | |||
| Jorge Lorca | .... | stunts (as George Lorca) | |
| Yoni Roch | .... | stunts | |
| Daniel Vérité | .... | stunts | |
Casting Department | |||
| Laurent Soulet | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sophie Breton | .... | costumer | |
| Ann Dunsford | .... | costumer (as Anne Dunsford-Varenne) | |
Editorial Department | |||
| Elise Fievet | .... | assistant editor | |
| Céline Jolivel | .... | assistant editor | |
| Isabelle Julien | .... | color timer | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Valérie Lindon | .... | music producer | |
Other crew | |||
| Sylvie Chevereau-Marchais | .... | production administrator | |
| Marie-Paule Ester | .... | production secretary | |
| Brigitte Hedou | .... | script supervisor (as Brigitte Hédou-Prat) | |
| Thierry Valletoux | .... | reportage | |
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| Rois et reine | Ceux qui m'aiment prendront le train | La règle du jeu | La maman et la putain | Gegen die Wand |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
A slice of potentially real French life, elegantly portrayed with the believable people ('characters' is the wrong word) being eminently watchable. It's a witty comedy that plays as a tragedy. The excellent screenplay reveals itself hesitantly, but that is the charm. The audience joins the story in the middle and leaves it before the end. The subtle everyday conflict of clashing tastes born of different beliefs - and no few prejudices - may seem rather boring plot compared with the latest Hollywood caper, but it leaves a magnificent impression of social relevance. And if you have not experienced the culture of everyday France, pay attention to the focal point the cafe takes. A word of praise to the two main architects: co-author (Agnes Jaoui) who directs herself as the barmaid (Manie) and her coauthor (Jean-Pierre Bacri) who writes himself the somewhat awful role of Castella. I must look out for their other works.