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Mark Bowden (book)
Ken Nolan (screenplay)
18 January 2002 (USA) more
Rangers Lead the Way. more
123 elite U.S. soldiers drop into Somalia to capture two top lieutenants of a renegade warlord and find themselves in a desperate battle with a large force of heavily-armed Somalis. full summary | full synopsis
Won 2 Oscars. Another 4 wins & 29 nominations more
Mark Wheatley at Towson University on graphic novels
(From Comicmix. 14 November 2009, 7:15 AM, PST)
Monopoly Movie Is a "Metaphor for Life"
(From ReelzChannel. 13 November 2009, 11:00 AM, PST)
One of the best war movies of all time more (1028 total)
Directed by | |||
| Ridley Scott | |||
Writing credits(WGA) | ||
| Mark Bowden | (book) | |
| Ken Nolan | (screenplay) | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Slawomir Idziak | (director of photography) | ||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Bonnie Timmermann | |||
Production Design by | |||
| Arthur Max | |||
Art Direction by | |||
| Pier Luigi Basile | |||
| Gianni Giovagnoni | |||
| Ivo Husnjak | (as Ivica Husnjak) | ||
| Keith Pain | |||
| Cliff Robinson | |||
| Marco Trentini | |||
Set Decoration by | |||
| Elli Griff | |||
Costume Design by | |||
| David Murphy | |||
| Sammy Sheldon | (as Sammy Howarth-Sheldon) | ||
Makeup Department | |||
| Malika Bouizergane | .... | makeup artist: Morocco (as Malika Boukergane) | |
| Ana Bulajic-Crcek | .... | makeup artist (as Ana Bulajic Crcek) | |
| Hayat Ouled Dahhou | .... | hair stylist: Morocco (as Hayat Ouleddahhou) | |
| Barbara De Leonardis | .... | hair stylist (as Barbara DeLeonardis) | |
| Giancarlo De Leonardis | .... | key hair stylist (as Giancarlo DeLeonardis) | |
| Gianbattista Graziano | .... | makeup artist (as Gianni Graziano) | |
| Antonio Maltempo | .... | makeup artist | |
| Rob Mayor | .... | special makeup effects artist | |
| Simon Rose | .... | prosthetics makeup artist | |
| Alessandra Sampaolo | .... | makeup artist | |
| Fabrizio Sforza | .... | key makeup artist | |
| Michele Vigliotta | .... | hair stylist | |
| Alan Hedgcock | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Alex Corven Caronia | .... | unit manager: second unit | |
| Ahmed Darif | .... | production manager | |
| Antoine Douaihy | .... | unit manager (as Antoine L. Douaihy) | |
| Pamela Hochschartner | .... | unit production manager | |
| Abdenabi Izlaguen | .... | location unit manager | |
| Teresa Kelly | .... | post-production supervisor | |
| Branko Lustig | .... | unit production manager | |
| T. David Pash | .... | production manager | |
| Rachid Quiat | .... | unit manager | |
| Angela Quiles | .... | production supervisor | |
| KristieAnne Reed | .... | executive in charge of production: JBF | |
| Jamal Souissi | .... | production manager: Morocco | |
| Lucio Trentini | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ali Cherkaoui | .... | second assistant director: Morocco | |
| William Dodds | .... | third assistant director: second unit | |
| Rachid Gaidi | .... | first assistant director: Morocco | |
| Basil Grillo | .... | second second assistant director | |
| Ahmed Hatimi | .... | first assistant director: Morocco (as Hatimi Ahmed) | |
| Emma Horton | .... | second second assistant director | |
| Zinedine Ibnou Jabal | .... | second assistant director: Morocco (as Zine-Eddine Ibnou Jabal) | |
| Terry Needham | .... | first assistant director | |
| Hannah Quinn | .... | second second assistant director | |
| Darin Rivetti | .... | key second assistant director (as Darin John Rivetti) | |
| Adam Somner | .... | first assistant director: second unit | |
| Alexander Witt | .... | second unit director | |
| Davide Sacchetti | .... | third assistant director (uncredited) | |
Art Department | |||
| Said Arif Ahmed | .... | construction buyer: Morocco | |
| Mark Allett | .... | set dresser | |
| Annick Biltresse | .... | art department coordinator | |
| Lisa Chugg | .... | assistant set decorator | |
| Sylvain Despretz | .... | storyboard artist | |
| Roberta Federico | .... | set designer | |
