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Directed by | |||
| Rob Zombie | |||
Writing credits(WGA) | ||
| Rob Zombie | (written by) | |
Original Music by | |||
| Scott Humphrey | |||
| Rob Zombie | |||
Cinematography by | |||
| Alex Poppas | (director of photography) | ||
| Tom Richmond | (director of photography) | ||
Film Editing by | |||
| Kathryn Himoff | |||
| Robert K. Lambert | |||
| Sean K. Lambert | (as Sean Lambert) | ||
Casting by | |||
| Dean E. Fronk | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Gregg Gibbs | |||
Art Direction by | |||
| Michael Krantz | |||
Set Decoration by | |||
| Lisa K. Sessions | |||
Costume Design by | |||
| Amanda Friedland | |||
Makeup Department | |||
| Mustaque M. Ashrafi | .... | makeup artist (as Mustaque Ashrafi) | |
| Martin Astles | .... | special makeup effects artist | |
| Kelly M. Beatty | .... | key makeup artist | |
| Michael Burnett | .... | special makeup effects artist: corpse bodies | |
| Norman Cabrera | .... | makeup effects | |
| Gray Creasy | .... | special makeup effects technician | |
| Michael Deak | .... | makeup effects (as Mike Deak) | |
| Justin Ditter | .... | wig master | |
| Pete Farrell | .... | special makeup effects artist | |
| Patricia Gundlach | .... | key hair stylist | |
| Matt Henkelmann | .... | makeup effects | |
| Jake McKinnon | .... | makeup effects | |
| Bart Mixon | .... | makeup effects (as Bart J. Mixon) | |
| Cristina Patterson Ceret | .... | contact lens technician (as Cristina Haines) | |
| Gary J. Perticone | .... | hair stylist (as Gary Perticone) | |
| Vicky Phillips | .... | department head hair (as Vicki Phillips) | |
| Gilbert Romero | .... | makeup artist | |
| Gilbert Romero | .... | special makeup effects artist | |
| Keith Sayer | .... | department head makeup | |
| Leslie Ann Sebert | .... | makeup artist (as Leslie Sebert) | |
| 'Evil' Ted Smith | .... | makeup effects (as Ted Smith) | |
| Laurie Smith | .... | contact lens technician | |
| Cedric Summerbell | .... | makeup effects (as Cedirc Summerbell) | |
| Wayne Toth | .... | makeup artist | |
| Wayne Toth | .... | special makeup effects supervisor | |
| Wayne Toth | .... | special makeup effects | |
Production Management | |||
| Andy Given | .... | unit production manager (as Andrew D. Given) | |
| Joel Hatch | .... | unit production manager | |
| Virginia Landis Albertson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ty Arnold | .... | second assistant director | |
| Marco Black | .... | first assistant director | |
| Wendi Lampassi | .... | second assistant director | |
| John Nelson | .... | first assistant director | |
| Robert Schroer | .... | second second assistant director (as Robert D. Schroer) | |
Art Department | |||
| Anthony Aguilar | .... | propmaker (as Anthony A. Guilar) | |
| Oscar Alvarado | .... | carpenter (as Oscar A. Alvarado) | |
| Brian K. Anderson | .... | swing (as Brian Anderson) | |
| Eric Andresen | .... | painter | |
| Bennett Andrews | .... | greens foreman | |
| Fred Apolito | .... | propmaker (as Fredrick Apdito) | |
| Rick M. Atwell | .... | propmaker | |
| Matthew Kern Atzenhoffer | .... | set dresser (as Matthew K. Atzenhoffer) | |
| Maria L. Baker | .... | set designer (as Maria Baker) | |
| Tammy Banal | .... | on-set dresser | |
| Ellis J. Barbacoff | .... | assistant property master | |
| Tobey Bays | .... | set dresser | |
| Daniel Beralas | .... | painter | |
| Brian Berkel | .... | propmaker | |
| Cliff Berns | .... | painter | |
| Dominique Blaskovich | .... | scenic artist | |
| Tony Bonaventura | .... | property master | |
| Donald Boyd | .... | painter | |
| Maxwell Britton | .... | swing (as Maxwell Jean Britton) | |
| Bob Carmody | .... | propmaker | |
| Mike Carrillo | .... | property master | |
| Tim Castagnola | .... | labor foreman | |
| Colin De Rouin | .... | set designer (as Colin de Rouin) | |
| Darrin Denlinger | .... | storyboard artist | |
| Gerard A. Dery | .... | greensman (as Gerard Dery Jr.) | |
| Craig Diantonio | .... | painter (as Craig L. Diantonio) | |
| Christopher Elledge | .... | swing | |
| John Empero | .... | propmaker | |
| Steven Eustace | .... | property master | |
| Tom Fedele | .... | painter | |
| Pete Flynn | .... | swing | |
| Michael Grover Forster | .... | propmaker | |
| Martin Goulding | .... | painter | |
| Mariana Grubbs | .... | painter | |
| Curtis Hamill | .... | painter | |
