| Photos (see all 5 | slideshow) |
| Anaïs Reboux | ... | Anaïs Pingot | |
| Roxane Mesquida | ... | Elena Pingot | |
| Libero De Rienzo | ... | Fernando | |
| Arsinée Khanjian | ... | Mother | |
| Romain Goupil | ... | François Pingot / Father | |
| Laura Betti | ... | Fernando's Mother | |
| Albert Goldberg | ... | The Killer | |
| Odette Barrière | ... | Friend at Residence | |
| Ann Matthijsse | ... | Friend at Residence | |
| Pierre Renverseau | ... | Friend at Residence | |
| Jean-Marc Boulanger | ... | Friend at Residence | |
| Frederick Bodin | ... | Waiter | |
| Michel Guillemin | ... | Janitor | |
| Josette Cathalan | ... | Saleswoman | |
| Claude Sese | ... | Police Officer | |
| Marc Samuel | ... | Inspector |
Directed by | |||
| Catherine Breillat | |||
Writing credits(in alphabetical order) | ||
| Catherine Breillat | writer | |
Produced by | |||
| Conchita Airoldi | .... | co-producer: Urania Pictures | |
| Jean-François Lepetit | .... | producer: Flach Film | |
Cinematography by | |||
| Giorgos Arvanitis | |||
Film Editing by | |||
| Pascale Chavance | |||
Casting by | |||
| Fabrice Bigot | |||
| Gilles Cannatella | |||
| Olivier Carbone | |||
| Nicolas Lublin | |||
| Michaël Weill | |||
Production Design by | |||
| François-Renaud Labarthe | |||
Set Decoration by | |||
| Cécilia Blom | |||
| Fabienne David | |||
| Christophe Graziani | |||
| Fabrice Héraud | |||
| Gérald Lemaire | |||
| Jean-Luc Molle | |||
| Yann Richard | |||
Costume Design by | |||
| Ann Dunsford | (as Anne Dunsford-Varenne) | ||
| Catherine Meillan | |||
Makeup Department | |||
| Dominique Colladant | .... | special makeup effects artist | |
| Monique Kaiser | .... | assistant makeup artist | |
| Claire Monatte | .... | key makeup artist | |
| Patrick Peloille | .... | key hair stylist | |
| Fabien Tuizat | .... | assistant special makeup effects | |
Production Management | |||
| Bernard Brun | .... | post-production supervisor | |
| Pierre Cordonnier | .... | assistant unit manager | |
| Fredy Lagrost | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Fabrice Bigot | .... | second assistant director | |
| David Santini | .... | third assistant director | |
| Michaël Weill | .... | first assistant director | |
Art Department | |||
| Marie Chapuis | .... | painter | |
| Max-Olivier Ducout | .... | construction manager | |
| Pascal Guyot | .... | constructor | |
| François Hennequin | .... | painter | |
| Alexis Jorand | .... | painter | |
| Christian Lionel | .... | constructor | |
| Guy Lionel | .... | painter | |
| Françoise Malaplate | .... | painter | |
| Julien Poitou-Weber | .... | property master | |
| Roger Saillard | .... | constructor | |
| Pierre Eric Yakovenko | .... | constructor | |
Sound Department | |||
| Salim Amrani | .... | sound mixer | |
| Vincent Arnardi | .... | sound re-recording mixer | |
| Frédéric Attal | .... | sound editor | |
| Erwan Kerzanet | .... | sound assistant | |
| Sylvain Lasseur | .... | sound editor | |
| Jean Minondo | .... | sound | |
| Jean-Max Morise | .... | post-synchronization engineer | |
| Philippe Penot | .... | foley artist | |
| Olivier Villette | .... | sound assistant | |
Stunts | |||
| Francis Bataille | .... | stunts | |
| Gilbert Bataille | .... | stunts | |
| Michel Carliez | .... | stunt coordinator | |
| Gaëlle Cohen | .... | stunts | |
| David Julienne | .... | stunts | |
| Michel Julienne | .... | assistant stunt coordinator | |
| Michel Norman | .... | car dolly stunts | |
Costume and Wardrobe Department | |||
| Janet Latimer | .... | costumer | |
| Janine Schlumberger | .... | seamstress | |
Editorial Department | |||
| Frédéric Barbe | .... | second assistant editor | |
| Jean-Marc Grégois | .... | color timer | |
| Gwenola Heaulme | .... | first assistant editor | |
Music Department | |||
| Jean-Paul Jamot | .... | musician: guitar | |
| Fabrice Nguyen Thai | .... | musician: guitar | |
Thanks | |||
| Marie-Hélène Breillat | .... | thanks | |
| Claire Clouzot | .... | thanks | |
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| Novecento | Caligola | Mysterious Skin | Vers le sud | Malèna |
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It seems to me most the public did not enjoy this particular movie as it is not the kind of movie with a happy or funny ending. This movie comes with a more real-life ending. While this may not be something most the public may wish to see, I was glad to see a film this daring being shown to the public. I believe the film truly shows the unhappy reality of humanity these times and what today's selfish mankind will do to meet certain animalistic needs.
Regards.