Laissez-passer (2002)

Director:

Bertrand Tavernier

Writers:

Jean Cosmos (writer)
Jean-Devaivre (book)

Release Date:

9 January 2002 (France)

Genre:

Biography | Drama | History | War

Tagline:

Collaborate. Resist. Survive.

Plot:

In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director...

Plot Keywords:

German | Assistant Director | Jean Aurenche | Resistance | Screenwriter

Awards:

7 wins & 3 nominations

Cast

Jacques Gamblin	...	Jean-Devaivre
Denis Podalydès	...	Jean Aurenche
Charlotte Kady	...	Suzanne Raymond
Marie Desgranges	...	Simone Devaivre
Ged Marlon	...	Jean-Paul Le Chanois
Philippe Morier-Genoud	...	Maurice Tourneur
Laurent Schilling	...	Charles Spaak
Maria Pitarresi	...	Reine Sorignal
Christian Berkel	...	Dr. Greven
Richard Sammel	...	Richard Pottier
Marie Gillain	...	Olga
Olivier Gourmet	...	Roger Richebé
Philippe Saïd	...	Pierre Nord
Liliane Rovère	...	Mémaine
Götz Burger	...	Bauermeister

Also Known As:

Safe Conduct (International: English title) (USA)
Salvoconducto (Spain)
Déjenlo pasar (Argentina) (festival title) [es]
Kulkulupa (Finland) (TV title) [fi]
Passaporte Para a Vida (Brazil) [pt]
Samarbetets pris (Finland: Swedish title) (TV title) [sv]

Runtime:

170 min | Argentina:172 min (Mar del Plata Film Festival)

Country:

Spain | France | Germany

Language:

French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Stereo

Certification:

Australia:M (DVD rating) | Argentina:13 | Australia:PG | Brazil:12 | France:U | Netherlands:12 | Spain:T | Singapore:M18

Company:

France 2 Cinéma

Movie Connections:

Features La main du diable (1943)

A Master's Masterpiece

Bertrand Tavernier is, arguably, the greatest living director of French films, and "Laissez-Passer" ("Safe Conduct") is his masterpiece. By recreating the working and personal lives of two actual French artists, screenwriter Jean Auranche and director Jean Devaivre, Tavernier provides a rich tapestry -- at once funny, tender, exciting, and moving -- of the French film industry during the darkest days of World War II. Although the studio for which Auranche and Devaivre worked was under Nazi patronage and control, almost every writer, director, and technician who made French comedies, dramas,and musicals tried to subvert Nazism by subtly incorporating themes of revolt and resistance into the films they made. Tavernier asserts this truth while he explores his heroes' real-life participation in the French underground: stealing German documents and passing these on to the Allies and finding jobs for creative, but indigent, friends. Moreover, the affection with which Auranche and Devaivre regarded the cinema talent of their days -- Pierre Fresnay, Raimu, Danielle Darrieux, Harry Baur, even the lightly satirized Fernandel -- is part of Tavernier's epic vision of the French film scene of its time. And he gives us invaluable insights into how brave people continued to work at their craft despite the poverty, hunger, and oppression they suffered daily. It's a pity that some of Tavernier's younger critics cannot appreciate either his concepts or his visually fluid and arresting style (for sheer cinematic beauty, he captures the squalor of everyday French life during the Resistance by alternating it with glowing sequences of the country's rural life). "Laissez-Passer" is faultlessly acted; seldom has such a large cast of players -- of all ages -- been in such beautiful synch with a director.