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| Moritz Bleibtreu | ... | Tarek Fahd - Häftling Nr. 77 / Prisoner #77 | |
| Christian Berkel | ... | Steinhoff - Häftling Nr. 38 / Prisoner #38 | |
| Oliver Stokowski | ... | Schütte - Häftling Nr. 82 / Prisoner #82 | |
| Wotan Wilke Möhring | ... | Joe - Häftling Nr. 69 / Prisoner #69 | |
| Stephan Szasz | ... | Häftling Nr. 53 / Prisoner #53 | |
| Polat Dal | ... | Häftling Nr. 40 / Prisoner #40 | |
| Danny Richter | ... | Häftling Nr. 21 / Prisoner #21 | |
| Ralf Müller | ... | Häftling Nr. 15 / Prisoner #15 | |
| Markus Rudolf | ... | Häftling Nr. 74 / Prisoner #74 | |
| Peter Fieseler | ... | Häftling Nr. 11 / Prisoner #11 | |
| Thorsten Dersch | ... | Häftling Nr. 86 / Prisoner #86 (as Thorsten J.H. Dersch) | |
| Sven Grefer | ... | Häftling Nr. 94 / Prisoner #94 | |
| Justus von Dohnanyi | ... | Berus - Strafvollzugsbeamter / Guard (as Justus von Dohnànyi) | |
| Nicki von Tempelhoff | ... | Kamps - Strafvollzugsbeamter / Guard | |
| Timo Dierkes | ... | Eckert - Strafvollzugsbeamter / Guard | |
| Antoine Monot Jr. | ... | Bosch - Strafvollzugsbeamter / Guard | |
| Lars Gärtner | ... | Renzel - Strafvollzugsbeamter / Guard | |
| Jacek Klimontko | ... | Gläser - Strafvollzugsbeamter / Guard | |
| Markus Klauk | ... | Stock - Strafvollzugsbeamter / Guard | |
| Ralph Püttmann | ... | Amandy - Strafvollzugsbeamter / Guard | |
| Edgar Selge | ... | Professor Dr. Klaus Thon - Wissenschaftler / Scientist | |
| Andrea Sawatzki | ... | Dr. Jutta Grimm - Wissenschaftler / Scientist | |
| Philipp Hochmair | ... | Lars - Wissenschaftler / Scientist | |
| Klaus Spinnler | ... | Assistent / Assistant | |
| Tristan Vostry | ... | Assistent / Assistant | |
| Maren Eggert | ... | Dora - Die Anderen / The Others | |
| André Jung | ... | Ziegler - Die Anderen / The Others | |
| Uwe Rohde | ... | Hans - Die Anderen / The Others | |
| Heiner Lauterbach | ... | Dennis - Die Stimmen / The Voices (voice) | |
| Fatih Akin | ... | Taxifahrer / Taxi Driver - Die Stimmen / The Voices (voice) | |
| Christiane Gerboth | ... | Nachrichtensprecher / Newscaster - Die Stimmen / The Voices (voice) |
Directed by | |||
| Oliver Hirschbiegel | |||
Writing credits | ||
| Mario Giordano | (novel "Black Box") | |
| Mario Giordano | (screenplay) & | |
| Christoph Darnstädt | (screenplay) & | |
| Don Bohlinger | (screenplay) | |
Produced by | |||
| Marc Conrad | .... | producer | |
| Philip Evenkamp | .... | executive producer | |
| Benjamin Herrmann | .... | co-producer | |
| Ulrike Leibfried | .... | associate producer | |
| Norbert Preuss | .... | producer | |
| Friedrich Wildfeuer | .... | producer (as Fritz Wildfeuer) | |
Original Music by | |||
| Alexander Bubenheim | (as Alexander van Bubenheim) | ||
Cinematography by | |||
| Rainer Klausmann | |||
Film Editing by | |||
| Hans Funck | |||
Casting by | |||
| An Dorthe Braker | |||
Production Design by | |||
| Andrea Kessler | |||
Art Direction by | |||
| Uli Hanisch | |||
Costume Design by | |||
| Claudia Bobsin | |||
Makeup Department | |||
| Mary May | .... | makeup artist | |
| Sylvia Reusch | .... | makeup artist | |
Production Management | |||
| Stephan Bechem | .... | assistant unit manager | |
| Alexander Dominitzki | .... | unit manager | |
| Klaus Spinnler | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Uli Hampeter | .... | second assistant director (as Ulrike Hampeter) | |
| Isabel Kleefeld | .... | first assistant director | |
Art Department | |||
| Markus Baum | .... | carpenter | |
| Uwe Belke | .... | carpenter | |
| Uwe Brauer | .... | painter | |
| Laura Engels | .... | art department intern | |
| Stefan Isfort | .... | property master | |
| Kai Koch | .... | assistant art director | |
| Oliver Koch | .... | carpenter | |
| Fee Kolb | .... | painter | |
| Markus Krüll | .... | metalworker | |
| Elmo Langenberg | .... | metalworker | |
| Uli Langenberg | .... | construction coordinator | |
| Lenny Lehmann | .... | carpenter | |
| Daniel Peeck | .... | construction coordinator | |
| Doriano Quintavalle | .... | carpenter | |
| Thorsten Sabel | .... | set dresser | |
| Katja Schlömer | .... | set dresser | |
| Dieter Schmidt | .... | carpenter | |
| Ricky Stecker | .... | props buyer | |
| Christoph Steeger | .... | sketch artist | |
| Jo Teh | .... | painter | |
| Saskia Trixa | .... | prop intern | |
Sound Department | |||
| Achim Böcking | .... | sound intern | |
| Christof Ebhardt | .... | sound editor | |
