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Directed by | |||
| Joel Zwick | |||
Writing credits(WGA) | ||
| Nia Vardalos | (written by) | |
Produced by | |||
| Paul Brooks | .... | executive producer | |
| David Coatsworth | .... | co-producer | |
| Gary Goetzman | .... | producer | |
| Tom Hanks | .... | producer | |
| Mark Hufnail | .... | co-executive producer | |
| Jim Milio | .... | co-executive producer | |
| Melissa Jo Peltier | .... | co-executive producer | |
| Steve Shareshian | .... | executive producer (as Steven Shareshian) | |
| Norm Waitt | .... | executive producer | |
| Rita Wilson | .... | producer | |
Original Music by | |||
| Alexander Janko | |||
| Chris Wilson | |||
Cinematography by | |||
| Jeff Jur | (director of photography) (as Jeffrey Jur) | ||
Film Editing by | |||
| Mia Goldman | |||
Casting by | |||
| Meg Liberman | (as Liberman) | ||
| Camille H. Patton | (as Patton) | ||
Production Design by | |||
| Gregory P. Keen | (as Gregory Keen) | ||
Art Direction by | |||
| Kei Ng | |||
Set Decoration by | |||
| Enrico Campana | |||
Costume Design by | |||
| Michael Clancy | |||
Makeup Department | |||
| Ann Brodie | .... | key makeup artist | |
| Judi Cooper-Sealy | .... | wig designer: Ms. Martin | |
| Paul R.J. Elliot | .... | key hair stylist (as Paul Elliot) | |
| Burton J. LeBlanc | .... | makeup artist (as Burton J. Leblanc) | |
| Sandra Reynolds | .... | hair stylist | |
| Beatrice Salazar | .... | hair stylist (as Beatriz Salazar) | |
| Dorota Zajac | .... | makeup artist | |
Production Management | |||
| D.J. Carson | .... | assistant production manager | |
| David Coatsworth | .... | unit production manager | |
| Isabel Henderson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jennifer Cote | .... | trainee assistant director (as Jennifer Côté) | |
| Grant Lucibello | .... | second assistant director | |
| David McAree | .... | first assistant director | |
| Effy Papadopoulos | .... | third assistant director | |
| Lorin Raine | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Brenton Brown | .... | on-set dresser | |
| Jacinta Cooper | .... | art department apprentice | |
| Imre de Jonge | .... | assistant property master (as Imre De Jonge) | |
| Katia de Peña | .... | property buyer (as Katia De Peña) | |
| Rossana DeCampo | .... | scenic artist (as Rossana Decampo) | |
| Alan Doucette | .... | property master | |
| Gary Harmer | .... | leadman (as Gary G. Harmer) | |
| Gordon Lebredt | .... | graphic artist | |
| Tim Ovans | .... | assistant head carpenter | |
| Mark Thomson | .... | construction coordinator | |
| Alan Tremaine | .... | head carpenter | |
| Martin Weinryb | .... | set buyer | |
| Wayne Wightman | .... | assistant art director | |
Sound Department | |||
| Paul Timothy Carden | .... | supervising sound editor | |
| Brian Dixon | .... | sound mix technician | |
| Dean Drabin | .... | adr mixer | |
| Kimberly Harris | .... | adr supervisor | |
| Donald Hauger | .... | foley mixer | |
| Thomas Hayek | .... | boom operator | |
| Paul Holzborn | .... | foley artist | |
| Tom Mather | .... | sound mixer | |
| Thomas O'Neil Younkman | .... | first assistant sound editor | |
| Geoffrey G. Rubay | .... | sound effects editor | |
| Geoffrey G. Rubay | .... | sound re-recording mixer | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer (as Melissa Hofmann) | |
| Tulio Torrinello | .... | sound mix technician | |
| Tami Treadwell | .... | adr recordist | |
| Mark Wolfson | .... | sound recording engineer | |
| James Wright | .... | stereo sound consultant: Dolby | |
| Alfonso Calvo | .... | sound dubbing mixer (uncredited) | |
| Jeff Glueck | .... | sound engineer (uncredited) | |
| Nancy MacLeod | .... | dialogue editor (uncredited) | |
| Melissa Sherwood Hofmann | .... | sound re-recordist (uncredited) | |
Special Effects by | |||
| Martin Malivoire | .... | special effects supervisor | |
| Peter Sissakis | .... | special effects key (uncredited) | |
Visual Effects by | |||
| Steve Rundell | .... | digital effects supervisor | |
| Brian Allan | .... | optical camera (uncredited) | |
| Christopher Dusendschon | .... | digital imaging: THDX (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
