| Photos (see all 15 | slideshow) | Videos |
| Eduardo Noriega | ... | Jacinto | |
| Marisa Paredes | ... | Carmen | |
| Federico Luppi | ... | Casares | |
| Fernando Tielve | ... | Carlos | |
| Íñigo Garcés | ... | Jaime | |
| Irene Visedo | ... | Conchita | |
| José Manuel Lorenzo | ... | Marcelo | |
| Francisco Maestre | ... | El Puerco (as Paco Maestre) | |
| Junio Valverde | ... | Santi | |
| Berta Ojea | ... | Alma | |
| Adrián Lamana | ... | Gálvez | |
| Daniel Esparza | ... | Marcos | |
| Miguel Ortiz | |||
| Juan Carlos Vellido | |||
| Javier González | ... | Owl (as Javier González Madrigal) | |
| Víctor Elías | |||
| José Luis Torrijo | |||
| Álvaro Vega | |||
| Jonas Batlecas | |||
| Daniel Cuño | |||
| Rubén Escamilla | |||
| Andreas Muñoz | |||
| Adrián Serna | |||
| Javier González Sánchez | |||
| Álvaro Román | |||
| Mikel Selles | |||
| Leandro Tejada | |||
| Izan Checa | |||
| Víctor Barroso | ... | Luis | |
| Martín Hernández | ... | Octavio | |
| Francisco Fernández | |||
| rest of cast listed alphabetically: | |||
| Jaime Fernández-Cid Buscató | ... | Fusilado | |
Directed by | |||
| Guillermo del Toro | |||
Writing credits | ||
| Guillermo del Toro | (written by) and | |
| Antonio Trashorras | (written by) & | |
| David Muñoz | (written by) | |
Original Music by | |||
| Javier Navarrete | |||
Cinematography by | |||
| Guillermo Navarro | |||
Film Editing by | |||
| Luis de la Madrid | |||
Casting by | |||
| Sara Bilbatúa | |||
Art Direction by | |||
| César Macarrón | |||
Set Decoration by | |||
| Pablo Perona Navarro | |||
| Pilar Revuelta | (as María del Pilar Revuelta) | ||
Costume Design by | |||
| José Vico | |||
Makeup Department | |||
| Paula Cruz | .... | assistant hair stylist | |
| Paula Cruz | .... | assistant makeup artist | |
| Fermín Galán | .... | hair stylist | |
| Manuela Guzmán | .... | assistant hair stylist | |
| Manuela Guzmán | .... | assistant makeup artist | |
| Jorge Hernández | .... | makeup artist | |
| David Martí | .... | special makeup supervisor | |
Production Management | |||
| Esther García | .... | production supervisor | |
| Toni Novella | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jorge Dorado | .... | assistant director (as Jorge C. Dorado) | |
| Christopher Downs | .... | trainee assistant director | |
| Covadonga R. Gamboa | .... | second assistant director | |
| Pedro Lazaga | .... | first assistant director | |
| Luisfer Machi | .... | assistant director | |
| Jesús Salcedo | .... | trainee assistant director | |
Art Department | |||
| Francisco Escriba | .... | props | |
| Carlos García Campillo | .... | assistant set dresser | |
| Enrique García | .... | set constructor | |
| Ángel García Palmeiro | .... | assistant decorator | |
| Carlos Giménez | .... | storyboard artist | |
| Pedro Hernández | .... | carpenter | |
| Tatiana Hernández | .... | assistant art director | |
| Kike Melia | .... | props | |
| Ajtor Mendizabal | .... | trainee set decorator | |
| Angela Nahlim | .... | trainee set decorator | |
| Pablo Naveda | .... | props | |
| Leoncio Vicente | .... | painter | |
| Tanja Wahlbeck | .... | assistant art director | |
Sound Department | |||
| Jaime Fernández-Cid Buscató | .... | boom operator | |
| Jaime Fernández | .... | boom operator | |
| Diego Garrido | .... | sound mixing technician | |
| Ray Gillon | .... | sound re-recording mixer | |
| Manel López | .... | assistant sound editor | |
| Salva Mayolas | .... | sound recordist (as Salvador Mayolas) | |
| Iván Mayoral | .... | adr recordist | |
| Miguel Rejas | .... | sound | |
| David Rodríguez | .... | assistant boom operator | |
| Ian Sasplugas | .... | sound effects editor | |
| Ian Sasplugas | .... | sound recordist | |
| Oriol Tarragó | .... | sound editor | |
| Edgar Vidal | .... | sound effects assistant | |
| Kiku Vidal | .... | sound effects editor | |
Special Effects by | |||
| Reyes Abades | .... | special effects | |
| Carmen Aguirre | .... | special effects art director | |
| Ángel Alonso | .... | special effects technician | |
| Arturo Balceiro | .... | special effects makeup | |