| Lisa Geffcken-Reinhard | .... | foley editor (as Lisa Geffcken) | |
| Florian Gross | .... | sound production manager | |
| Monika Gussner | .... | adr editor | |
| Magda Habernickel | .... | supervising sound designer | |
| Hans Hohenwarter | .... | technical director: sound | |
| Frank Lehner | .... | boom operator | |
| Peter Notz | .... | adr mixer | |
| Jörn Poetzl | .... | foley artist (as Joern Poetzl) | |
| Annette Prey | .... | sound editor | |
| Max Rammler-Rogall | .... | sound re-recording mixer | |
| Thomas Schwenke | .... | technical director: sound | |
| Philipp Sellier | .... | foley mixer | |
| Marcel Spisak | .... | sound editor | |
| Wolfgang Wirtz | .... | production sound mixer | |
Special Effects by | |||
| Karl-Heinz Bochnig | .... | special effects technician | |
Visual Effects by | |||
| Thilo Gottschlich | .... | film recording | |
| Lutz Lemke | .... | composite layouts | |
| Marian Mavrovic | .... | digital compositor | |
| Verena Pohlmann | .... | assistant datacine operator | |
| Angela Reedwisch | .... | visual effects producer | |
| Rainer Schmidt | .... | datacine operator | |
| Jürgen Schopper | .... | visual effects supervisor | |
| Christoph Steeger | .... | modeler | |
| Steven Stueart | .... | scanning supervisor | |
| Christian Zeh | .... | digital compositor | |
Stunts | |||
| Ernst Reimann | .... | stunt coordinator | |
| Randy Wittur | .... | stunts | |
Camera and Electrical Department | |||
| Thomas Balder | .... | second assistant camera | |
| Stefan Biebl | .... | additional camera operator | |
| Moritz Bleibtreu | .... | camera operator: special glasses camera | |
| Holger Fleig | .... | additional assistant camera | |
| Uwe Fuchs | .... | electrician | |
| Udo Heinz | .... | electrician | |
| Ingo Hilden | .... | grip | |
| Wolfram Koch | .... | video technician | |
| Peter Krammer | .... | gaffer | |
| Bernd Mayer | .... | key grip | |
| Ralf M. Mendle | .... | additional camera operator (as Ralf Mendle) | |
| Axel Näther | .... | video technician | |
| Jens Piotrowski | .... | first assistant camera | |
| Roland Scheidt | .... | assistant electrician | |
| Bernd Spauke | .... | still photographer | |
| Dominik Stöcker | .... | additional assistant camera | |
| Jürgen Tomadini | .... | electrician | |
| Tom Trambow | .... | property photographer (uncredited) | |
Casting Department | |||
| Tanja Schwichtenberg | .... | extras casting | |
Costume and Wardrobe Department | |||
| Martina Geddicke | .... | costumer | |
| Ursula Münstermann | .... | assistant costume designer | |
Editorial Department | |||
| Sabine Allerdisse | .... | assistant editor | |
| Katja Birklein | .... | assistant editor | |
| Christa Garmeier | .... | negative cutter (as Christine Garmeier) | |
| Nicholas Goodwin | .... | assistant editor | |
| Traudl Nicholson | .... | color timer | |
Music Department | |||
| Alexander Bubenheim | .... | conductor (as Alexander van Bubenheim) | |
| Alexander Bubenheim | .... | orchestrator (as Alexander van Bubenheim) | |
| Tommy Eberhardt | .... | musician: drums | |
| Alexandre Frank | .... | music supervisor | |
| Lou Handman | .... | composer: song "Are You Lonesome Tonight?" | |
| Alex Klier | .... | musician: bass | |
| Woepf Lechenmayr | .... | music editor | |
| Woepf Lechenmayr | .... | music scoring mixer | |
| Olaf Mierau | .... | music production supervisor | |
| Georg Naschke | .... | music supervisor (as George Naschke) | |
| Max Rammler-Rogall | .... | musician: trumpet | |
| Max Schaefers | .... | assistant music engineer | |
| Hanno Simons | .... | musician: cello | |
| Günter Strebl | .... | music recordist | |
| Roy Turk | .... | composer: song "Are You Lonesome Tonight?" | |
Transportation Department | |||
| Jochen Behle | .... | driver | |
| Diana Schwieger | .... | driver | |
| Marcel Winterscheidt | .... | driver | |
Other crew | |||
| Regine Baschny | .... | unit publicist | |
| Marika Dornbusch | .... | production accountant | |
| Christl Druxeis | .... | production accountant: Fanes Film (as Christl Druxeis-Chawki) | |
| Friederike Jacob | .... | unit publicist | |
| Otto Kiefer | .... | legal affairs: Typhoon Film | |
| Hermann Koenen | .... | caterer | |
| Christina Kügelgen | .... | unit manager intern | |
| Claudia Lehmann | .... | electronic press kit | |
| Heike Manzke | .... | script supervisor | |
| Frank Meter | .... | location scout | |
| Michael Otto | .... | title designer | |