| Adam Howard | .... | digital compositor (uncredited) | |
Stunts | |||
| Marco Bianco | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Nick Bacon | .... | dolly grip (as Nicholas M. Bacon) | |
| Rod Benjamin | .... | key grip | |
| Andy Chmura | .... | camera operator | |
| John Colavecchia | .... | first assistant camera | |
| Sean Dawes | .... | electrician (as A. Sean Dawes) | |
| Cylvan Desrouleaux | .... | second assistant camera | |
| Michael Galbraith | .... | gaffer | |
| Sophie Giraud | .... | still photographer | |
| Greg Grainger | .... | company grip | |
| R. Jones | .... | electrician | |
| Rod MacNeil | .... | electrician | |
| Keith Murphy | .... | Steadicam operator | |
| Tom O'Hara | .... | company grip | |
| Michael Plant | .... | generator operator | |
| Jesse Stanley | .... | company grip | |
| Tom Starnes | .... | best boy set lighting | |
| Robert Vigus | .... | assistant key grip (as Robert A. Vigus) | |
| Victor Vukosavljevic | .... | camera trainee | |
| Mark W. Hindle | .... | 24 frame video operator (uncredited) | |
| Greg Whiteside | .... | 24 frame video operator (uncredited) | |
| Richard Wilmot | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Luisa Cabbidu | .... | extras casting assistant | |
| Robin D. Cook | .... | casting: Canada | |
| Elizabeth Gray | .... | casting associate: Canada | |
| Zameret Kleiman | .... | extras casting | |
| Lisa Ystrom | .... | casting associate: USA | |
| Andrea Kool | .... | casting assistant: Canada (uncredited) | |
Costume and Wardrobe Department | |||
| Carole Costello | .... | set costume supervisor | |
| Jay Du Boisson | .... | assistant costume designer (as Jay Duboisson) | |
| Jane Flanders | .... | costume shop supervisor | |
| Gisella Zomparelli | .... | assistant set costumer | |
Editorial Department | |||
| Mo Henry | .... | negative cutter | |
| Heather Persons | .... | additional editor | |
| Douglas Slocum | .... | apprentice editor | |
| Mike Stanwick | .... | color timer | |
| Melissa Wegman | .... | Bond Co. Post Superviser | |
| Madeleine C. Schnell | .... | post-production coordinator: Motion Picture Bond Company (uncredited) | |
Music Department | |||
| Nico Abondolo | .... | musician: bass | |
| Deva Anderson | .... | music supervisor | |
| Gary Bovyer | .... | musician: clarinet | |
| Tom Calderaro | .... | music preparation | |
| Jon Clarke | .... | musician: oboe and soprano sax | |
| Tim Comstock | .... | music assistant | |
| Franklyn d'Antonio | .... | musician: violin (as Franklyn D'Antonio) | |
| Bruce Dukov | .... | musician: violin | |
| Steve Erdody | .... | musician: cello | |
| Robert Fernandez | .... | scoring mixer | |
| Marlo Fisher | .... | musician: viola (as Marlow Fisher) | |
| Matt Funes | .... | musician: viola | |
| Armen Garabedian | .... | musician: violin | |
| Alex Gibson | .... | music editor | |
| Thomas Graham II | .... | score recordist | |
| Endre Granat | .... | concert master | |
| Endre Granat | .... | musician: violin | |
| Alan Grunfeld | .... | musician: violin | |
| Gregory Jamrok | .... | scoring supervisor | |
| Alexander Janko | .... | conductor: score | |
| Alexander Janko | .... | orchestrator | |
| Alexander Janko | .... | score producer | |
| Randy Kerber | .... | musician: piano | |
| Miran Kojian | .... | musician: violin | |
| Aimie Kreston | .... | musician: violin | |
| Armen Ksajikian | .... | musician: cello | |
| Dimitrie Leivici | .... | musician: violin | |
| Phillipe Levy | .... | musician: violin (as Phillip Levy) | |
| Rebecca R. Liddle | .... | music arranger: piano suite (as Rebecca Liddle) | |
| David Low | .... | orchestra contractor | |
| Darrin McCann | .... | musician: viola (as Darren McCann) | |
| Ed Meares | .... | musician: bass | |
| Victoria Miskolczy | .... | musician: viola (as Vicky Miskolczy) | |
| Simon Oswell | .... | musician: viola | |
| Dean Parks | .... | musician: acoustic guitar | |
| Katia Popov | .... | musician: violin | |
| Jeremy Raub | .... | co-music editor | |
| Rafael Rishik | .... | musician: violin | |
| Delphine Robertson | .... | music coordinator | |
| Mark Robertson | .... | musician: violin | |
| Mark Sazer | .... | musician: violin | |
