IMDb > Vykrutasy (1988)

Vykrutasy (1988) More at IMDbPro »


Overview

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Director:
Writer:
Garri Bardin (screenplay)
Release Date:
4 April 2001 (France) See more »
Genre:
Awards:
3 wins See more »
User Reviews:
Short Animation Masterpiece See more (1 total) »

Directed by
Garri Bardin 
 
Writing credits
(in alphabetical order)
Garri Bardin  screenplay

Cinematography by
Vladimir Sidorov 
Igor Skidan-Bosin 
 
Film Editing by
Galina Filatova  (as G. Filatova)
 
Art Direction by
Irina Lennikova 
 
Production Management
Grigoriy Khmara .... production manager (as G. Khmara)
 
Sound Department
Vladimir Kutuzov .... sound (as V. Kutuzov)
 
Animation Department
Lidiya Mayatnikova .... animator
Irina Sobinova-Kassil .... animator
 
Music Department
Aleksandr Klevitskiy .... music arranger (as A. Klevitskiy)
 
Other crew
Vladimir Abbakumov .... participator (as V. Abbakumov)
Vladimir Alisov .... participator (as V. Alisov)
Aleksandr Belyaev .... participator (as A. Belyaev)
Aleksandr Maksimov .... participator (as A. Maksimov)
Vladimir Maslov .... participator (as V. Maslov)
Tatyana Paporova .... script editor (as T. Paporova)
 

Production Companies

Additional Details

Also Known As:
"The Coiling Prankster" - International (English title) (informal title)
"Fioritures" - France
See more »
Runtime:
10 min
Country:
Language:
None
Color:

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3 out of 3 people found the following review useful.
Short Animation Masterpiece, 6 June 2005
Author: Daniel Poeira (danielpoeira@gmail.com) from Belo Horizonte, Brazil

Garri Bardin presents us with another animation classic in this creative movie about a man made out of wire.

The movie begins in a metalinguistic fashion, with a roll of wire slowly uncoiling itself until becoming a man. He then begins to build things with the wire he has left. But soon his peace is broken by several kinds of invaders, and he needs to balance the wire he has left with his needs for privacy and protection of his private property.

I had never seen wire animated like this. Bardin creates very interesting shapes, and the appearance of the characters and scenarios keep changing from 3d to 2d without being neither of them. The man, the dog and the woman are all very expressive, and he also makes great use of light - which is hard, considering that most things in the movie are transparent and cast no shadows! A must see!

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