| Photos (see all 13 | slideshow) | Videos |
| Isabelle Huppert | ... | Erika Kohut | |
| Annie Girardot | ... | The Mother | |
| Benoît Magimel | ... | Walter Klemmer | |
| Susanne Lothar | ... | Mrs. Schober | |
| Udo Samel | ... | Dr. Blonskij | |
| Anna Sigalevitch | ... | Anna Schober | |
| Cornelia Köndgen | ... | Mme Blonskij | |
| Thomas Weinhappel | ... | Baritone | |
| Georg Friedrich | ... | Man in drive-in | |
| Philipp Heiss | ... | Naprawnik | |
| William Mang | ... | Teacher | |
| Rudolf Melichar | ... | Director | |
| Michael Schottenberg | ... | Teacher | |
| Gabriele Schuchter | ... | Margot | |
| Dieter Berner | ... | Singing teacher | |
| Volker Waldegg | ... | Teacher | |
| Martina Resetarits | ... | Teacher | |
| Annemarie Schleinzer | ... | Teacher | |
| Karoline Zeisler | ... | Teacher | |
| Liliane Neiska | ... | Secretary | |
| Luz Leskowitz | ... | Violinist | |
| Viktor Teuflmayr | ... | Pianist | |
| Viviane Bartsch | ... | Woman in drive-in (as Vivian Bartsch) | |
| Florian Koban | ... | Pupil | |
| Thomas Auner | ... | Haydn pianist | |
| rest of cast listed alphabetically: | |||
| Noam Morgensztern | ... | The first pupil (voice) | |
| Vitus Wieser | ... | Klemmer's Friend (uncredited) | |
Directed by | |||
| Michael Haneke | |||
Writing credits(in alphabetical order) | ||
| Michael Haneke | writer | |
| Elfriede Jelinek | novel | |
Produced by | |||
| Yvon Crenn | .... | executive producer | |
| Christine Gozlan | .... | executive producer | |
| Veit Heiduschka | .... | producer | |
| Michael Katz | .... | executive producer | |
Original Music by | |||
| Francis Haines | |||
Cinematography by | |||
| Christian Berger | |||
Film Editing by | |||
| Nadine Muse | |||
| Monika Willi | |||
Casting by | |||
| Kris Portier de Bellair | |||
| Markus Schleinzer | |||
Production Design by | |||
| Christoph Kanter | |||
Set Decoration by | |||
| Hans Wagner | |||
Costume Design by | |||
| Annette Beaufays | |||
Makeup Department | |||
| Françoise Andrejka | .... | makeup artist | |
| Fabienne Bressan | .... | hair stylist | |
| Ellen Just | .... | makeup artist | |
| Thi-Loan Nguyen | .... | key makeup artist | |
| Michaela Oppl | .... | special makeup effects artist | |
| Waldemar Pokromski | .... | special makeup effects artist | |
Production Management | |||
| Roman Haschberger | .... | unit production manager | |
| Michael Katz | .... | production manager | |
| Gebhard Zupan | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Katharina Biró | .... | assistant director | |
| Fritz Noltmann | .... | assistant director | |
| Hanus Polak Jr. | .... | first assistant director | |
Art Department | |||
| Gerhard Dhor | .... | construction crew (as Gerhard Dohr) | |
| Peter Dörflinger | .... | construction crew | |
| Peter Ecker | .... | props | |
| Katrin Huber | .... | property master | |
| Fritz Martan | .... | construction coordinator | |
| Hannes Salat | .... | props | |
| Peter Wenhardt | .... | scenic artist | |
Sound Department | |||
| Pascal Chauvin | .... | foley artist | |
| Pascal Dedeye | .... | assistant foley artist | |
| Othmar Eichinger | .... | sound playback operator | |
| Dominique Eyraud | .... | boom operator | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Nadine Muse | .... | sound editor | |
| Guillaume Sciama | .... | sound | |
Special Effects by | |||
| László Kovács | .... | special effects coordinator | |
| Hans Wagner | .... | special effects | |
Visual Effects by | |||
| Geoffrey Kleindorfer | .... | visual effects | |
Camera and Electrical Department | |||
| Rainer Barta | .... | electrician | |
| Stefan Biebl | .... | Steadicam operator (as Stefan Bibl) | |
| Petro Domenigg | .... | still photographer | |
| Peter Drittenpreis | .... | assistant Steadicam operator | |
| Katharina Frank | .... | second assistant camera | |
| Gerald Helf | .... | first assistant camera | |
| Regina Höllbacher | .... | second assistant camera | |
| Bernhard Pötscher | .... | first assistant camera | |
| Harald Staudach | .... | assistant Steadicam operator | |
| Reinhard Vince | .... | electrician | |
| Wolfgang Vince | .... | gaffer | |
| Jörg Widmer | .... | Steadicam operator | |
Costume and Wardrobe Department | |||
| Brigitte Fink | .... | costumer | |
Editorial Department | |||
| Yannick Coutheron | .... | assistant editor | |
| Alarich Lenz | .... | assistant editor | |
| Monica Parisini | .... | assistant editor | |
| Franz Rabl | .... | color timer | |
| Gabriele Sikuta | .... | negative cutter | |
Transportation Department | |||
| Thomas Messer | .... | property driver | |
Other crew | |||
| Roman Haschberger | .... | location manager | |
| Eva Jürgens | .... | production trainee | |
| Andreas Kispert | .... | set manager | |
| Ulrike Lässer | .... | production coordinator | |
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| City of Shoulders and Noses | Notes on a Scandal | Wild at Heart | Salò o le 120 giornate di Sodoma | 101 Reykjavík |
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First let me put on the record, Isabelle Huppert gives a dynamite performance which is both disturbing,and ultimately very sad. It is a hard film to watch as the subject matter is quite disturbing. It is not the Caffe Latte S&M of pretty young twentysomethings exploring their boundaries here, it delves into the true nature of sexual perversity. Her character is a middle aged loner, successful musician and teacher , but incapable of having any type of life let alone a functioning relationship.Her sex life is also one of unhealthy obsession involving frequenting sex shops, voyeurism and sexual self mutilation. It also gets revealed as the film progresses that she holds deeply disturbing sexual fantasies that involve humiliation and violence being committed upon her. When she becomes involved with a student who has become infatuated with her, and tries to achieve the emotional salvation she longs for by sharing these obsessions with the young man there is tragic results.
, Loneliness is a terrible burden to bear and part of the strength of the film is that the director, never reduces Huppert to a freak show. Her pain is apparent even though she is at many times a fairly odious (and occasionally downright psycopathic character) Hints of what has led her to this situation are given, the unhealthy co-dependant relationship she has with her mother, the perfectionism and driven nature that pervades her working life, madness in the family.In the end it doesnt really matter how it came about as it is an examination of a person in that state and how they fall apart both emotionally and mentally that is being examined here. There are many scenes which stayed in my mind long after the film ended: 2 particular scenes stood out for me:
The scene both embarassing,horrific and also incredibly sad as the young student reads with disgust a letter Huppert has written to him in front of her detailing her sadomashocistic fantasies that she harbours.We are torn between horror at the graphic nature of the degradation she fetishizes and feel sorry for the horrible and humiliating rejection she receives at the hands of the young student.
Also the gut wrenching final scene , the act of self mutilation and look of madness and despair on her face, the director has captured the despair and horror of so much of human existence.
An important film to see but dont expect to be uplifted!