| Mitchell Hammer | .... | painter | |
| Dorit Hurst | .... | swing (as Dorit Oberman) | |
| Tim James | .... | assistant property master (as Timothy A. James) | |
| William Johnson | .... | propmaker (as Bill Johnson) | |
| Keith A. Kropf | .... | painter | |
| Maureen Kropf | .... | painter (as Maureen Krope) | |
| Jeffrey A. Leake | .... | propmaker | |
| Yvonne Lopez Bas | .... | scenic artist | |
| Ramón López | .... | propmaker (as Ramon Lopez) | |
| Dave T. MacDonald | .... | propmaker (as Dave T. Macdonald) | |
| Matthew Martin | .... | propmaker foreman | |
| Sergio Martinez | .... | painter | |
| Atron McFadden | .... | labor | |
| Anthony Medina | .... | propmaker (as Tony Medina) | |
| Kiven Meyer | .... | painter | |
| Cesar Orozco | .... | carpenter | |
| Perry L. Paolone | .... | painter | |
| Tim Park | .... | set dresser | |
| Missy Parker | .... | art department coordinator | |
| Jean-Pierre 'J.P.' Patry | .... | painter (as J.P. Patry) | |
| Lisa Penaranda | .... | set decorating buyer | |
| Lisa Penaranda | .... | set dresser | |
| Edmond Scott Ratcliff | .... | set dresser | |
| Gerardo Rodriguez | .... | painter | |
| Jonathan Rose | .... | labor foreman | |
| Chris Santini | .... | construction coordinator (as C.R. Santini) | |
| Clare Scarpulla | .... | set designer | |
| Terry Sheffield | .... | drapery foreman | |
| Erin Smith | .... | assistant art director | |
| Russell J. Smith | .... | production illustrator (as Russ Smith) | |
| Michael Spitaletto | .... | painter | |
| Tim Stadler | .... | painter | |
| Rick Staves | .... | drapery | |
| Dugald Stermer | .... | swing | |
| Robert Tagle | .... | painter | |
| Adam Tankell | .... | graphic designer (as Adam Tanrell) | |
| Rick Tanner | .... | painter | |
| Daniel Tull | .... | scenic artist | |
| Freddy Waff | .... | leadman (as Freddy A. Waff) | |
| Nate Walton | .... | painter | |
| Paul Walton | .... | head paint foreman | |
| Rick Welden | .... | construction coordinator | |
| Mykal Williams | .... | set dresser | |
| Mark Wong | .... | painter | |
| Isaac Wright | .... | labor | |
| Ricky Zamudio | .... | set dresser | |
| Brian Erzen | .... | art pa (uncredited) | |
Special Effects by | |||
| Roy Augenstein | .... | special effects technician | |
| Jared Baker | .... | special effects technician | |
| David Blitstein | .... | special effects coordinator | |
| Kam Cooney | .... | special effects coordinator (as M. Kam Cooney) | |
| Michael Deak | .... | special effects | |
| John Fontana | .... | special effects technician (as Johnny Fontana) | |
| Roger Lifsey | .... | special effects set foreman | |
| Michael O'Brien | .... | mold department: Ex Mortis Effects | |
| Christine Onesky | .... | special effects technician | |
| Gil Romero | .... | special effects makeup | |
| Brian Sveum | .... | special effects technician | |
| Wayne Toth | .... | special effects | |
Visual Effects by | |||
| Richard Eberhardt | .... | lineup: Howard Anderson Company | |
| Steven Fagerquist | .... | digital artist: Howard Anderson Company | |
| David Feinner | .... | digital artist: Howard Anderson Company (as Dave Feinner) | |
| Christopher Grandel | .... | digital artist: Howard Anderson Company | |
| Michael L. Griffin | .... | lineup: Howard Anderson Company (as Mike Griffin) | |
| Peter Koczera | .... | digital artist: Howard Anderson Company (as Peter Kozera) | |
| Derek Ledbetter | .... | digital artist: Howard Anderson Company | |
| Steve Mayer | .... | lineup: Howard Anderson Company (as Steven Mayer) | |
| Leilani McHugh | .... | lineup: Howard Anderson Company | |
| Hillary Murray | .... | effects color timer: Howard Anderson Company | |
| Ken D. Smith | .... | digital fxs supervisor: Pacific Title & Howard Anderson Co. (uncredited) | |
Stunts | |||
| Rick Avery | .... | stunt performer | |
| Jon Braver | .... | stunt performer | |
| Gregg Brazzel | .... | stunt coordinator | |
| Gino Crognale | .... | stunt performer | |
| Wally Crowder | .... | stunt performer | |
| Alisa Hensley | .... | stunt performer (as Alisia Hensley) | |
| Terry James | .... | stunt performer | |
| Louis Kiss | .... | stunt performer (as Lou Kiss) | |
| Jake McKinnon | .... | stunt performer | |
| Roger W. Morrissey | .... | stunt performer (as Roger Morrisey) | |
| Tony Santoro | .... | stunt performer | |
| Michelle Sebek | .... | stunt performer | |