| Roger Holden | .... | greensman | |
| Michael King | .... | buyer | |
| Aziz Mhand | .... | props | |
| Marissa Miller | .... | buyer | |
| Eric Mullet | .... | leadman | |
| Antonio Murer | .... | set dresser: second unit | |
| Steve Payne | .... | assistant property master | |
| Graeme Purdy | .... | property master | |
| Amin Rharda | .... | buyer: Morocco (as Amine Rharda) | |
| Monica Sallustio | .... | set designer | |
| Philip Sharpe | .... | props | |
| Toby Shears | .... | supervising model maker | |
| Jim Stanes | .... | graphic artist | |
| Dominic Weisz | .... | model maker | |
| Mickey Woolfson | .... | property master on set | |
| Fatiha Aitbadi | .... | greensman (uncredited) | |
| Damir Gabelica | .... | assistant construction manager (uncredited) | |
| Glauco Isidori | .... | painter (uncredited) | |
| Tamara Marini | .... | set designer (uncredited) | |
| Ladislav Markic | .... | plasterer (uncredited) | |
| Richard A. McCarthy | .... | plaster department head (uncredited) | |
| Nick Milner | .... | dressing props (uncredited) | |
| Dan Pemberton | .... | construction coordinator (uncredited) | |
| Stuart Rose | .... | set decorating supervisor (uncredited) | |
| Saverio Sammali | .... | set designer (uncredited) | |
| Bob Sherwood | .... | supervising prop dresser (uncredited) | |
| Fernando Valento | .... | construction manager (uncredited) | |
Special Effects by | |||
| Kevin Adcock | .... | special effects crew | |
| Dave Baynham | .... | special effects supervising plasterer (as David Baynham) | |
| Clive Beard | .... | special effects lead senior technician | |
| Abdelaali Berhich | .... | special effects unit crew | |
| Ian Biggs | .... | special effects senior technician | |
| David Brighton | .... | special effects workshop supervisor | |
| Jamal Chrourou | .... | special effects unit crew | |
| Ian Corbould | .... | special effects lead senior technician (as Ian John Corbould) | |
| Neil Corbould | .... | prosthetics effects supervisor | |
| Neil Corbould | .... | special effects supervisor | |
| Paul Corbould | .... | assistant special effects supervisor (as Paul Grant Corbould) | |
| Steve Crawley | .... | special effects rigger (as Stephen Crawley) | |
| Steve Crawley | .... | special effects wireman (as Stephen Crawley) | |
| Michael Dunleavy | .... | prosthetics senior technician | |
| Raymond Ferguson | .... | workshop supervisor | |
| Joseph Geday | .... | special effects technician | |
| Lahcen Harouane | .... | special effects unit crew | |
| Mark Howard II | .... | special effects technician (as Mark Howard) | |
| David Hunter | .... | prosthetics workshop supervisor | |
| Carol McAulay | .... | special effects coordinator: Morocco | |
| Roger Nichols | .... | senior technician | |
| Karl Openshaw | .... | special effects technician: vfx elements | |
| Simon Quinn | .... | special effects technician | |
| Matthew Roberts | .... | special effects technician | |
| Darren Robinson | .... | prosthetics senior technician | |
| Dave Roddham | .... | special effects technician | |
| Shaun Rutter | .... | special effects senior technician | |
| Tristan Schoonraad | .... | prosthetics senior technician | |
| Cliff Wallace | .... | prosthetics workshop supervisor | |
| Anne Marie Walters | .... | special effects technician | |
| Steven Warner | .... | special effects lead technician | |
| David Watkins | .... | special effects lead technician | |
| Barry Whitrod | .... | special effects senior technician | |
| Andy Williams | .... | floor supervisor: second unit | |
| Gareth Wingrove | .... | special effects technician | |
| Ian Wingrove | .... | lead senior technician | |
| Stuart Wishart | .... | special effects technician | |
| Alan Young | .... | special effects senior technician | |
| Alistair Anderson | .... | special effects technician (uncredited) | |
| Matthew G. Armstrong | .... | special effects trainee (uncredited) | |
| Jabin Dickins | .... | special effects technician (uncredited) | |
| Paul Dunn | .... | special flying effects (uncredited) | |
| Wilma Dunn | .... | special effects (uncredited) | |
