Based on a true story, primarily on a conflict between two youth gangs, a 14-year-old boy's girlfriend conflicts with the head of one gang for an unclear reason, until finally the conflict comes to a violent climax.
Lung, a former member of the national Little League team and now operator of an old-style fabric business, is never able to shake a longing for his past glory. One day, he runs into a forme... See full summary »
When a well known businessman goes missing, owing $100m to Taipei's underworld, two hoods decide to follow his son, the leader of a youth gang. A small group of trendy foreigners gets caught up in the action.
A-yuan and A-yun are both from the small mining town of Jio-fen. In the city, A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone ... See full summary »
An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral ... See full summary »
Pickle is a night security guard at a bronze statue factory. His colleague, Belly Bottom, works as a recycling collector during the day, and Pickle's biggest pleasure in life is flicking ... See full summary »
Bamboo Chu-Sheng Chen,
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his wife suffers a spiritual crisis when she finds her life a blank, his business partners make bad decisions against his advice, and he reconnects with his first love 30 years after he dumped her. His teenage daughter Ting-Ting watches emotions roil in their neighbors' flat and is experiencing the first stirrings of love. His 8-year-old son Yang-Yang is laconic like his dad and pursues truth with the help of a camera. "Why is the world so different from what we think it is?" asks Ting-Ting. Written by
Although Yi Yi (2000) is often regarded as one of the greatest Taiwanese films ever made, it is never officially released to the public in Taiwan (2015). See more »
I'm sorry, Grandma. It wasn't that I didn't want to talk to you. I think all the stuff I could tell you... You must already know. Otherwise, you wouldn't always tell me to 'Listen!' They all say you've gone away. But you didn't tell me where you went. I guess it's someplace you think I should know. But, Grandma, I know so little. Do you know what I want to do when I grow up? I want to tell people things they don't know. Show them stuff they haven't seen. It'll be so much fun. Perhaps one day......
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This insightful, beautifully written and directed film contemplates
on many things concerning the modern individual. The focus is a
family in Taipei, the feelings, struggles, conflicts of family
members at different life stages. The architecture is used as a part
of the story, the surroundings the characters are in, always seem
to tell us something about that particular situation. The effects of
modernity and capitalism on the individual and traditional values
are aptly analyzed and basic human emotions like love,
loneliness, commitment and frustration are contemplated with a
hard to match observation and tenderness. The little boy seems to
verbalize the director's approach to film making: "We only
understand half of everything because we can only see what's in
front of us." and Yang's camera aptly shows us "the other side" of
every situation. As a character says "with films, we experience
many more lives than we actually can in one lifetime" and this film
is a whole life experience in 3 hours.
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