Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
After 20 years on the road with Blue Oyster Cult, Jimmy Testagros returns to his hometown to life with his ailing mother. Complications arise when he falls for an old friend, who is now married to his longtime nemesis.
Fifteen-year-old Howie loses just about everything and everyone in the space of a single week, but ends up finding himself in the process. His mother has just died. His father, a building contractor, can barely keep tabs on his young girlfriend, let alone his own son. Thusly, the teen must navigate his adolescence virtually unsupervised. Floating towards an ill-behaved existence, Howie and his crowd begin robbing houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary break into a place belonging to an old guy named Big John, a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been leading a secret, dangerous but also alluring double life. Subsequently, we also discover that Big John has secrets of his own. Written by
Sujit R. Varma
The poem Howie recites in the car is "Out of the Cradle Endlessly Rocking" by Walt Whitman. See more »
When Big John is slowly pulling his car alongside Howie (just before Howie accepts the offer of getting to drive the car), a crew member is seen on the right pushing the car. See more »
L.I.E. Long Island Expressway. You got the lanes going east, and you got the lanes going west. And you also got the lanes going straight to hell. Lot of people died on it. Harry Chapin, Alan Pakula, the movie director. You probably heard of them. But you never heard of Sylvia Blitzer, my mom. She died on a crash on Exit 52. I really miss her. It's taken a lot of people and I hope it doesn't get me.
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As a sexuality educator I was impressed by the straightforward, nonjudgmental nature of a rather difficult topic. I vacillated between giving this film an 8 or a 9 and decided on 9 because we need more films like this. This topic requires understanding, not acceptance mind you, but real honest understanding. The very fact that it was given an nc-17 rating is part of the problem with our society. There was about as much sex as I've seen in R or even PG-13 movies, the rating was obviously ONLY because of the uncomfortable subject matter. How can society solve a problem that it clearly does not even want to talk about, let alone understand?
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