| Jen Gasson | .... | prosthetics coordinator (uncredited) | |
| Danielle McAulay | .... | special effects (uncredited) | |
| Jason McCameron | .... | special effects (uncredited) | |
| Mark Meddings | .... | special effects coordinator (uncredited) | |
| Jalila Otky | .... | special effects and prosthetics coordinator: Morocco (uncredited) | |
| Dave Poole | .... | special effects technician (uncredited) | |
| Lee Rider | .... | special effects assistant (uncredited) | |
| Simon Webber | .... | special makeup effects crew (uncredited) | |
| Conway Wickliffe | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Blondel Aidoo | .... | executive producer: Asylum Visual Effects | |
| Hani AlYousif | .... | 2D artist (as Hani Alyousif) | |
| Paul Amer | .... | 3D artist | |
| Marilyn Anderson | .... | technical assistant manager | |
| Laya Armian | .... | visual effects coordinator: Mill Film | |
| Murray Barber | .... | 2D artist | |
| Giacomo Bargellesi | .... | technical assistant: Mill Film | |
| Steve Barnes | .... | 2D artist (as Steven Barnes) | |
| Gavin Baxter | .... | 3D artist | |
| Sara Bennett | .... | 2D artist | |
| Hitesh Bharadia | .... | 3D artist: Mill Film | |
| Rob Blue | .... | Inferno artist | |
| Christopher Bonnstetter | .... | CG artist (as Pink) | |
| Philip Borg | .... | digital artist | |
| David A.T. Bowman | .... | 2D artist (as Dave Bowman) | |
| Phil Brennan | .... | Inferno artist | |
| Will Broadbent | .... | CG artist: Mill Film | |
| Bela Brozsek | .... | CG artist (as Bela Brojek) | |
| Tim Burke | .... | visual effects supervisor | |
| Lindsay Burnett | .... | visual effects producer: ASYLUM | |
| Kevin Campbell | .... | software developer | |
| Martin Chamney | .... | 3D artist | |
| Isabel Cody | .... | 3D artist | |
| Grant Connor | .... | 2D artist | |
| Joseph Conti | .... | 24 frame video effects (as Joe Conti) | |
| Paul Conti | .... | 24 frame video supervisor | |
| Colin Coull | .... | digital color timer: Mill Film | |
| Stuart Cripps | .... | 2D artist | |
| Brandon Criswell | .... | 2D artist: Asylum | |
| Brian Cuscino | .... | I/O | |
| Enid Dalkoff | .... | digital artist | |
| Ivan DeWolf | .... | CG artist (as Ivan Wolf) | |
| Mitchell S. Drain | .... | Inferno artist (as Mitch Drain) | |
| Frederic Durand | .... | 3D artist | |
| Dave Early | .... | 2D artist | |
| Areito Echevarria | .... | 2D artist | |
| Andy Feery | .... | 3D artist | |
| Greg Fisher | .... | 3D artist | |
| Lillan Gahlin | .... | model artist (as Lilian Gahlin) | |
| Elton Garcia | .... | Inferno artist (as Elton John Garcia) | |
| Adam Gascoyne | .... | 2D artist | |
| Katherine Granger | .... | 2D artist | |
| Kieron Helsdon | .... | 3D artist | |
| Michael Hemschoot | .... | CG artist | |
| Tommy Hooper | .... | head of technology | |
| Mark Hopkins | .... | 2D artist | |
| Adam Howarth | .... | model supervisor: Mill Film | |
| Michael Huber | .... | technical director | |
| Robin Huffer | .... | 3D artist | |
| Laurent Hugueniot | .... | CG supervisor: Mill Film | |
| Michael Illingworth | .... | 2D artist | |
| Harris Joey | .... | technical assistant | |
| David Jones | .... | visual effects supervisor: Asylum (as David M. V. Jones) | |
| Pete Jopling | .... | 2D artist | |
| Kristopher Kasper | .... | visual effects editor | |
| Patrick Kavanaugh | .... | 2D artist: Asylum | |
| John Kay | .... | 3D artist | |
| Laurent Kermel | .... | 3D artist | |
| Louise Lattimore | .... | 2D artist | |
| Erik Lee | .... | CG artist (as Eric Lee) | |
| Bruno Lesieur | .... | 3D artist | |
| Dan Levy | .... | 3D artist | |
| Veronica Luthcke | .... | 2D artist | |
| David Man | .... | 2D artist | |
| Phil Man | .... | Inferno artist | |
| Peter Marin | .... | 2D artist (as Pete Marin) | |
| Emma McGuinness | .... | executive producer: Asylum | |
| Nathan McGuinness | .... | visual effects supervisor: Asylum | |
| Steve Muangman | .... | video | |
| Steve Murgatroyd | .... | 2D artist | |
| Marc Nanjo | .... | 2D artist: Asylum | |
| Emma Norton | .... | visual effects producer | |
| Paul Oakley | .... | digital artist: tracking | |
