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Le goût des autres (2000)
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Overview
User Rating:
Director:
Writers:
Release Date:
1 March 2000 (France)
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Tagline:
The Sexy Comedy About Good Taste... And Bad Manners!
Plot:
Three men, three women, opposites, possibilities, and tastes. Castella owns a industrial steel barrel...
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| add synopsis
Awards:
Nominated for Oscar.
Another 14 wins
&
11 nominations
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User Comments:
Mammon meets art in an intelligent and witty French drama
more (46 total)
Cast
(Cast overview, first billed only)| Anne Alvaro | ... | Clara Devaux | |
| Jean-Pierre Bacri | ... | Jean-Jacques Castella | |
| Alain Chabat | ... | Bruno Deschamps | |
| Agnès Jaoui | ... | Manie | |
| Gérard Lanvin | ... | Franck Moreno | |
| Christiane Millet | ... | Angélique | |
| Wladimir Yordanoff | ... | Antoine | |
| Anne Le Ny | ... | Valérie, l'habilleuse | |
| Brigitte Catillon | ... | Béatrice | |
| Xavier De Guillebon | ... | Weber | |
| Raphaël Dufour | ... | Benoît | |
| Bob Zaremba | ... | Fred | |
| Sam Karmann | ... | Le metteur en scène | |
| Marie Agnès Brigot | ... | La secrétaire de Castella | |
| Robert Bacri | ... | Le père de Castella |
Additional Details
Also Known As:
The Taste of Others (Canada: English title) (USA)
It Takes All Kinds (International: English title)
I andras ögon (Finland: Swedish title) (Sweden) [sv]
De andres smag (Denmark) [da]
El gusto de los otros (Argentina) [es]
Gusta i gusciki (Poland) [pl]
Il gusto degli altri (Italy) [it]
Kukin makunsa mukaan (Finland) [fi]
Lust auf anderes (Germany) [de]
O Gosto dos Outros (Portugal) [pt]
Para todos los gustos (Spain) [es]
Peri orexeos... (Greece) [el]
Teiste maitse (Estonia) [et]
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It Takes All Kinds (International: English title)
I andras ögon (Finland: Swedish title) (Sweden) [sv]
De andres smag (Denmark) [da]
El gusto de los otros (Argentina) [es]
Gusta i gusciki (Poland) [pl]
Il gusto degli altri (Italy) [it]
Kukin makunsa mukaan (Finland) [fi]
Lust auf anderes (Germany) [de]
O Gosto dos Outros (Portugal) [pt]
Para todos los gustos (Spain) [es]
Peri orexeos... (Greece) [el]
Teiste maitse (Estonia) [et]
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MPAA:
Rated R for language and drug content.
Parents Guide:
Runtime:
112 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Canada:14+ (Ontario) |
South Korea:15 |
Argentina:13 |
Australia:M |
Brazil:14 |
Chile:14 |
Finland:S |
France:U |
Germany:6 (bw) |
Hong Kong:IIA |
Italy:T |
Netherlands:AL |
Peru:14 |
Portugal:M/12 |
Spain:T |
Sweden:Btl |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
UK:15 |
USA:R
Filming Locations:
Fun Stuff
Trivia:
In the final scene of the movie Bruno (Alain Chabat) plays the theme of Edith Piaf's "Je ne regrette rien"
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Movie Connections:
Featured in "Siskel & Ebert & the Movies: (2001-03-03)" (2001)
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Soundtrack:
Caressé moin
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FAQ
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Message Boards
Discuss this movie with other users on IMDb message board for Le goût des autres (2000)| Recent Posts (updated daily) | User |
|---|---|
| Subbing | ma399656 |
| I hate to be such a stupid American sometimes but... | Cardiff-Giant |
| US DVD edition | k_st_m |
| If you said out loud what you felt... | bronwyne_james |
Recommendations
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Related Links
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| IMDb Comedy section | IMDb France section | Add this title to MyMovies |

A rich but uncultured provincial businessman falls for a local actress and pushes himself into her circle of arty friends. Initially they see him as a Philistine and treat him as a joke, but their attitudes change when he becomes a potential buyer for their work. Meantime, his interior designer wife is forcing her chintzy styles onto his sister who has moved in nearby, and his bodyguard and his driver are having to deal with their own shortcomings in their amorous encounters with a local barmaid.
The interwoven sub-plots, the intelligent characterisation and the witty dialogue make this a sophisticated drama in the best sense. The film indulges neither the shallow bourgeoisie nor the supercilious bohemians, but all the characters are real and believable.
If the plot offers no easy solutions to the complex needs and insecurities of its characters, it does at least show each of them, in his or her own way, learning something significant about themselves and about other people. The two leading characters in particular come to see each other in a more accepting light, and a direction for the future is opened up.
The confidence, intelligence and humour with which director Agnes Jaoui presents these tangled lives are a pleasure to experience, and she offers a refreshing and very European alternative to the more clichéd characterisation favoured by Hollywood.