| Photos (see all 24 | slideshow) | Videos (see all 9) |
| Steve Coogan | ... | Tony Wilson | |
| John Thomson | ... | Charles | |
| Nigel Pivaro | ... | Actor at Granada | |
| Lennie James | ... | Alan | |
| Shirley Henderson | ... | Lindsay | |
| Martin Hancock | ... | Howard | |
| Mark Windows | ... | Johnny Rotten | |
| Paddy Considine | ... | Rob | |
| John Simm | ... | Bernard | |
| Ralf Little | ... | Hooky | |
| Dave Gorman | ... | John the Postman | |
| Andy Serkis | ... | Martin | |
| Danny Cunningham | ... | Shaun | |
| Paul Popplewell | ... | Paul | |
| Ron Cook | ... | Derek | |
| Raymond Waring | ... | Vini | |
| Peter Kay | ... | Don Tonay | |
| Mark E. Smith | ... | Punter | |
| Naomi Radcliffe | ... | Twitchy Girl | |
| Sean Harris | ... | Ian | |
| Tim Horrocks | ... | Steve | |
| Rob Brydon | ... | Ryan Letts | |
| Howard Devoto | ... | Cleaner | |
| Collette Cooper | ... | Sadie | |
| Tracy Cunliffe | ... | Other Girl in Nosh Van | |
| Enzo Cilenti | ... | Saville | |
| Duncan Whitworth | ... | Jez | |
| Michael Mitchell Jr. | ... | Simon (as Michael Mitchell Jnr.) | |
| Claire Lever | ... | Assistant | |
| Neil Bell | ... | Aspiring Singer | |
| Aidan Cross | ... | Goth | |
| Simon Pegg | ... | Journalist | |
| Elizabeth Kelly | ... | Ian's Gran | |
| Darren Tighe | ... | Mike Pickering | |
| Chris Coghill | ... | Bez | |
| Anna Tyborczyk | ... | Gillian | |
| Peter Gunn | ... | Farmer | |
| Dan Hope | ... | Mark | |
| Nick Clarke | ... | Gaz | |
| Margi Clarke | ... | Actor in Corridor | |
| Mani | ... | Sound Engineer | |
| Smug Roberts | ... | Railway Guard | |
| Clint Boon | ... | 2nd Railway Guard | |
| Toby Salaman | ... | Sir Keith Joseph | |
| Conrad Murray | ... | Bailey Brother | |
| Martin Coogan | ... | Chris Nagle | |
| Rowetta Satchell | ... | Herself (as Rowetta) | |
| Kieran O'Brien | ... | Nathan (as Keiran O'Brien) | |
| Kate Magowan | ... | Yvette | |
| Paul Ryder | ... | Pel | |
| Roger Kennedy | ... | Doorman Sam | |
| Sean Cernow | ... | Little Pel | |
| Fiona Allen | ... | Cloakroom Girl | |
| Helen Schlesinger | ... | Hilary | |
| Joshua McNicholas | ... | Oliver | |
| Tony Wilson | ... | Studio Director (as Anthony H. Wilson) | |
| Keith Allen | ... | Roger Ames | |
| Dino | ... | Wise Guy | |
| A. Bowser | ... | Wise Guy (as Mr. A. Bowser) | |
| Gary Roberts | ... | Wise Guy | |
| rest of cast listed alphabetically: | |||
| Dave Haslam | ... | Himself | |
| Mike Pickering | ... | Himself | |
| Terri Seymour | ... | Wheel of Fortune Co-Host | |
| Kenny Baker | ... | Zookeeper (uncredited) | |
| Michael Biggam | ... | Sex Pistols Fan (uncredited) | |
| Jean-Jacques Burnel | ... | Himself - The Stranglers (archive footage) (uncredited) | |
| Martin Nigel Davey | ... | Partygoer (uncredited) | |
| John Lydon | ... | Himself (archive footage) (uncredited) | |
| Sean McKenzie | ... | Man at Sex Pistols Gig (uncredited) | |
| Iggy Pop | ... | Himself (archive footage) (uncredited) | |
| Siouxsie Sioux | ... | Herself (archive footage) (uncredited) | |
| Paul Weller | ... | Himself - The Jam (archive footage) (uncredited) | |
Directed by | |||
| Michael Winterbottom | |||
Writing credits(in alphabetical order) | ||
| Frank Cottrell Boyce | screenplay | |
Produced by | |||
| Gina Carter | .... | co-producer | |
| Andrew Eaton | .... | producer | |
| Robert How | .... | line producer | |
| Fiona Neilson | .... | assistant producer | |
| Henry Normal | .... | executive producer | |
Cinematography by | |||
| Robby Müller | (director of photography) (as Robby Muller) | ||
Film Editing by | |||
| Trevor Waite | |||
| Michael Winterbottom | (uncredited) | ||
Casting by | |||
| Wendy Brazington | |||
Production Design by | |||
| Mark Tildesley | |||
Art Direction by | |||
| Paul Cripps | (supervising art director) | ||
Set Decoration by | |||
| Lucy Howe | |||
Costume Design by | |||
| Stephen Noble | |||
| Natalie Ward | |||
Makeup Department | |||
| Janita Doyle | .... | makeup designer | |
| Neill Gorton | .... | prosthetic makeup designer (as Neil Gorton) | |
| Jane Oakley | .... | assistant makeup artist | |
| Jill Sweeney | .... | makeup designer | |
Production Management | |||