| Jeff Olm | .... | Inferno artist | |
| Alex G. Ortoll | .... | Inferno artist (as Alex Ortoll) | |
| Simon Payne | .... | digital artist: Mill Film | |
| Craig Penn | .... | 3D artist | |
| Joseph Pepper | .... | 3D artist | |
| David Phillips | .... | 2D artist (as Dave Phillips) | |
| Mark Pinheiro | .... | 2D artist | |
| Ian Plumb | .... | 2D artist | |
| Dagan Potter | .... | digital artist | |
| Mark P. Renton | .... | Inferno artist (as Mark Renton) | |
| John Roberts-Cox | .... | 3D artist (as John Robert Cox) | |
| Richard Roberts | .... | 2D artist | |
| Susi Roper | .... | production supervisor: Mill Film | |
| Alex Rothwell | .... | 3D artist | |
| Craig Rowe | .... | technical assistant | |
| David Santiago | .... | CG artist | |
| Gunther Schatz | .... | CG artist | |
| John Schoonraad | .... | assistant prosthetics supervisor | |
| Mark Scott | .... | 24 frame video engineer (as Mark I. Scott) | |
| Ira Shain | .... | CG artist | |
| Dan Sheerin | .... | 3D artist | |
| Robin Shenfield | .... | executive producer: Mill Film | |
| Pete Smith | .... | 2D artist | |
| Pete Smith | .... | 2D artist | |
| Simon Stanley-Clamp | .... | digital supervisor: Mill Film | |
| Andy Stevens | .... | visual effects camera assistant: Millfilm | |
| Roland Stevenson | .... | prosthetics head sculptor | |
| Olcun Tan | .... | 3D artist | |
| Marty Taylor | .... | Inferno artist | |
| Eric Texier | .... | 3D artist | |
| Ben Turner | .... | 2D artist | |
| Lars Vinther | .... | visual effects editor: Mill Film | |
| Niki Wakefield | .... | 2D artist | |
| Val Wardlaw | .... | 3D artist | |
| Rebecca Waters | .... | 3D artist | |
| Jeff Werner | .... | CG producer: Asylum | |
| Gabriel White | .... | 3D artist | |
| Yuichiro Yamashita | .... | CG artist | |
| John Attard | .... | digital effects artist (uncredited) | |
| Travis Baumann | .... | Inferno artist (uncredited) | |
| Susanne Becker | .... | digital artist (uncredited) | |
| Damien Cheetham | .... | post production engineer: Mill Film (uncredited) | |
| David Crawford | .... | digital compositor (uncredited) | |
| Gregory Creaser | .... | digital timing supervisor: Digiscope (uncredited) | |
| Sabine Kertscher | .... | digital artist (uncredited) | |
| Candice Scott | .... | Inferno artist: Asylum (uncredited) | |
| Bret St. Clair | .... | technical director (uncredited) | |
Casting Department | |||
| Salah Benchegra | .... | casting assistant: Morocco | |
| Jose Cabrera | .... | casting assistant | |
| Billy Dowd | .... | extras casting (as William F. Dowd) | |
| Billy Dowd | .... | local casting (as William F. Dowd) | |
| Meagan Lewis | .... | casting assistant | |
| Gora Mbaye | .... | casting assistant: Morocco | |
| Suzanne Smith | .... | casting: UK (as Suzanne M. Smith) | |
| Seth Yanklewitz | .... | casting associate | |
| Chris Bustard | .... | extras casting: Los Angeles (uncredited) | |
| Lucy Townsend | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | costume coordinator (as Darryl Athons) | |
| Abderrahim Benkhayi | .... | wardrobe assistant | |
| Philip Goldsworthy | .... | wardrobe assistant | |
| Dianne Murphy | .... | costumer (as Diane Murphy) | |
| Neil Murphy | .... | costumer | |
| Dana Schondelmeyer | .... | wardrobe supervisor | |
| Abdelkrim Akallach | .... | wardrobe supervisor: crowd (uncredited) | |
| Stephanie Paul | .... | costume assistant (uncredited) | |
| Nicholas Roche-Gordon | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Valerio Bonelli | .... | assistant editor | |
| Jim Conrads | .... | post-production coordinator | |
| Robert Drwila | .... | assistant editor | |
| Tami Goldman | .... | post-production coordinator (as Tami R. Goldman) | |
| Andrew Haigh | .... | assistant editor | |
| Karen Hurley | .... | apprentice editor | |
| Bob Kaiser | .... | color timer (as Robert Kaiser) | |
| Michael Reynolds | .... | first assistant editor | |
| Billy Rich | .... | apprentice editor | |
| Steven R. Sacks | .... | assistant editor (as Steven Sacks) | |
| Wesley Sewell | .... | associate editor (as Wes Sewell) | |