| Bettina Plasdick | .... | assistant production accountant | |
| Gottfried Reisecker | .... | consultant: film laboratory | |
| Maria Sobecki-Grimm | .... | caterer | |
| Jochen Strate | .... | legal advisor | |
| Ariane Thiede | .... | production coordinator: Fanes Film | |
| Ulrike Thiede | .... | production coordinator | |
| Rolf Thissen | .... | unit publicist | |
| Peter Vit | .... | projectionist | |
| Tristan Vostry | .... | production intern | |
| Oliver Wissmann | .... | production coordinator | |
| Anke Zindler | .... | unit publicist | |
Thanks | |||
| Helmut Dietl | .... | thanks | |
| Stefan Gärtner | .... | thanks | |
| Alfred Holighaus | .... | thanks | |
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| News articles | IMDb Drama section | IMDb Germany section |
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Taxi driver and freelance journalist Tarek Fahd spots an advert in a newspaper for volunteers to take part in a psychological experiment over two weeks. He arrives along with a group of others, to be divided up into prisoners and guards before being placed into a simulated prison and provided with rules, Tarek being prisoner number 77. Initially everyone is enjoying themselves but soon the guards tire of the prisoners taking the p*ss and decide it is time to clamp down on their behaviour. As they realize that they have no limit on their powers, the actions of the guards become increasingly brutal and uncaring.
Based on the infamous experiments carried out at Stanford in the 1970's, this film had it all going for it in terms of being an effective thriller while also looking at the ways that human nature will gravitate towards the cruel once they are placed in positions of power. I decided to watch this film because it seemed interesting on this basis but also very topical considering the behaviour of the US soldiers in the Iraq prisons mostly poor 'white trash' types who were corrupted when they suddenly found themselves in a position they had never been in before control. Like them, the characters here gradually get more extreme just like they did in the real experiment as well. With this topicality it is no surprise that I was easily taken in by the film and was never really bored by it. Being a thriller in its own right, the film has to settle into the eventual action conclusion but even this works pretty well and doesn't detract from what has gone before in terms of interest.
This is not to say it is perfect, because it could have been much better than it was. The constant cutting to Tarek's girlfriend now and in flashback only took away from the film and she could have still played her part at the end with much less time during the main body of the film. Also it became a little too far-fetched for the sake of drama a recent television drama in the UK did it differently by actually recreating the same experiment as opposed to this film which needed to go harder and faster in order to reach the eventual running and fighting stage! But it still works and, to be honest, it is well worth seeking out for the 'human nature' aspect alone it had a special resonance in Germany but it is hard not to be put in a thoughtful mood given recent events in Iraqi military prisons.
The cast are roundly good and all slip one way or the other in a convincing manner. Beibtreu is good once he gets past the stage where he is making trouble for the sake of it this is necessary to speed the descent into cruelty but it was laid on a bit thick at the start. After this his performance is much more evenly balanced and he is a good lead. I struggled to pick up the names of all the others because they were mostly unknown to me but the head guard was very good while the rest of the cast did more than just deliver their pigeon-holed characters, where really they could have been nothing more than 'prisoner who goes crazy', 'timid guard', 'angry guard', 'silent prisoner' etc they weren't, they were all pretty real people.
Overall this is not the best thing to come to if you are after a sort of documentary drama about the original experiment but it is still a very good film. It is exciting and dramatic while still having a bit of a brain on it an asset made more interesting by what we have seen in Iraq over the past few months with guards becoming even worse than those we see in this film! Not a perfect film but a well made one that is interesting, involving and exciting and one that is well worth looking up.