| Cendrine Gady | .... | assistant production manager | |
| Neil Grimshaw | .... | post-production supervisor | |
| Jethro Harris | .... | post-production manager | |
| Sally Maynard | .... | unit manager | |
| Jackie Vance | .... | post-production supervisor | |
| Tommaso Vergallo | .... | production manager (as Tommaso Vergello) | |
Second Unit Director or Assistant Director | |||
| Tom Bruggen | .... | second unit director | |
| Michael Elliott | .... | first assistant director (as Mike Elliott) | |
| Richard Harris | .... | crowd co-ordinator | |
| Jonathan Leather | .... | crowd co-ordinator | |
| Nic Shearer | .... | second assistant director | |
| Anthony Wilcox | .... | third assistant director | |
Art Department | |||
| Steve Branch | .... | construction manager | |
| John Bridge | .... | carpenter | |
| Damien Cleare | .... | art department assistant | |
| Michelle Day | .... | prop hand | |
| Mark Digby | .... | stand-by art director | |
| John Elsworth | .... | painter | |
| Steve Elsworth | .... | painter | |
| Rod Gorwood | .... | draftsman | |
| Paula Hickman | .... | assistant stand-by props | |
| Stuart Hudson | .... | dressing props | |
| C.A. Jackson | .... | carpenter | |
| Sami Kahn | .... | trainee: FT2 | |
| Cat MacMillan | .... | property master | |
| Paul Mitchell | .... | dressing props | |
| Tony O'Hara | .... | carpenter | |
| John Price | .... | laborer | |
| John Roberts | .... | carpenter | |
| Mark Skitt | .... | carpenter | |
| Mike Syson | .... | dressing props | |
| Colin Worrall | .... | painter | |
| Paul Yarwood | .... | carpenter | |
| Philip Diggle | .... | painter: paintings in Haçienda (uncredited) | |
Sound Department | |||
| Orin Beaton | .... | sound maintenance engineer | |
| Peter Burgess | .... | foley artist | |
| Peter Burgis | .... | foley artist | |
| Andie Derrick | .... | foley artist (as Andy Derrick) | |
| John Falcini | .... | sound re-recording mixer | |
| Robert Farr | .... | foley mixer | |
| Anthony Faust | .... | foley editor | |
| Zane Hayward | .... | supervising sound editor | |
| Mitch Low | .... | sound assistant | |
| Tom Piper | .... | sound: Hacienda | |
| James Seddon | .... | stereo sound consultant: Dolby | |
| Joakim Sundström | .... | dialogue editor | |
| John Warhurst | .... | foley editor | |
| Stuart Wilson | .... | sound recordist | |
| Aad Wirtz | .... | sound re-recording mixer | |
| Orin Beaton | .... | boom operator (uncredited) | |
Special Effects by | |||
| David Bryan | .... | special effects director | |
| Steve Tomkow | .... | armourer: Firepower | |
| Steve Scotton | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Peter Bach | .... | digital effects consultant | |
| Alice Coren | .... | 2D design | |
| Simon Fallon | .... | digital effects executive producer | |
| Steve Garrad | .... | digital effects producer | |
| Rip Hampton O'Neil | .... | technical manager | |
| Tom Harding | .... | Inferno operator | |
| John Harvey | .... | 3D pigeon animation | |
| Simon Hutala | .... | digital effects supervisor (as Simon Huhtala) | |
| Abdel Ali Kassou | .... | imaging technician | |
| Jim Parsons | .... | Inferno operator | |
| Adrian Russell | .... | 3D UFO animation | |
| Matt Johnson | .... | on-set visual effects supervisor (uncredited) | |
| Courtney Vanderslice | .... | head of production: Cinesite (uncredited) | |
Stunts | |||
| Nick Hobbs | .... | stunt coordinator | |
| Gareth Milne | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Phil Brookes | .... | rigging gaffer | |
| John Colley | .... | gaffer | |
| Dave Fowler | .... | best boy (as David Fowler) | |
| Philip George | .... | camera operator: hovercam | |
| Chris Greenwood | .... | assistant camera | |
| Chris Greenwood | .... | clapper loader | |
| Chris Greenwood | .... | second focus puller | |
| Steve Griffiths | .... | electrician (as Stevie Griffiths) | |
| Gifford Hooper | .... | aerial camera operator | |
| Chris Hughes | .... | electrician | |
| Jane Rousseau | .... | camera operator | |
| Jon Shard | .... | unit photographer | |
| Amelia Troubridge | .... | stills: The Film Consortium | |
| Marcel Zyskind | .... | camera operator | |
| Marcel Zyskind | .... | focus puller | |
Casting Department | |||