| Rex M. Teese | .... | apprentice editor (as Rex Teese) | |
| Chisako Yokoyama | .... | first assistant editor | |
| Jonathan Poirier | .... | apprentice editor (uncredited) | |
Music Department | |||
| Bob Badami | .... | music supervisor | |
| Michael Brook | .... | musician: guitar | |
| Monica Ciafardini | .... | music clearances | |
| Al Clay | .... | score recordist | |
| Sandy DeCrescent | .... | music contractor | |
| James Dooley | .... | musician: BHD (as Jim Dooley) | |
| Clay Duncan | .... | musician: BHD | |
| Craig Eastman | .... | musician: featured violin, electric violin, slide guitar and hurdy gurdy | |
| Ilan Eshkeri | .... | musician: BHD | |
| Michael Fisher | .... | musician: BHD (as Mike Fisher) | |
| John Fitzgerald | .... | musician: BHD | |
| Bruce Fowler | .... | orchestrator | |
| Walt Fowler | .... | musician: BHD | |
| Brian Kilgore | .... | musician: BHD | |
| Malcolm Luker | .... | score recordist (as Mal Luker) | |
| Baaba Mall | .... | featured vocalist (as Baaba Maal) | |
| Sam Maloney | .... | musician: BHD | |
| Alan Meyerson | .... | score mixer | |
| Kathy Nelson | .... | music supervisor | |
| Heitor Pereira | .... | musician: guitar | |
| Satnam Ramgotra | .... | musician: BHD | |
| Del Spiva | .... | assistant music editor | |
| Marc Streitenfeld | .... | music editor | |
| Ali Tavallali | .... | musician: BHD | |
| Martin Tillman | .... | musician: cello | |
| Greg Townley | .... | score recordist | |
| Mel Wesson | .... | ambient music designer | |
| Kevin Blumenfeld | .... | music intern (uncredited) | |
| Michael Brook | .... | composer: additional music (uncredited) | |
| Peter Doell | .... | music score recording engineer (uncredited) | |
| Craig Eastman | .... | composer: additional music (uncredited) | |
| Tobias Enhus | .... | composer: additional score (uncredited) | |
| Elizabeth Finch | .... | additional orchestrator (uncredited) | |
| Steve Juliani | .... | music preparation (uncredited) | |
| Jason Lloyd | .... | scoring crew (uncredited) | |
| Yvonne S. Moriarty | .... | additional orchestrator (uncredited) | |
| Sunny Park | .... | music production manager (uncredited) | |
| Heitor Pereira | .... | composer: additional music (uncredited) | |
| Dylan Quirt | .... | apprentice music editor (uncredited) | |
| John Rodd | .... | orchestral scoring recordist (uncredited) | |
| Martin Tillman | .... | composer: additional music (uncredited) | |
| Lia Vollack | .... | executive in charge of music: Columbia Pictures (uncredited) | |
| Hans Zimmer | .... | conductor (uncredited) | |
| Hans Zimmer | .... | musician: keyboards (uncredited) | |
Transportation Department | |||
| Said Andam | .... | transportation office manager: Morocco | |
| Driss Benchhiba | .... | transportation coordinator | |
| Mike Booys | .... | assistant action vehicle coordinator: second unit | |
| Ravi Dube | .... | transportation captain | |
| Waldron Lamora | .... | action vehicle coordinator: second unit (as Waldron LaMora) | |
| David Pash | .... | transportation captain | |
| Dave Robling | .... | transportation captain (as David Robling) | |
| Khalid Ameskane | .... | transportation assistant (uncredited) | |
| Jimmy Carruthers | .... | facilities driver (uncredited) | |
Other crew | |||
| Mohamed Essaghir Aabach | .... | crowd marshall: Morocco | |
| Kirby Adams | .... | payroll accountant | |
| Damian Anderson | .... | assistant production coordinator | |
| Lee Van Arsdale | .... | military consultant (as Colonel Lee Van Arsdale USA Retired) | |
| Simon Atherton | .... | master armorer | |
| Orna Banarie | .... | assistant: Mr. Bruckheimer | |
| Rosie Bedford-Stradling | .... | first aid: second unit | |
| Tarik Ait Ben Ali | .... | production assistant | |
| Vanessa Bendetti | .... | researcher | |
| Robert L. Bennett Jr. | .... | assistant: Mr. Zimmer (as Robert Bennett) | |
| Kimberley Ann Berdy | .... | production coordinator: Los Angeles | |
| Milena Bono | .... | shipping coordinator | |
| Samir Bounit | .... | controller of Morocco labor: Morocco | |
| Mark Bowden | .... | consultant | |
