Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins.
Will Yun Lee
When the motorcyclist Johnny Blaze finds that his father Barton Blaze has a terminal cancer, he accepts a pact with the Mephistopheles, giving his soul for the health of his beloved father. But the devil deceives him, and Barton dies in a motorcycle accident during an exhibition. Johnny leaves the carnival, his town, his friends and his girlfriend Roxanne. Years later Johnny Blaze becomes a famous motorcyclist, who risks his life in his shows, and he meets Roxanne again, now a TV reporter. However, Mephistopheles proposes Johnny to release his contract if he become the "Ghost Rider" and defeat his evil son Blackheart, who wants to possess one thousand evil souls and transform hell on earth. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Originally planned for a summer 2006 release. Director Mark Steven Johnson asked for more time to complete more action shots, including the helicopter battle scene. See more »
When Blaze and Slade are riding through the desert, they pass a lizard, which then burns up. The lizard's leg twitches after it is a skeleton, which is impossible as there were no muscles left. See more »
It's said that the West was built on legends. Tall tales that help us make sense of things too great or too terrifying to believe. This is the legend of the Ghost Rider.
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The Marvel logo features comic-book images of the Ghost Rider in its pages; after it fully forms it blazes briefly, then turns metallic and grows spikes, replicating the Ghost Rider's transformation. See more »
Okay, this movie has taken a lot of heat (ohhhh) but in fact, it's good at what it is. You can't criticize a Snickers Bar for not being Creme Brulee. This is not High Art. It's a movie based on a comic book, and it does a great job of bringing that comic book to life, and of keeping the comic book nature of the story intact. This isn't a bad thing-- it is what it is. It's not a chick flick, it's not clever and witty, it's not deep and mysterious. It's a comic book brought to life on the big screen with nice fx and a decent score and appropriate acting. It's fun. It's a hoot. The bad guys are bad, the good guys are good-- and the end isn't a cop out which is nice. If you are not the audience for which this movie is intended, you will not like this film. If you are, you won't be disappointed. Is it as strong a movie as Spiderman? No. But the story isn't as strong either. It is, however, a good yarn, something my kids liked-- something I liked, and I'm not even a comic book guy.
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