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Directed by | |||
| Quentin Tarantino | |||
Writing credits | ||
| Quentin Tarantino | (written by) | |
| Quentin Tarantino | (character The Bride) (as Q) & | |
| Uma Thurman | (character The Bride) (as U) | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| Mitsuhisa Ishikawa | .... | executive animation producer | |
| Koko Maeda | .... | associate producer | |
| Katsuji Morishita | .... | producer: animation sequence | |
| Dede Nickerson | .... | associate producer | |
| Kwame Parker | .... | assistant producer | |
| Erica Steinberg | .... | executive producer | |
| E. Bennett Walsh | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| RZA | (as The RZA) | ||
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Koko Maeda | |||
| Johanna Ray | |||
Production Design by | |||
| Yohei Taneda | |||
| David Wasco | |||
Art Direction by | |||
| Daniel Bradford | |||
| Hidefumi Hanatani | |||
| Minoru Nishida | |||
Set Decoration by | |||
| Yoshihito Akatsuka | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Kumiko Ogawa | |||
| Catherine Marie Thomas | (as Catherine Thomas) | ||
Makeup Department | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Norman Cabrera | .... | special makeup effects artist: KNB FX Group | |
| Jake Garber | .... | special makeup effects artist | |
| Ilona Herman | .... | hair stylist: Ms. Thurman | |
| Ilona Herman | .... | makeup artist: Ms. Thurman | |
| Tysuela Hill-Scott | .... | hair stylist: Ms. Fox (as Tysuela) | |
| Tysuela Hill-Scott | .... | makeup artist: Ms. Fox (as Tysuela) | |
| Miia Kovero | .... | hair stylist | |
| Emanuel Millar | .... | key hair stylist | |
| Christopher Allen Nelson | .... | special makeup effects artist (as Chris Nelson) | |
| Gregory Nicotero | .... | special effects makeup supervisor | |
| Gregory Nicotero | .... | special makeup effects artist: KNB FX Group (as Greg Nicotero) | |
| Peter Owen | .... | wig maker | |
| Kyra Panchenko | .... | additional makeup artist: Ms. Thurman | |
| Scott Patton | .... | special makeup designer | |
| Heba Thorisdottir | .... | makeup department head | |
| Noriko Watanabe | .... | hair stylist: Ms. Liu | |
| Noriko Watanabe | .... | makeup artist: Ms. Liu | |
| Victoria Wood | .... | wig maker | |
| Debbie Zoller | .... | key makeup artist | |
| Alan Tuskes | .... | key special makeup effects studio technician (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Paul Clark | .... | assistant director | |
| Marco Polo Constandse | .... | second assistant director: Mexico | |
| Heather I. Denton | .... | second second assistant director | |
| Stephen Dudycha | .... | additional assistant director | |
| Jonathan Tex Levitt | .... | second assistant director | |
| Dawn Massaro | .... | second assistant director | |
| Kazuto Nakazawa | .... | first unit director: animation | |
| Toshihiko Nishikubo | .... | second unit director: animation | |
| Kennedy Taylor | .... | first assistant director: Tokyo | |
| Ryan Tighe | .... | additional second assistant director | |
| Jinzhan Zhang | .... | first assistant director | |
Special Effects by | |||
| Wai Lun Fung | .... | wire technician: Fight Team (as Fung Wai Lun) | |
| Jason Gustafson | .... | special effects supervisor | |
| John C. Hartigan | .... | special effects coordinator | |
| Anthony Ray Herrera | .... | special effects foreman | |
| Chen Hu | .... | wire technician: Fight Team | |
| Jack Jennings | .... | special effects technician | |
| Shu Jian | .... | wire technician: Fight Team | |
| Shinsuke Kojima | .... | model maker: Tokyo | |
| Kaoru Kusunoki | .... | model maker: Tokyo | |
| Yûichi Matsui | .... | special effects: Tokyo (as Yuichi Matsui) | |
| Matt McDonnell | .... | special effects foreman | |
| Masahiro Murakami | .... | special effects | |
| Christopher Allen Nelson | .... | special effects makeup (as Chris Nelson) | |
| Corey Pritchett | .... | special effects coordinator | |
| Ben Rittenhouse | .... | foam department supervisor: KNB Effects Group Inc. | |
| Ron Rosegard | .... | special effects foreman | |
| Lam Chi Tai | .... | wire technician: Fight Team | |
| He Yaxi | .... | wire technician: Fight Team | |
| Chiz Hasegawa | .... | project coordinator (uncredited) | |
| Kevin McTurk | .... | special effects makeup (uncredited) | |
| Arthur G. Schlosser | .... | snow effects technician (uncredited) | |
Visual Effects by | |||
| Kevin Braun | .... | digital optical supervisor | |
| Kelly Bumbarger | .... | digital compositor | |
| Frankie Chung | .... | visual effects supervisor | |
| David Geoghegan | .... | dustbuster | |
| Don Greenberg | .... | digital effects artist | |