| Sophie Gabszewicz | .... | casting assistant | |
| Robert Woodshaw | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Hilary S. MacDonald | .... | costume assistant (as Hilary MacDonald) | |
| Uta Thompson | .... | costume assistant | |
| Kate Towns | .... | costume assistant | |
| Esme Young | .... | costume maker | |
Editorial Department | |||
| Chris Beeton | .... | telecine colorist | |
| Fizz Chaudhry | .... | editor trainee: FT2 | |
| Martin Corbett | .... | first assistant editor | |
| Simon Giblin | .... | digital on-line editor | |
| Steve Harrow | .... | post-production consultant | |
| Scott Hinchcliffe | .... | on-line editor | |
| Steve Lee | .... | on-line editor | |
| Michael Nollet | .... | editor trainee: FT2 | |
| Shane Warden | .... | on-line editor | |
| Llyr Wynn-Jones | .... | second assistant editor (as Llyr Wynn Jones) | |
| Cas Casey | .... | on-line editor (uncredited) | |
| Sam Mangan | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Liz Gallacher | .... | music supervisor | |
| Martin Moscrop | .... | music coordinator | |
| Joakim Sundström | .... | music editor | |
Transportation Department | |||
| Jeff Hewitt | .... | driver | |
| Christine Mavron | .... | driver: rushes | |
| Paul Sargeant | .... | driver: rushes | |
| Pat Ward | .... | driver: second unit | |
Other crew | |||
| Catherine Brice | .... | researcher | |
| Ian Buchan | .... | web site designer | |
| Caroline Chapman | .... | floor runner | |
| Floriane Charles | .... | runner | |
| John Eccleston | .... | production accountant | |
| Candice Fonseca | .... | production coordinator | |
| Alex Fuller | .... | web site designer | |
| Tarn Harper | .... | post-production accountant | |
| Lindsey Hughes | .... | assistant: Steve Coogan | |
| Alex Knight | .... | second unit assistant | |
| Kate Lee | .... | publicist | |
| Matthew Long | .... | production runner | |
| Rachel McClelland | .... | assistant: Michael Winterbottom | |
| Sarada McDermott | .... | production secretary | |
| Dan McTiernan | .... | runner | |
| Paul Monaghan | .... | runner | |
| Julia Phillips | .... | location scout | |
| Barney Pilling | .... | location scout | |
| Anna Raynsford | .... | publicist | |
| Emma Smith | .... | production runner | |
| Sam Taylor | .... | location manager | |
| Jane Trower | .... | assistant accountant | |
| Tony Wilson | .... | special consultant | |
| Pauline Burt | .... | risk manager (uncredited) | |
| Wayne Docksey | .... | animal master (uncredited) | |
| Heather Mansfield | .... | risk manager (uncredited) | |
| Rachel McClelland | .... | researcher (uncredited) | |
| Roger Phillips | .... | end titles (uncredited) | |
Thanks | |||
| Chris Auty | .... | special thanks | |
| Luke Bainbridge | .... | special thanks | |
| Julie Baines | .... | special thanks | |
| Roy Barraclough | .... | special thanks | |
| Mark 'Bez' Berry | .... | special thanks (as Bez) | |
| Clint Boon | .... | special thanks | |
| Stuart Boreman | .... | special thanks | |
| Rebecca Boulton | .... | special thanks | |
| Bowser | .... | special thanks | |
| James Cartwright | .... | special thanks | |
| Debbie Curtis | .... | special thanks | |
| Natalie Curtis | .... | special thanks | |
| Dino | .... | special thanks | |
| Christopher Eccleston | .... | special thanks | |
| Alan Erasmus | .... | special thanks | |
| Paul Fallon | .... | special thanks | |
| Fine Time Fontayne | .... | special thanks | |
| Gillian Gilbert | .... | special thanks | |
| Lesley Gilbert | .... | special thanks | |
| Dave Haslam | .... | special thanks | |
| Shan Hira | .... | special thanks | |
| Peter Hook | .... | special thanks | |
| Mark Jackson | .... | special thanks | |
| Trevor Johnson | .... | special thanks | |
| Ben Kelly | .... | special thanks | |
| Jez Kerr | .... | special thanks | |
| Paul Mason | .... | special thanks | |
| Graham Massey | .... | special thanks (as Graeme Massey) | |
| Nathan McGough | .... | special thanks | |
| Sean McKenzie | .... | special thanks | |
| Bruce Mitchell | .... | special thanks | |
| Stephen Morris | .... | special thanks (as Steven Morris) | |
| Martin Moscrop | .... | special thanks | |
| Graeme Park | .... | special thanks | |