| Kaz Boyle | .... | assistant: Mr. Zimmer | |
| Andrea Bruce | .... | assistant: Mr. Bruckheimer | |
| Michal Bukojemski | .... | video tap | |
| Sandra Butterworth | .... | dialect coach | |
| John K. Campbell | .... | assistant: Mr. Bruckheimer | |
| Houssna Choukri | .... | assistant: Mr. Souissi, Morocco | |
| Toby E. Cook | .... | production assistant | |
| Steve Cummings | .... | armorer | |
| Merrilee Dale | .... | location accountant | |
| Tommy Dunne | .... | armorer | |
| Karim Elamri | .... | production translator: Morocco | |
| Colonel El Jaouhari | .... | military advisor: Morocco | |
| Pierre Ellul | .... | set production assistant | |
| Carla Ferroni | .... | travel coordinator | |
| Francisco Paco Garcia | .... | helicopter pilot | |
| Jose Garretta | .... | helicopter pilot | |
| Captain Nabil Ghiadi | .... | military advisor: Morocco | |
| Donna Glasser-Hancock | .... | production accountant (as Donna Glasser) | |
| Jerry Grayson | .... | helicopter pilot | |
| Nicky Gregory | .... | first aid | |
| Alan Hausmann | .... | armorer | |
| Bart Hendrickson | .... | samples coordinator | |
| Jonathan Hook | .... | base camp manager | |
| Harry Humphries | .... | technical advisor | |
| Sally Jones | .... | script supervisor | |
| Dragan Josipovic | .... | military liaison: Morocco (as Dragan Josipovic Joss) | |
| Dennis Kenyon | .... | helicopter pilot | |
| Nick Komornicki | .... | armorer | |
| Fatima Laaouina | .... | production translator: Morocco | |
| Diana E. Latham | .... | aerial military coordinator (as Diana Latham) | |
| Ernst W. Laurel | .... | assistant accountant (as Ernest Laurel) | |
| David B. Leener | .... | product placement | |
| Milly Leigh | .... | assistant: Mr. Scott | |
| Rafael Lima | .... | assistant production coordinator | |
| Jennifer P. Luther | .... | first assistant accountant | |
| Nicole Luther | .... | second assistant accountant | |
| Marielle Magne | .... | production assistant | |
| Domenico Mancino | .... | blacksmith (as Memmo) | |
| Domenico Mancino | .... | blacksmith | |
| Colonel Thomas Matthews | .... | military consultant (as Colonel Thomas Matthews, USA Retired) | |
| Major Thomas McCollum | .... | technical advisor: DOD USASOC (as Major Tom McCollum, USA) | |
| Zoe Morgan | .... | assistant script supervisor | |
| Trevor Morris | .... | assistant: Hans Zimmer | |
| Grégoire Mouveau | .... | location facilities manager (as Gregoire Mouveau) | |
| Melissa Muik | .... | assistant: Mr. Zimmer | |
| Moanike'ala Nakamoto | .... | assistant: Mr. Zimmer | |
| Khalid Nekmouche | .... | location manager: Morocco | |
| John Nixon | .... | armorer | |
| Stephen North | .... | aerial safety coordinator (as Stephen J. North) | |
| Dr. Celine Dechanet Painchaux | .... | set medic: Morocco | |
| Tracy Pakulniewicz | .... | operations: JBF | |
| David Paris | .... | aerial coordinator | |
| Milena Boni Parodi | .... | shipping coordinator | |
| Anil Patadé | .... | construction accountant (as Anil Patade) | |
| Wynn Petersen | .... | production: Jerry Bruckheimer Films | |
| Philip Pickford | .... | aerial safety coordinator: second unit | |
| Nada Pinter | .... | script supervisor: second unit | |
| Ryan Posly | .... | assistant: Mr. Bruckheimer | |
| Ian Quiles | .... | production assistant | |
| Sven Reinhard | .... | assistant accountant | |
| Robin Reitman | .... | first assistant accountant | |
| Branko Repalust | .... | armorer | |
| Petr Richter | .... | webbing master | |
| Trevor Rochester | .... | armorer | |
| Patrick Michael Roddam | .... | production assistant | |
| Freddy Rosenkranz | .... | helicopter pilot | |
| Steve Rosen | .... | trainer | |
| India Salvy-Guide | .... | production assistant | |
| Ibtisame Semmar | .... | assistant accountant: Morocco | |
| Burton Sharp | .... | adr group coordinator (as Burt Sharp) | |
| Neville Shulman | .... | special advisor: Mr. Scott | |
| Olaf Shumacher | .... | helicopter pilot | |
| Michael Singer | .... | unit publicist | |
| Mark Somner | .... | base camp manager | |
| Justin Sperandeo | .... | assistant: Mr. Bruckheimer | |