| Christopher Haydostian | .... | digital compositor | |
| Kanta Kamei | .... | visual supervisor | |
| Rui Kuroki | .... | assistant production manager: animation | |
| Christopher Kutcka | .... | imaging supervisor (as Chris Kutcka) | |
| Jennifer Lee | .... | digital intermediate | |
| LaNelle Mason | .... | digital restoration | |
| Jaime Norman | .... | visual effects production manager | |
| Kenny Price | .... | digital lineup | |
| Matt Seckman | .... | digital compositor | |
| Brian Shows | .... | digital asset supervisor | |
| Tommy Tom | .... | visual effects supervisor/producer | |
| Jack Ho | .... | visual effects supervisor (uncredited) | |
| Michael Lafuente | .... | engineer (uncredited) | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Zoe Bell | .... | stunt double: The Bride | |
| Satya Bellord | .... | martial arts stunt double: The Bride | |
| Ken Lesco | .... | utility stunts (as Kenny Lesco) | |
| Ming Liu | .... | stunt double: Lucy Liu | |
| James Logan | .... | stunt rigger | |
| Lisa McCullough | .... | motorcycle stunt double: The Bride (as Lisa L. McCullough) | |
| Angela Meryl | .... | stunt double: Vernita | |
| Spencer Sano | .... | stunt performer | |
| Cheryl Bermeo | .... | stunt driver (uncredited) | |
| Sho Brown | .... | stunts (uncredited) | |
| Richard Burden | .... | stunt rigger (uncredited) | |
| Jared S. Eddo | .... | stunt rigger (uncredited) | |
| Hiro Koda | .... | stunts (uncredited) | |
| Michiko Nishiwaki | .... | stunt double (uncredited) | |
| Chris O'Hara | .... | stunt double: David Carradine (uncredited) | |
| Monica Staggs | .... | stunt double: Daryl Hannah (uncredited) | |
| Gary Ray Stearns | .... | stunts (uncredited) | |
| Steve Upton | .... | stunts (uncredited) | |
| Troy Wood | .... | stunts (uncredited) | |
Animation Department | |||
| Katsuhito Ishii | .... | character designer | |
| Eiji Ishimoto | .... | key animator: Production I.G. | |
| Toshio Ishizaki | .... | animator (as Sushio) | |
| Toshio Ishizaki | .... | key animator: Production I.G. (as Sushio) | |
| Mitsuo Iso | .... | key animator: Production I.G. | |
| Mahiro Maeda | .... | key animator: Production I.G. | |
| Yasunori Miyazawa | .... | key animator: Production I.G. | |
| Yutaka Sakamoto | .... | animation checker | |
| Keiichi Sasajima | .... | key animator: Production I.G. | |
| Shou Tajima | .... | character designer | |
| Hideki Takahashi | .... | key animator: Production I.G. | |
| Junichi Uematsu | .... | animation editor | |
| Takaaki Yamashita | .... | key animator: Production I.G. | |
| Shin'ya Ôhira | .... | animator | |
| Shin'ya Ôhira | .... | key animator: Production I.G. | |
Casting Department | |||
| Jerome Ro Brooks | .... | casting assistant | |
| Julie Dreyfus | .... | casting associate | |
| Rich King | .... | extras casting | |
| Jessica Vogl | .... | casting associate | |
| Kelly Hunt | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Lisa Bojarski | .... | costumer | |
| Jim Hansen | .... | costumer | |
| Cappi Ireland | .... | costumer: Ms. Thurman, Beijing | |
| Amy Lin | .... | wardrobe assistant | |
| Helen Monaghan | .... | international costume supervisor | |
| Daniel Grant North | .... | costume supervisor | |
| Kasumi Ogawa | .... | costumer: Tokyo | |
| Behnaz Shokouhi | .... | costumer | |
| Hans Georg Struhar | .... | costumer: Ms. Thurman, Los Angeles (as Hans G. Struhar) | |
| Yuko Sugiyama | .... | stylist: kimono, Tokyo | |
| Stella Tang | .... | wardrobe assistant | |
| Kanani Wolf | .... | set costumer | |
| Meng Xie | .... | wardrobe assistant | |
| Grace Yim | .... | wardrobe assistant | |
Editorial Department | |||
| Joe D'Augustine | .... | additional editor | |
| Greg D'Auria | .... | assistant editor | |
| Aaron Denenberg | .... | negative cutter | |
| Tony Dustin | .... | assistant digital film colorist | |
| Peggy Eghbalian | .... | assistant editor | |
| Ian Elias | .... | post-production assistant | |
| Katie Flint | .... | editorial assistant | |
| Ted Gidlow | .... | post-production coordinator | |
| Phyllis Housen | .... | assistant editor (as Phyllis K. Housen) | |
| Stephanie Ito | .... | digital intermediate producer | |
| Stephanie Johnson | .... | assistant editor | |
| Stephen Nakamura | .... | senior digital film colorist | |
| Julia Nessling-Douglas | .... | digital intermediate coordinator | |
| Fred Raskin | .... | assistant editor | |
| Joan Sobel | .... | first assistant editor | |
| Mike Sowa | .... | digital preview timer | |
| Jon Thompson | .... | post-production consultant | |
| Heidi Vogel | .... | post-production consultant | |
Music Department | |||
| Lawrence Bender | .... | executive soundtrack producer | |