| 'Evil' Ted Smith | .... | stunt performer (as Ted Smith) | |
| John Vitale | .... | stunt performer | |
| Webster Whinery | .... | stunt performer | |
| Laura Lee Connery | .... | utility stunts (uncredited) | |
| Chris Nielsen | .... | stunts (uncredited) | |
| Nicole Randall | .... | stunt double (uncredited) | |
Casting Department | |||
| Chris Bustard | .... | extras casting | |
| Greg Sacks | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sara Daubney | .... | costumer (as Sara W. Daubney-Kinney) | |
| Sloane Morrison | .... | costumer (as Sloane Perry Thorne) | |
| Jennifer Starzyk | .... | costumer (as Jennifer L. Starzyk) | |
| Cesha Ventre | .... | costumer | |
| Josephine Willes | .... | costumer | |
| Christi Work | .... | costume supervisor | |
Editorial Department | |||
| Mark Bourgeois | .... | assistant editor | |
| Bob Fredrickson | .... | color timer | |
| Robert W. Hedland | .... | post production editor | |
| Lara Khachooni | .... | assistant editor | |
| George Koran | .... | telecine colorist | |
| Chris Miller | .... | post-production services | |
| Anne Sawyer | .... | assistant editor | |
| Ronald White | .... | assistant editor (as Ron White) | |
Thanks | |||
| Dennis Fimple | .... | in memory of: 1940 - 2002 | |
| David Fox | .... | acknowledgment: House of 1000 Corpses mouthpiece | |
| Jeffrey T. Light | .... | acknowledgment: House of 1000 Corpses mouthpiece (as Jeffrey Taylor Light) | |
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| The Devil's Rejects | Machete | Golgo 13 | Freeway | Kick-Ass |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
In my opinion, House of 1000 Corpses is a fan movie. Fans of both the horror genre and Rob Zombie are likely to love it. Though I do not count myself a fan of either, I do like both at times, and I am quite familiar with both. Those familiar with Rob Zombie are likely to be the only ones who completely 'get' this clever little film - appreciating its depraved sense of humor and nihilism. Zombie's themes are fairly consistent - evil (without the usual religious connotations and clichés), murder, sex, insanity, and stereotype "hillbillies". Zombie's world is not a place for people who are terribly concerned with reality, but, for Zombie himself, it seems to supply endless muse for a prolific and interesting commercial creativity.
Two couples traveling across country and working on a book on bizarre roadside attractions stumble across a filling station / theme park run by a vaguely evil clown with a bad attitude - Captain Spaulding. Spaulding teaches them of a few local legends, including a mad surgeon who worked in a local insane asylum and came to be known as Dr. Satan for the grotesque surgical procedures he applied to mental patients in secret. They pick up a pretty blonde hitch-hiker on their way to see the tree where Dr Satan was hung, and run into some car problems, so the hitch-hiker invites them to her family house. The family, apparently headed by the phenomenally weird Karen Black, makes The Addams family look like the Brady Bunch.
My narrative has described the first 20 minutes or so of the film, and at this point the film, much like RZ's songs, is so campy that it seems a straightforward horror comedy. However, once our protagonists are in "the house", the plot takes a decidedly more sinister spin, and never lets up from that point forward.
This film successfully and entertainingly portrays all of RZ's themes in about the same proportions as his music. Of them all, sex is the least explored, and I, for one, am thankful for that. The film also walks a delicate line between Hannibal Lector grotesque art realism and supernatural forces. For example, at one point, one of the bad guys turns on a cassette player with low batteries so that the voice recorded on it sounds extra-satanic.
If you have problems with blood and other bodily fluids, and utterly repulsive surgically induced variations on the human body, you might want to avoid this film. If you don't have any great objections to standard hardcore horror imagery, or if you like it, you might want to see this. It is masterfully visualized and does a much better job of making horror into art than the standard Hollywood horror fair. This is Rob Zombie's art, and he does it much better than most. This first major effort in film bodes well for his future use of the medium, and I will look forward to his next.