| Xavi Bastida | .... | special effects makeup | |
| Juan Carlos Corroto | .... | special effects technician | |
| José M. Meneses | .... | special effects makeup | |
| Alfonso Nieto | .... | special effects supervisor | |
| Juan Serrano | .... | special effects technician | |
Visual Effects by | |||
| Nike Alonso | .... | CGI assistant production | |
| Helmuth Barnert | .... | digital compositor | |
| Raúl Batanero | .... | CGI operator | |
| Juan Bosco | .... | Avid digital effects | |
| Juanjo Carretero | .... | digital effects technician | |
| Gonzalo Carssón | .... | CGI operator | |
| Segundo Casero | .... | CGI chief operator | |
| Nacho Cepero | .... | digital compositor | |
| René Chesta | .... | CGI operator | |
| Manuel Delgado | .... | digital compositor | |
| Juan del Pozo | .... | digital compositor | |
| Daniel de Madrid | .... | backdraft | |
| Eduardo Díaz | .... | CGI operator | |
| Alejandro Dupry | .... | Avid digital effects | |
| Daniel Fernández | .... | CGI operator (as Daniel Fernández Parra) | |
| David Fernández Girón | .... | CGI operator | |
| Gabriel Garrido | .... | digital compositor | |
| Iñaki Gil | .... | CGI chief operator | |
| Noelia Gorrón | .... | digital effects producer | |
| Isidro Jiménez | .... | digital compositor | |
| Kike Jiménez | .... | digital effects technician | |
| Antonio Lado | .... | CGI operator | |
| Pablo Martín | .... | CGI operator | |
| Carlos Matella | .... | digital compositor | |
| Patricia Matiskei | .... | digital compositor | |
| Gonzalo Moure | .... | digital compositor | |
| Javier Nuñez | .... | CGI chief of production | |
| Emilio Pérez | .... | digital compositor | |
| Álvaro Rodríguez | .... | digital effects producer | |
| Emilio Ruiz del Río | .... | modeler (as Emilio Ruiz) | |
| Raúl Sánchez | .... | digital compositor | |
| Silvia Torralba | .... | digital effects producer | |
| Carlos Trijueque | .... | digital compositor | |
| Antonio Ubeda | .... | CGI operator (as Antonio Úbeda) | |
| Jon Uriarte | .... | CGI operator | |
| Rodrigo Vega | .... | CGI operator | |
| Óscar Villalba | .... | backdraft | |
| Úrsula García | .... | visual effects coordinator: pre-production (uncredited) | |
Stunts | |||
| Sergio Atanes | .... | stunt coordinator | |
| Silvia Carballo | .... | stunts | |
| Salvador Martos Manson | .... | stunts (as Salvador Manson) | |
| Andreas Muñoz | .... | stunts | |
Casting Department | |||
| Cristina Perales | .... | casting assistant | |
| Macarena Pombo | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rocío Redondo | .... | wardrobe assistant | |
| Mercedes Sanz | .... | wardrobe coordinator | |
Editorial Department | |||
| Felisa Catalinas | .... | negative cutter | |
| Adoración G. Elipe | .... | assistant editor | |
| Ximo Michavila | .... | telecine colorist | |
| Laura Montesinos | .... | assistant editor | |
| Bernat Vilapana | .... | assistant editor | |
Music Department | |||
| Martina Cigerová | .... | musician: oboe | |
| José Luis Crespo | .... | music mixer | |
| Jaroslava Eliasová | .... | musician: piano | |
| Martin Hubsch | .... | musician: oboe | |
| Mario Klemens | .... | conductor | |
| Marc Blanes Matas | .... | score mixer | |
| Pedro Navarrete | .... | composer: additional music | |
| Radovan Sancera | .... | musician: concertino | |
| Rubén Suárez | .... | assistant music mixer | |
Other crew | |||
| Alfonso Aguirre | .... | technical director | |
| Conchita Araña | .... | trainee production assistant | |
| Yuyi Beringola | .... | script supervisor | |
| Yolanda Cáceres | .... | technical director | |
| Sergio Díaz | .... | production assistant | |
| Adela Donamaría | .... | production secretary | |
| Nuria Garcia Atienza | .... | marketing: Sogecine | |
| Lola García | .... | office chief | |
| Marga García | .... | marketing | |
| Antonio Giménez | .... | marketing | |
| Beatriz Gordo | .... | cashier | |
| Inés Miruri | .... | coach: children | |
| Yuriria Montero | .... | tequila gang assistant | |
| Rafael Pajares | .... | production assistant | |
