| Karen Lancaume | ... | Nadine (as Karen Bach) | |
| Raffaëla Anderson | ... | Manu | |
| Céline Beugnot | ... | Blonde at Billiards | |
| Adama Niane | ... | Boy at Billiards | |
| Christophe Claudy Landry | ... | Guy at Counter | |
| Tewfik Saad | ... | Server | |
| Delphine McCarty | ... | Severine | |
| Ouassini Embarek | ... | Radouan | |
| Patrick Kodjo Topou | ... | Big Thug (as Patrick-Kodjo Topou) | |
| Lisa Marshall | ... | Karla | |
| Hacène Beddrouh | ... | Lakim | |
| Patrick Eudeline | ... | Francis | |
| Ian Scott | ... | Rapist #1 | |
| Philippe Houillez | ... | Rapist #2 | |
| Steven Jhonsson | ... | Rapist #3 | |
| Gil Stuart | ... | Nadine's Client | |
| Alexandre Milord | ... | Receptionist, Hotel Francis | |
| Élodie Chérie | ... | Lady Distributor | |
| Karim Sabaddehine | ... | Big Guy | |
| Titof | ... | Little Guy | |
| Jean-Marc Minéo | ... | Arms Seller | |
| Gábor Rassov | ... | Guy with Hood (as Gabor Rassov) | |
| Marc Barrow | ... | Receptionist, Seaside Hotel | |
| Rodolphe Antrim | ... | The Local | |
| Estelle Isaac | ... | Alice | |
| Hervé P. Gustave | ... | Martin (as H.P.G) | |
| Karim Chala | ... | Big Thug | |
| Simon Nahoum | ... | Big Thug | |
| Marc Rioufol | ... | Architect | |
| Nathalie Dune | ... | BAP | |
| Dany | ... | BAP | |
| Sebastian Barrio | ... | BAP (as Sébastian Barrio) | |
| Pascal Saint-James | ... | BAP (as Pascal St. James) | |
| Jean-Louis Costes | ... | Man in Sex Club (La 'Truie') | |
| Sylvain Cahen-Delabre | ... | Dead Body | |
| Jacques Sans | ... | Dead Body | |
| Didier Gardette | ... | Dead Body |
Directed by | |||
| Virginie Despentes | |||
| Coralie | (co-director) (as Coralie Trinh Thi) | ||
Writing credits(in alphabetical order) | ||
| Coralie | (as Coralie Trinh Thi) | |
| Virginie Despentes | novel | |
| Virginie Despentes | screenplay | |
Produced by | |||
| Dominique Chiron | .... | executive producer | |
| Philippe Godeau | .... | producer | |
Original Music by | |||
| Varou Jan | |||
Cinematography by | |||
| Benoît Chamaillard | |||
Film Editing by | |||
| Aïlo Auguste-Judith | (as Aïlo Auguste) | ||
| Francine Lemaitre | |||
| Véronique Rosa | |||
Casting by | |||
| Jeanne Biras | |||
Art Direction by | |||
| Paul Fayard | |||
| Irène Galitzine | |||
| Christophe Mureau | |||
| Claude Veyset | |||
Costume Design by | |||
| Magali Baret | |||
| Isabelle Fraysse | |||
Makeup Department | |||
| Charlotte Arguillère | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Estelle Chailloux | .... | assistant director | |
| Ketal Guenin | .... | assistant director | |
Art Department | |||
| Martin Cognito | .... | poster artist (as Jean-François Chiron) | |
Sound Department | |||
| Eric Boisteau | .... | sound | |
| Pascal Chauvin | .... | sound effects editor | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Pascal Dedeye | .... | sound effects editor | |
| Jacques Sans | .... | sound | |
Stunts | |||
| Jean-Marc Minéo | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Julien Pamart | .... | second camera operator | |
Music Department | |||
| Varou Jan | .... | musician | |
Thanks | |||
| Vanessa Demouy | .... | thanks | |
| Gaspar Noé | .... | thanks | |
| John B. Root | .... | thanks | |
| Jaco Van Dormael | .... | thanks | |
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| La tarantola dal ventre nero | Thriller - en grym film | Delirio caldo | Cosa avete fatto a Solange? | Salò o le 120 giornate di Sodoma |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
Maybe it's because I live in Holland and have a very open mind to sex, drugs and well, maybe not to murder but I was not that shocked.
Of course the rape scene was a bit hard and did not leave much to your imagination, but the rest.... Me and my girlfriend were just entertained by the rest of the movie.
I just read some other 20 user comments and I was in fact shocked by those. Prudish americans and british telling you that it is shocking and garbage and so on. A 5.0 average makes also clear that most of the people are still filled with tabboos.
Big erections and mindless sex.... so what? shooting people up there arse? surely I'd prefer that compared to what happens to the guy that rapes marsellus wallace in Pulp Fiction.
Indeed this was a low budget movie and the camerawork was perhaps of poor quality but it suits the pic. As a student indeed a search for reasons and meaning and I find it hihgly irritating that some people complain about things left unexplained. What are you? Can't you think and maybe even guess for yourselves? Does everything have to be explained?
We both liked it and surely I understand this is not a movie for everyone. I think more of it as an experimental piece of work, seek your own reasons for what they are doing, enjoy this wild ride and if you persist in having a monumentuous storyline, oscar performances and so on, and you are not specifically entertained by x rated sex, lots of blood and the socalled 'holes' in this story then....
Just don't watch this movie!!!!
The backside of the DVD or VHS gives plenty of clues that this is a controversial movie and when you have an open mind and like these kind of movies, i recommend it.
We give it a 7.0