| Mike Pickering | .... | special thanks | |
| Lindsey Reade | .... | special thanks | |
| Vini Reilly | .... | special thanks | |
| Derek Ryder | .... | special thanks | |
| Paul Ryder | .... | special thanks | |
| Shaun Ryder | .... | special thanks | |
| Rowetta Satchell | .... | special thanks (as Rowetta) | |
| Peter Saville | .... | special thanks | |
| Phil Saxe | .... | special thanks | |
| James Sherlock | .... | special thanks | |
| Bernard Sumner | .... | special thanks | |
| Johnny Vegas | .... | special thanks | |
| Tony Wilson | .... | special thanks | |
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| Gonzo: The Life and Work of Dr. Hunter S. Thompson | The Holy Mountain | Sid and Nancy | El diputado | Across the Universe |
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24 Hour Party People is just one of those movies that has that click with the subject matter. The actual style of the film corresponds with the music, the irreverence, and the energy of it all. But there's more than just the unconventionality of the script and direction; the film has that sort of stream-of-thought, wry, distinct British humor to it, and a sincerity beneath the absurdist parts. It follows its main character down the line, in a surreal way like a documentary, if that makes sense- we move between Tony Wilson addressing the audience (played by Steve Coogan, who is so on target with the honesty of the portrayal you can't picture anyone else in the role), an almost behind-the-scenes filming of it (I think), and a dramatization shot on pure digital, independent vibes.
Wilson, who sees the Sex Pistols play in Manchester (his hometown, and the main base and heart in the location of this film), is also a journalist on television. He gets so enamored with what he sees as an extremely important part of history (the viewer will get a good idea of this), he gets involved with the bands, the locals, and goes from just bands, to maintaining the Hacienda, a club. Some parts of the film one might expect, if considering it includes the rise and fall of fame (or rather, in this film, a lot of times in the mind), and the drug scene coinciding with the music. One knows that Tony Wilson is the main character, the protagonist, basically in every scene, but somehow he does not become the only important part of the film's success. The music too is a huge factor, and the speed it sets for a movie like this.
As much biography as musical, 24 Hour Party People brings to light the scene of Manchester as a history lesson, but an entertaining one to boot. Bands like New Order (the form after Joy Division split) will be known to most who follow music, but unless if you're not really steeped in the new-wave/dance scene of the 80's and 90's, some of the bands may sound totally unfamiliar. Still, this is not an automatic deterrent- the music is what it is, and most who will want to see the film will know what they're getting (in truth, the ratio of British punk and new-wave vs. electronica is fairly balanced). But even when some of the music doesn't stand the test of time, it serves the story all the same (some of the more interesting and darkly funny scenes are when no one comes to the club the sort of 'mix-way' between the two musical eras).
And all through this, Coogan plays it like a pro. The Coogan Wilson, of course, is far from the real Tony Wilson (one of the DVD interviews says he's a 'Jerry Springer'-looking type), so it becomes more of being a character in this whole environment that springs up around and by him. In a way he's kind of like a British Andy Warhol with the idealistic, serious journalist instead of the painter/filmmaker. There's a sort of checked insanity that underlays some of his performance, and yet for most of the time, like a lot of the better British actors, he doesn't play it more for laughs than he needs, and when serious drama/tragedy comes up it's still kept to this reality. So, along with him, and the music, and the strange form of putting together a dramatized, documentary/musical/black comedy by director Michael Winterbottom and writer Frank Cottrell Boyce, it all gels. This is one of the finest sleepers I've seen in a while.