| Haim Shtrum | .... | musician: violin | |
| Sebastian Toettcher | .... | musician: cello | |
| Cecilia Tsan | .... | musician: cello | |
| Louise Di Tullio | .... | musician: flute (as Louise DiTullio) | |
| Michael Valerio | .... | musician: bass (as Mike Valerio) | |
| Josefina Vergara | .... | musician: violin | |
| David Walther | .... | musician: viola | |
| Chris Wilson | .... | musician: electric guitar | |
| Ken Yerke | .... | musician: violin | |
| Robert Fernandez | .... | music mixer (uncredited) | |
Transportation Department | |||
| Al Donin | .... | driver | |
| Norman Foster | .... | driver (as Norm Foster) | |
| Ray Gabourie | .... | driver | |
| Bill Hagan | .... | transportation captain | |
| John Hiltz | .... | head driver | |
| Jeff Peebles | .... | driver | |
| Doug Perry | .... | driver | |
| Don Retzer | .... | transportation coordinator | |
Other crew | |||
| Brandi Andersen | .... | staff: Playtone | |
| Mardie Anderson | .... | assistant: Mr. Goetzman | |
| Trudy Artman | .... | adr group coordinator | |
| Sebastian Bauer | .... | staff: Playtone | |
| Lesia Capone | .... | assistant production coordinator | |
| Louise Casey | .... | craft service | |
| Don Cornelius | .... | assistant location manager | |
| Christopher G. Cowen | .... | staff: Playtone | |
| Marco Di Flaviano | .... | location assistant | |
| Greg Eby | .... | production accountant | |
| Pablo Ferro | .... | titles and graphics | |
| Nancy Vardalos Ginakes | .... | choreographer | |
| Katharine Gray | .... | clearance coordinator | |
| Leah Holmes | .... | post-production accountant | |
| David Hutkin | .... | vice president: The Lewis Horwitz Organization | |
| Monica Ionson | .... | payroll accountant | |
| John Kenyon | .... | location manager (as John M. Kenyon) | |
| Helen Lucas | .... | stand-in | |
| Amy McKenzie | .... | assistant: Mr. Hanks | |
| Lara McMahon | .... | set production assistant | |
| John Nelles | .... | dialogue coach | |
| Eric E. Paulson | .... | production associate | |
| Kostas Petsis | .... | choreographer | |
| J.R. Powell | .... | set production assistant | |
| Breigh Radford | .... | assistant production accountant | |
| JoAnne Rivers | .... | production coordinator (as Joanne A.C. Rivers) | |
| Marsha Robertson | .... | unit publicist | |
| Marissa Roman | .... | financial legal services: Akin, Gump, Strauss, Hauer and Feld L.L.P. | |
| Daniela Saioni | .... | script supervisor | |
| Patricia Satok | .... | craft service | |
| Tom Tobin | .... | production assistant | |
| John Von Atzigen | .... | stand-in | |
| David Zikovitz | .... | production assistant | |
| Michael Barnes | .... | financial legal services (uncredited) | |
| Michelle Dunton | .... | script researcher (uncredited) | |
| Joanna L. Rees Jones | .... | distribution executive (uncredited) | |
| Jeanne Van Cott | .... | production executive (uncredited) | |
Thanks | |||
| Jon Anderson | .... | in memory of | |
| Eric Brooks | .... | thanks | |
| Diana Choi | .... | thanks | |
| Josh Clayton-Felt | .... | in memory of | |
| Madeline Cripe | .... | thanks | |
| Paul Drakos | .... | thanks (as Father Paul Drakos) | |
| Christine Paulos Dulat | .... | in memory of | |
| Alan Hergott | .... | thanks | |
| Kirk Saduski | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
My Fiancé is Greek and I am not. This move hit the nail on the head! The whole time I was watching this movie I was thinking this is my life Oh my God this is my life. I think people who gave this move bad reviews just didn't get it, because, they are not around or live inside the world of a Greek family. There are so many similarities to my Fiancés family it's almost creepy. For a crasher course to our wedding I told my whole family to watch this movie before they came. After the wedding was all said and done I had so many people from my side of the family came up to me and tell me your RIGHT! It was just like my Big Fat Greek Wedding!!! Especially since we had almost 700 people at our wedding and all we did all night long is dance in circles!!! It was a lot of fun!
This was the best movie in a long time and no one knows how true this movie really is until they live through it.
Sincerely, AJH