| Michelle Kuznetsky | .... | music supervisor | |
| Wendi Morris | .... | music coordinator | |
| Mary Ramos | .... | music supervisor | |
| Jay B. Richardson | .... | music editor | |
| Quentin Tarantino | .... | executive soundtrack producer | |
| D.A. Young | .... | composer: additional music | |
Transportation Department | |||
| Robert aaron Brown | .... | driver: grip truck | |
| Bruce Callahan | .... | driver: Uma Thurman | |
| Bruce Callahan | .... | transportation co-captain | |
| Michael Dawes | .... | driver | |
| John Embry | .... | driver | |
| Don Feeney | .... | picture car coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Jessica James | .... | driver: cast | |
| David Joseph | .... | driver: production van | |
| Neil Marshall | .... | driver: honeywagon | |
| Brian Joseph Moore | .... | transportation captain (as Brian Moore) | |
| Marty Radcliff | .... | driver | |
| Derek Raser | .... | transportation coordinator | |
| Geoff Teagardin | .... | driver | |
| Mark Valdez | .... | driver | |
Thanks | |||
| Peter Bogdanovich | .... | special thanks | |
| Charles Bronson | .... | dedicatee | |
| Gray Davis | .... | thanks (as Governor Gray Davis) | |
| David R. Evans | .... | special thanks | |
| Robert Rodriguez | .... | special thanks | |
| Ada Shen | .... | special thanks | |
| Stacey Sher | .... | special thanks (as Stacy Sher) | |
| Cynthia Tsai | .... | special thanks | |
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| Kill Bill: Vol. 2 | Golgo 13 | Machete | The Dark Knight | Priest |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Action section |
| IMDb USA section |
I know it's a couple years late, but I had to write a review for some of the few people that haven't seen one of my favorite and refreshing I've seen over the last few years. Kill Bill Vol. 1 is yet another quality film of Tarantino's short, but distinguished list.
Kill Bill involves a nameless woman (Uma Thurman) who is slowing seeking revenge on her former hit squad the Viper Squad and her boss Bill (David Caradine.) Her former hit squad wronged her by gunning down her closest friends and family during her wedding and putting her into a coma while being pregnant. A few years later she awakens in a hospital, without child, and tries to track down each member of the squad. As the story progresses (through this film and the sequel), you find out who she really, why Bill wanted her dead and the fate of her daughter.
The movie is really a combination of Tarantino's love for the 70's over-dramatized Kung-Fu movie era and story of revenge with rich dialog. Yes, this movie is violent, but in a cheesy way. This created some controversy and really had audiences stirred up, failing to realize it was supposed to be over the top without no sense of realism. Like I said, it was supposed to be a tribute more so than a gruesome action flick. With all cheesiness aside, I can understand how some people could feel a little woozy after seeing someone lose an arm and having 4 gallons of Kool-Aid red blood shoot out of the body like a whale's blow hole. What really makes this movie is Tarantino ability to make bad to mediocre actors seem like good ones, a smart and hilarious dialog and a good storyline. Of course, this is what he does in pretty much in all of his movies.
There are various plot holes in the story, but we are really meant to ignore them unlike most movies. Just like the gory scenes, come to grips to the fact that the most of the implausibilities are there just to fill in the gaps of the movie. The movie also features a couple of classic Tarantino showdowns, including an unforgettable one with the Japanese infamous crime lord, O-Ren Ishii (Lucy Lui.) Once again, Tarantino puts his imagination at work again in his story telling by using some of his old techniques like jumping timelines and some new ones like adding Japanese animation for character backgrounds.
I wouldn't really recommend this film to someone who is really not from the Pulp Fiction era. This film is really just homage to flicks that frequently appear on Sunday Samurai Showcase, revenge and Tarantino's continuous fascination with Uma Thurman. This film contains extreme violence and sometimes strange dialog coupled with some pretty good acting and directing. If you're not a fan of Tarantino's films, you should pass on this one because it is doesn't stray to far from his other stuff. If you like his other works, this is a must see due to its originality and quality. And, if you just don't like Tarantino himself, and find him annoying like everybody else, I don't blame you but it's still worth your while seeing.