Matt is haunted by the death of a girl from a car accident he caused years ago. Matt was drunk and as he reached for the car radio, he struck the girl as she crossed the road. The guilt ...
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A conspiracy-theorizing filmmaker meets with a prospective producer in order to pitch a movie about the death of real-life German politician Uwe Barschel, in which the official ruling of suicide raised more questions than answers.
Excerpts of the life of a waiter who, living alone and isolated from the outside world developed an abysmal hatred of his fellow man. He finds himself quiz show after quiz show and then ... See full summary »
During the Vietnam War [1959-1975] a special US combat unit is sent out to hunt and kill the Viet Cong soldiers in a man-to-man combat in the endless tunnels underneath the jungle of Vietnam. Suicide squads of a special kind.
In the ironically named city of Paradise, a recently laid-off loser teams up with his cult-leading uncle to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent.
American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
Matt is haunted by the death of a girl from a car accident he caused years ago. Matt was drunk and as he reached for the car radio, he struck the girl as she crossed the road. The guilt that he feels has altered his sense of reality, making Matt's life a mystery full of shadows and phantoms. Now, years later Matt goes away for weekend with his new girlfriend Dawn. After a wild session of lovemaking, Dawn goes for a walk. While she is away a strange man with an ax comes into the motel room and attacks Matt. After that incident Matt goes into the woods, looking for Dawn. There he encounters Dawn's family who tie him down and put him on trail for the murder of the girl years before. They find him guilty and he is sent back into the forest to be hunted down by the family. The deeper Matt runs into the forest the farther his mind is lost to the Blackwoods. Written by
When Matt is spying on Dawn and her family, the initial camera shot from outside the home displays Matt on the right side of the window. However, once the camera changes to a position inside the home, he is shown on the opposite (left) side of the window. The camera then shifts to show the family, and when Matt is almost caught for making a noise he is back on the original (right) side of the window again. See more »
This Is Art
Written by Böcker / Kaps / Mühlbauer / Orth
Performed by April Daze
Courtesy of NetMusicZoneRecords/Zomba
With Permission of Devman Music Publishing/Arabella/NetMusicZone Publishing/False Creek Publishing See more »
As the credits rolled at the beginning of the film, so did my stomach! The camera-work was odd to say the least--with spinning camera shots that made me feel a bit queasy. The net effect also was to make the film look really cheaply made. Unfortunately, the same insane desire to do something "arty" kept cropping up--again and again. The picture would often slow or blur as you hear LOUD music blaring at you or you see weird montages that make your brain ache and other times the camera jerked about and shook--making you wonder if the film makers were insane or having seizures! The overall effect is very sloppy.
The story idea isn't bad. A guy who is responsible for a drunk driving death is lured into the woods where he is attacked and tormented by the family of his victim. Unfortunately, however, the film is undone by crudeness and foul language--and you really don't care much about the folks as a result. In fact, EVERYONE throws out the f-bomb right and left so much that it just looked and sounded dumb. This really was handled artlessly--the writer/director Boll didn't do much to help the viewer connect with these folks. Could it be that Boll's command of the English language and culture is so poor that he thinks every American talks this way?! Another problem is that the film bounces around a lot--from the past to the present again and again. It's all pretty confusing and how this was handled was pretty confusing...and, once again, dumb.
Overall, a decent story concept that is handled so f-ing poorly that you wonder how they got f-ing funding for the f-ing project--as well as future f-ing projects. Sloppy and f-ing amateurish. And by the way, I DON'T talk this way...the film does.
A final comment--this film is currently listed on IMDb's Bottom 100 list--the 100 lowest rated films with at least 1500 votes. While I hated this film and found it offensive, I am sure that it didn't quite deserve this distinction. Perhaps if there was a Bottom 250 list, it should be included.
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