7.2/10
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109 user 66 critic

L.I.E. (2001)

A 15-year-old Long Island boy loses everything and everyone he knows, soon becoming involved in a relationship with a much older man.

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20 wins & 18 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Howie Blitzer (as Paul Franklin Dano)
...
Marty Blitzer
...
James Costa ...
Tony Michael Donnelly ...
Brian (as Tony Donnelly)
Michelle Carano ...
Newscaster
Tatiana Burgos ...
Marty's Girlfriend
...
B. Constance Barry ...
Anne Harrigan
...
Scott
Brad Silnutzer ...
Henry
Bob Gerardi ...
Clifford
...
Elliot
Frank Rivers ...
Man with Pizza (as Frank G. Rivers)
Anthony F. Peragine ...
Tough Kid #1
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Storyline

Fifteen-year-old Howie loses just about everything and everyone in the space of a single week, but ends up finding himself in the process. His mother has just died. His father, a building contractor, can barely keep tabs on his young girlfriend, let alone his own son. Thusly, the teen must navigate his adolescence virtually unsupervised. Floating towards an ill-behaved existence, Howie and his crowd begin robbing houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary break into a place belonging to an old guy named Big John, a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been leading a secret, dangerous but also alluring double life. Subsequently, we also discover that Big John has secrets of his own. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

On the Long Island Expressway there are lanes going east, lanes going west, and lanes going straight to hell.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content involving teens, language and brief violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 November 2002 (UK)  »

Also Known As:

L.I.E. Long Island Expressway  »

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Box Office

Budget:

$700,000 (estimated)

Opening Weekend USA:

$82,530, 9 September 2001, Limited Release

Gross USA:

$1,141,829, 24 February 2002
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Brian Cox took the part of Big John Harrigan against the advice of most of his colleagues and his agent. See more »

Goofs

As Marty searches for his stolen money just before being arrested, the big screen TV in his room is off, but when Howie gets home and looks for his dad, the TV is on. See more »

Quotes

[first lines]
Howie: L.I.E. Long Island Expressway. You got the lanes going east, and you got the lanes going west. And you also got the lanes going straight to hell. Lot of people died on it. Harry Chapin, Alan Pakula, the movie director. You probably heard of them. But you never heard of Sylvia Blitzer, my mom. She died on a crash on Exit 52. I really miss her. It's taken a lot of people and I hope it doesn't get me.
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Connections

Spoofs The Blair Witch Project (1999) See more »

Soundtracks

Tune In-Turn On-Drop Dead
Written by M. Kinnander/H. Baumgartner/C. Sepulveda/H. Wilholm
Published by Sweden Music AB
Administered by Universal Music Publishing AB & Universal-Polygram
International Publishing Inc. (ASCAP)
Performed by Psycore
Courtesy of V2 Records, Inc.
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User Reviews

 
A Film About Consequences
23 June 2002 | by See all my reviews

This is a great little film about consequences. Howie is a typically confused but bright middle class kid with a one dimensional father and lug-nuts for friends. This film explores the soft underbelly of middle class Long Island, as well as the consequences that are borne as a result. Howie's explorations for attention lead him dangerously close to a pedophile who is more than willing to play "dad" to the affection starved teen. The low-budget aspects of this movie are not distracting, and though the subject matter is raw, the scenes are handled with taste. The film is kept honest through some thoughtful provocation, and the audience is kept honest as well. This film should be seen by parents of teens, and especially seen by anyone who is a father.


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