| Photos (see all 11 | slideshow) | Videos (see all 2) |
| Vincent Cassel | ... | Paul | |
| Emmanuelle Devos | ... | Carla | |
| Olivier Gourmet | ... | Marchand | |
| Olivier Perrier | ... | Masson | |
| Olivia Bonamy | ... | Annie | |
| Bernard Alane | ... | Morel | |
| Céline Samie | ... | Josie | |
| Pierre Diot | ... | Keller | |
| François Loriquet | ... | Jean-François | |
| Serge Boutleroff | ... | Mammouth | |
| David Saracino | ... | Richard Carambo | |
| Christophe Vandevelde | ... | Louis Carambo | |
| Bô Gaultier de Kermoal | ... | Le Barman | |
| Loïc Le Page | ... | Quentin | |
| Nathalie Lacroix | ... | L'Employée ANPE | |
| Laurent Valo | ... | Le jeune sourd du café | |
| Christiane Cohendy | ... | Mathilde | |
| Isabelle Caubère | ... | Jeanne | |
| Chloé Mons | ... | Boubou (as Chloë Mons) | |
| Patrick Steltzer | ... | Le Haleur | |
| Philippe Wintousky | ... | Le chef de chantier | |
| Gladys Gambie | ... | Danseuse no. 1 | |
| Maurine Nicot | ... | Danseuse no. 2 | |
| Keena | ... | Danseuse no. 3 |
Directed by | |||
| Jacques Audiard | |||
Writing credits(in alphabetical order) | ||
| Jacques Audiard | writer | |
| Tonino Benacquista | writer | |
Produced by | |||
| Philippe Carcassonne | .... | producer | |
| Jean-Louis Livi | .... | producer | |
| Bernard Marescot | .... | executive producer | |
| Alix Raynaud | .... | executive producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Mathieu Vadepied | |||
Film Editing by | |||
| Juliette Welfling | |||
Casting by | |||
| Richard Rousseau | |||
Production Design by | |||
| Michel Barthélémy | |||
Art Direction by | |||
| Etienne Rohde | |||
Set Decoration by | |||
| Boris Piot | |||
| Ségolène Rocher | |||
Costume Design by | |||
| Virginie Montel | |||
Makeup Department | |||
| Pierre Chavialle | .... | key hair stylist | |
| Alexis Kinebanyan | .... | assistant makeup artist | |
| Alexis Kinebanyan | .... | special makeup effects artist | |
| Frédérique Ney | .... | key makeup artist | |
| Cécile Pellerin | .... | makeup artist | |
| Emmanuel Pitois | .... | special makeup effects artist | |
Production Management | |||
| Gwenael Camuzard | .... | assistant unit manager | |
| Michael Ermogeni | .... | unit manager | |
| Brigitte Faure | .... | post-production manager | |
| Jean Louis Nieuwbourg | .... | production manager | |
Art Department | |||
| Boris Piot | .... | set dresser | |
| Thomas Reichlin Meldegg | .... | artistic collaborator | |
| Tom Danos | .... | carpenter (uncredited) | |
Sound Department | |||
| Philippe Amouroux | .... | sound re-recording mixer | |
| Marc-Antoine Beldent | .... | sound | |
| Christophe Bourreau | .... | foley artist | |
| Christophe Bourreau | .... | sound effects editor | |
| Matthieu Bricout | .... | boom operator | |
| Matthieu Bricout | .... | sound assistant | |
| Jean De Sagey | .... | foley recordist | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Nikolas Javelle | .... | assistant sound editor | |
| Pedro Marques | .... | synchronization sound engineer | |
| Gael Nicolas | .... | sound editor | |
| Pascal Villard | .... | sound editor | |
Stunts | |||
| Rémi Canaple | .... | stunts | |
| Michel Carliez | .... | stunts advisor | |
Camera and Electrical Department | |||
| Sébastien Leclercq | .... | assistant camera | |
| Jean-Marie Leroy | .... | still photographer | |
| Vincent Plaidy | .... | assistant camera | |
| Pénélope Pourriat | .... | camera loader | |
Casting Department | |||
| Laurent Couraud | .... | extras casting | |
Costume and Wardrobe Department | |||
| Isabelle Pannetier | .... | costume supervisor | |
| Isabelle Pannetier | .... | costumer | |
Editorial Department | |||
| Mathias Duhayer | .... | post-production assistant | |
| Marie-Pierre Frappier | .... | assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
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| Michael Clayton | Nueve reinas | The Fugitive | Pickpocket | Karakter |
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I settled back to watch "Read My Lips," a plate of Freedom Fries before me. The food was quickly forgotten as I became engrossed by director and co-writer Jacques Audiard's original and superb thriller.
Carla (Emmanuelle Devos) is a secretary at a firm that develops major building projects. She actually has some significant responsibilities that don't often fall to secretaries and she's capable and ambitious. And thwarted by a male hierarchy that will exploit but not reward her.
Work piling up faster than she can handle it, Carla is told to hire a secretary. Enter ex-con and general layabout Paul (Vincent Cassel). He lies about his skills and in fact has none that any legitimate enterprise might require. After an initial serious misunderstanding by Paul as to Carla's interest in him, the two become allies. A quirky friendship starts. In a stunt that would have made a real Carla a major contender on "The Apprentice," she trumps her egotistic male adversary at work with Paul's connivance. Exit the rival.
Carla is virtually deaf without her hearing aid. With it she hears almost normally. She turns the hearing aid off to isolate herself from unpleasant sounds and annoying people. She's also very lonely. A heroic makeup effort was made to have her appear plain but she's truly beautiful. She hasn't a boyfriend. She babysits so a friend can have a liaison (it IS a French movie) Worse and humiliatingly, she accedes to a girlfriend's plea that she hang out somewhere while that married friend has it off with her paramour in Carla's bed. Not nice.
As Carla and Paul get to know each other better, the barely repressed larcenous side of the not so former felon emerges. There's a side story, by the way, of Paul's relationship with his parole officer which neatly complements the main plot and has its own big surprise ending.
"Read My Lips?" Ingenious Paul recognizes that Carla's ability to read lips, even from a considerable distance, is more than the amusing parlor trick it first seems to be.
From there a caper develops. Enough said.
Paul and Carla are a true criminal oddball couple. She wants love but will also accept money. He wants her, sort of, but business must come before possible erotic satiation. Together Cassel and Devos are strong actors carrying an unusual crime tale to its end very convincingly.
Rent it or buy it but if you enjoy a good crime story you'll go for "Read My Lips." And you may well want to watch it several times: I do.
9/10