| Dana Suman | .... | production assistant | |
| Widad Taha | .... | production secretary: Morocco | |
| Keni Thomas | .... | technical advisor | |
| Omar Tisli | .... | crowd marshall: Morocco | |
| Aminta Townshend | .... | assistant: Mr. Lustig | |
| Mary Viola | .... | assistant: Mr. Oman | |
| Beth Vitallo | .... | assistant: Mr. Scott | |
| Ed Walton | .... | assistant: Mr. Stenson | |
| Kim Whittaker | .... | production assistant | |
| Marc Wolff | .... | aerial coordinator | |
| Michelle Wraight | .... | prosthetics crew | |
| Mark Wyndham | .... | assistant: armorer | |
| Robert 'Bobby Z' Zajonc | .... | helicopter pilot (as Bobby Zajonc) | |
| Mustapha Adidou | .... | location assistant (uncredited) | |
| Mir Bahmanyar | .... | researcher: military (uncredited) | |
| Dan Camins | .... | assistant to producer (uncredited) | |
| Joni Cuquet | .... | field publicist (uncredited) | |
| Chris Edgerly | .... | additional voices (uncredited) | |
| Mark Eshelman | .... | scoring stage manager: Sony (uncredited) | |
| Gabriela Gutentag | .... | marketing consultant (uncredited) | |
| Charles Heaphy | .... | production financing (uncredited) | |
| Baron Jay | .... | production assistant (uncredited) | |
| Baron Jay | .... | stand-in (uncredited) | |
| Jason Lloyd | .... | scoring stage manager: Sony (uncredited) | |
| Matt L. Lockhart | .... | assistant: Alan Meyerson (uncredited) | |
| Phillip Rapagna | .... | voice looping (uncredited) | |
| Norman Campbell Rees | .... | stand-in (uncredited) | |
| Davide Sacchetti | .... | production assistant (uncredited) | |
| Issa Zaroui | .... | location manager (uncredited) | |
Thanks | |||
| Philip M. Strub | .... | special thanks | |
La caída del halcón negro (Argentina) (Colombia) (Mexico) (Peru) [es]
Black Hawk Down (Austria) (Germany) [de]
La chute du faucon noir (Canada: French title) (France) [fr]
A sólyom végveszélyben (Hungary) [hu]
Black Hawk derribado (Spain) [es]
Falcão Negro em Perigo (Brazil) [pt]
Helikopter w ogniu (Poland) [pl]
Isku Mogadishuun (Finland) [fi]
Kara sahin düstü (Turkey: Turkish title) [tr]
Mavro geraki - I katarripsi (Greece) [el]
Pad crnog jastreba (Serbia) [sr]
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Rated R for intense, realistic, graphic war violence, and for language.
144 min | Germany:142 min | USA:152 min (extended version)
Color (Technicolor)
2.35 : 1 more
DTS | Dolby Digital | SDDS (8 channels)
Malaysia:18SG | Canada:13+ (Quebec) | Portugal:M/16 | India:A | Argentina:16 | Australia:MA (re-rating on appeal) | Australia:R (original rating) | Brazil:14 | Canada:18A | Finland:K-15 | France:-12 | Germany:16 | Hong Kong:IIB | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Philippines:PG-13 | Singapore:NC-16 | South Korea:15 | Spain:13 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R (certificate #38095) | Iceland:16
On the last day of their week long Army Ranger orientation at Fort Benning, the actors who portrayed the Rangers received a letter which had been anonymously slipped under their door. The letter thanked them for all their hard work, and asked them to "tell our story true", signed with the names of the Rangers who died in the Mogadishu firefight. more
Audio/visual unsynchronized: While evacuating prisoners, McKnight's voice is very obviously overdubbed, as Sizemore's mouth appears to be saying something completely different from what is heard. more
Referenced in "Auf Wiedersehen, Pet: Au Revoir: Part 1 (#5.1)" (2004) more
Right Turn more
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When talking about war movies, there are many great ones that immediately spring to mind. Since the 70's, three of them have formed a bit of a holy trinity: Francis Ford Coppola's Apocalypse Now, Stanley Kubrick's Full Metal Jacket, and Steven Spielberg's Saving Private Ryan. These three movies have set the bar for all other war movies that have come along since then. When it was announced that Gladiator director, Ridley Scott, would be adapting Mark Bowden's book, Black Hawk Down: A Story of Modern War, filmgoers knew that they would be in for a treat.