| Antonia Sánchez | .... | nurse | |
| Francisco Sanchez Ortiz | .... | marketing director | |
| Chus San Pascual | .... | location scout | |
| Ana Sanz | .... | secretary to producer | |
| Rosa María Serrano | .... | assistant accountant | |
| Paz Sufrategui | .... | publicist | |
| Nicolás Tapia | .... | production assistant | |
| Óscar Valero | .... | administrator | |
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"... As the road struck into the sierra we branched off to the right and climbed a narrow mule-track that wound round the mountain-side. The hills in that part of Spain are of a queer formation, horseshoe-shaped with flattish tops and very steep sides running down into immense ravines. On the higher slopes nothing grows except stunted shrubs and heath, with the white bones of the limestone sticking out everywhere. ..." - George Orwell, Homage to Catalonia, Chapter 2
It is unlikely that Mexican-director, Guillermo del Toro, will ever top this film, it is his greatest-achievement. While certainly a horror-film, it so-much-more, an allegory of the betrayals that led-to the rise-of-fascism in Spain. Most small-arms came-from Mexico, and Del Toro has said in-interviews that he lived-in a neighborhood populated by Republicans who had fled after-1939. Some have commented that the film takes-place after the fall of Republican Spain(the 1939 fall of Catalonia), but this is incorrect. The fall hasn't come-yet, and this free-fall state is the universe that the film inhabits. Taking-place in a Republican Orphanage for fallen-anarchists, Leftists, and Republican-politicians, the film is always in a state of anticipation and a kind-of limbo. All the Republican-caretakers can do is wait for the fall, and the repression that was surely-to-follow. Betrayed by the Catholic Church, the Soviet Union under-Stalin, political-infighting, and even the Western Democracies, Franco was given a blank-check to slaughter legitimate, democratic-forces by-1939. 2,000 Americans joined the "Abraham Lincoln Brigade" to fight Franco's forces, and a "United Front" of Leftists and Unionists from throughout-the-world had went to Spain to "fight the good-fight".
Meanwhile, the Roosevelt-administration banned all-sales of war-material (most-particularly, aircraft-engines and ammunition) to Republican-forces. Franco had many-allies, and would remain-in-power until his timely-death in November, 1975...Spain has been-celebrating ever-since. And-so, "The Devil's Backbone" can only be-about the ghosts of this period, particularly those Spaniards who were betrayed by politicians who shared so-much with Franco. The title, incidentally, comes-from a range-of-mountains where Republican-forces were bogged-down, then-defeated; it is referred-to as the Sierra de Alcubierre. Even George Orwell was there, and he wrote a book on his experiences fighting to save Republican Spain.
If "Devil's Backbone" says-anything, it is that "these were times that showed what people then were made-of." Dr. Cásares and Carmen represent the weakened-Republic, with her leg-missing, and he being-impotent. Then, there is Jacinto, once an orphan, now a caretaker of the orphanage--a betrayer, a criminal, and a murderer. Even-worse, though, is that amidst-the-chaos of the Civil War, the orphanage is haunted by the ghost of a former child-resident who may-have been murdered. The orphanage IS Spain, with its' fascist-bomb, unexploded in-the-courtyard, a direct-reference to the bombing of the Spanish-town, Guernica. Guernica was the first-incident of the bombing-of-civilians in modern-history, and was immortalized in a painting by-Pablo Picasso The deformed-fetus in the jar is the Spain-that-never-was, still-born, unnaturally. Dr. Cásares, then, is the legacy of Spanish Republicanism, a good-legacy that literally aids the living in the finale of the film. However, if I tell you anything-else this character, the film will be ruined! You can figure-out the rest, most audiences aren't given enough-credit. Stand-and-be-counted, these are "times that try men's souls". History never ends.