| Michel Bouquet | ... | Maurice | |
| Charles Berling | ... | Jean-Luc | |
| Natacha Régnier | ... | Isa | |
| Amira Casar | ... | Myriem | |
| Stéphane Guillon | ... | Patrick | |
| Hubert Koundé | ... | Jean-Toussaint | |
| Karole Rocher | ... | Laetitia | |
| Marie Micla | ... | The Prostitute | |
| Nicole Evans | ... | The Female Patient | |
| Philippe Lehembre | ... | Homeless Guy / Elderly Patient | |
| Pierre Londiche | ... | Isa's Father | |
| Jean-Christophe Lemberton | ... | Cyril | |
| Manoëlle Gaillard | ... | Isa's Mother | |
| Etienne Louvet | ... | Myriem's Son | |
| Claude Koener | ... | The Official | |
| Thierry de Carbonnières | ... | Guest at the Reception | |
| Nathalie Mathis | ... | Magali | |
| Emanuel Booz | ... | The Manager (as Emmanuel Booz) | |
| François Berléand | ... | The Patient |
Directed by | |||
| Anne Fontaine | |||
Writing credits(in alphabetical order) | ||
| Jacques Fieschi | ||
| Anne Fontaine | ||
Produced by | |||
| Philippe Carcassonne | .... | producer | |
Original Music by | |||
| Jocelyn Pook | |||
Cinematography by | |||
| Jean-Marc Fabre | |||
Film Editing by | |||
| Guy Lecorne | |||
Casting by | |||
| Stéphane Foenkinos | |||
Production Design by | |||
| Sylvain Chauvelot | |||
Set Decoration by | |||
| Joël Lavrut | |||
Costume Design by | |||
| Corinne Jorry | |||
Makeup Department | |||
| Franck-Pascal Alquinet | .... | key hair stylist | |
| Franck-Pascal Alquinet | .... | key makeup artist | |
| Thi Thanh Tu Nguyen | .... | makeup artist (as Thi-Thanh-Tu Nguyen) | |
| Thi-Loan Nguyen | .... | key makeup artist | |
Production Management | |||
| Nathalie Dages | .... | unit manager | |
| Brigitte Faure | .... | post-production manager | |
| Marie-Hélène Lambret | .... | unit manager | |
| Bruno Perdrigeat | .... | unit manager | |
| Thierry Peythieu | .... | unit manager | |
| Frédéric Sauvagnac | .... | production manager | |
| Franck Vade | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Daniel Marchaudon | .... | assistant director | |
| Laurent Perreau | .... | assistant director | |
| Thierry Verrier | .... | first assistant director | |
Art Department | |||
| Jean-Marc Albertoni | .... | carpenter | |
| Lionel Callari | .... | property master | |
| Eric Chemel | .... | assistant set decorator | |
| Pascal Courtinel | .... | chief painter | |
| Dominique Junca | .... | painter | |
| Jérôme Larivière | .... | chief carpenter | |
| Joël Lavrut | .... | set dresser | |
Sound Department | |||
| Nicolas Cantin | .... | sound assistant | |
| Pascal Chauvin | .... | sound effects editor | |
| Pascal Dedeye | .... | sound effects editor | |
| Roman Dymny | .... | assistant sound editor | |
| Dominique Gaborieau | .... | sound mixer | |
| Dimitri Haulet | .... | sound assistant | |
| Jean-Claude Laureux | .... | sound | |
| Patrice Séverac | .... | post-synchronization | |
| Jean-Alexandre Villemer | .... | sound recordist | |
| Francis Wargnier | .... | sound editor | |
Special Effects by | |||
| Philippe Teissier | .... | special effects | |
Casting Department | |||
| Priscilla Gessati | .... | extras casting | |
Costume and Wardrobe Department | |||
| Hélène Kurant | .... | assistant costumer | |
| Maira Ramedhan Lévy | .... | assistant costume designer | |
| Maïra Rhamedhan | .... | assistant costumer | |
Editorial Department | |||
| Fabrice Dequeant | .... | color timer | |
| Christian Dutac | .... | color timer | |
| Anja Lüdcke | .... | assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Geoff Foster | .... | score recordist | |
Other crew | |||
| Franck Belaiche | .... | production assistant (as Franck Prince) | |
| Sandrine Boulet | .... | production assistant | |
| Dominique Collobert | .... | production administrator | |
| Danielle Dumanoir | .... | production secretary | |
| Maggie Perlado | .... | script supervisor | |
| Mathias Duhayer | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
This superb French film is at times so closed and contained, in spite of several outdoor scenes, that at times it comes close to being claustrophobic. This isn't a criticism;the same could be said of some of Bergman's great films. But, likes some of Bergman's films, its intensity can be overwhelming. I won't reveal much of the plot, but suffice it to say that it seems to be saying that, no matter what our achievements, for many if not most people, life is largely a matter of surviving, that is, surviving the damage inflicted in the early years, and minimizing the amount if damage we inflict on others. A masterful and painful film. 9/10