For whatever reason, I don't remember hearing much about the civil war in Somalia or about the Battle of Mogadishu on which Black Hawk Down is based. The plan seemed simple enough: the Army is sent into Somalia by the government to try to put an end to the Civil War. On October 3, 1993, a group of them were sent on a quick mission to capture the Somali warlord that had been running the country with an iron fist. It didn't take long for the operation to go completely FUBAR as two Black Hawk helicopters were shot down. Things went from bad to worse, as the Rangers found themselves surrounded by thousands of armed Somalis, whose only goal was to shoot any American soldier that invaded their space. After "stirring up the hornet's nest", the mission becomes a desperate attempt to maintain the Rangers motto, "Leave No Man Behind".
Needless to say, Ridley Scott has made the ultimate war movie with Black Hawk Down. Unlike some war films that temper the battle with slower character-building sequences, you have to wait only thirty minutes for the Rangers' mission to go into effect. And the action doesn't stop for the next two hours, as the rest of the movie is filled with flying bullets, explosions and bloodshed. The fighting is so chaotic that it is hard to follow the action and tell what is happening, at times, and it becomes almost too easy to become desensitized to the violence. By the third time someone yells "RPG's!" though, the entire audience knows to duck and cover their ears.
While the American soldiers go in with a solid plan, it doesn't take long for panic to set in, and pretty soon, you're not sure which side is more disorganized. It's amazing to watch what seems like thousands of extras playing the Somali militia swarming over the soldiers, and the action and camerawork is reminiscent of a video game as the soldiers try to escape their precarious situation through the streets of Mogadishu. As the movie progresses, the tension continues to build as the grim and unrelenting hopelessness of the situation sets in both for the soldiers and the viewer.
It's pretty amazing how much has been made of the 19 downed American soldiers when over 1000 Somali men, women, and children were killed during the raid. While the movie is clearly weighed towards the American perspective, I can't imagine how it must have felt to be the guy who gets to play "Dead Somali with a Gun #354".
Although characterization has always been used extensively in war movies to get the viewer to care about the characters, Black Hawk Down works better because, for the most part, the soldiers are personified as little more than grunts in the field doing the bidding of their superiors. At least the soldiers had their names taped to their helmets, so that this didn't have the problem of some war movies, where it's sometimes hard to tell who is who. Some of the best performances of the film come from Tom Sizemore as the gung-ho Lt. McKnight and Josh Hartnett, who plays the sergeant who leads the mission and feels personal guilt every time a man is lost. Sam Shepard also is excellent as Major General William Garrison, who sits back in the safe zone watching his doomed men be overpowered by the enemy. Eric Bana's part is small, but he has some of the best lines in the film, really driving home the point of why soldiers do what they do. Ewan McGregor's role is even more minor and insignificant, but his Trainspotting compatriot, Ewen Bremner offers the movie's little bit of comic relief.
As expected in a Ridley Scott film, the visuals and camerawork are stunning with the movie having a gray almost monochromatic look that makes the orange flames and red blood really stand out. As is typical in Scott's recent movies, there is lots of flying dust, rubble and debris mixed with slow motion shots of falling bullet casings and splattered blood. He also uses animals and non-military personnel well in some of the shots to show that this firefight is happening in the middle of a populated market district.
A big deal has been made out of the blood and gore in Black Hawk Down, but what is any true war movie without it? Though most of the graphic violence on display is not far beyond Saving Private Ryan, there is at least one visceral sequence that will make most people squeamish, unless they watch those operation shows on The Learning Channel for entertainment. Black Hawk Down is quite an achievement in creating a realistic representation of an event in recent history. Most of this movie leaves the viewer aghast and incredulous of what they're watching, and it's hard to believe that something like this could possibly happen. Technically, this movie is an amazing feat that gives the viewer one of the most realistic impressions of what it would feel like to be in the middle of a war, which makes the atrocities of the event seem all the more real.
In a genre that has brought out some of the best in directors and actors, Black Hawk Down is easily the best war movie ever made, and it has replaced A Beautiful Mind as my candidate for Best Picture and Director.
Rating: 10 out of 10