| Videos |
| Ulrich Tukur | ... | Kurt Gerstein | |
| Mathieu Kassovitz | ... | Riccardo Fontana | |
| Ulrich Mühe | ... | Doctor | |
| Michel Duchaussoy | ... | Cardinal | |
| Ion Caramitru | ... | Count Fontana | |
| Marcel Iures | ... | Pope | |
| Friedrich von Thun | ... | Gerstein's Father | |
| Antje Schmidt | ... | Mrs. Gerstein | |
| Hanns Zischler | ... | Grawitz | |
| Sebastian Koch | ... | Höss | |
| Erich Hallhuber | ... | Von Rutta | |
| Burkhard Heyl | ... | Director | |
| Angus MacInnes | ... | Tittman | |
| Bernd Fischerauer | ... | Bishop von Galen | |
| Pierre Franckh | ... | Pastor Wehr | |
| Richard Durden | ... | Ambassador Taylor | |
| Monica Bleibtreu | ... | Mrs. Hinze | |
| Justus von Dohnanyi | ... | Baron Von Otter | |
| Günther Maria Halmer | ... | Pastor Dibelius | |
| August Zirner | ... | Von Weizsäcker | |
| Horatiu Malaele | ... | Fritsche | |
| Ovidiu Cuncea | ... | Stephan Lux | |
| Markus Hering | ... | Karl | |
| Susanne Lothar | ... | Alexandra Baltz | |
| Alexander Geringas | ... | Helmut Franz | |
| Theodor Danetti | ... | Old Cardinal | |
| Radu Banzaru | ... | Armin Peters | |
| Constantin Alexandrov | ... | Nonce | |
| Heinz Gerhard Lueck | ... | Old Monk (as Heinz Gerhard Lück) | |
| Marina Berti | ... | La Principessa | |
| Michael Mendl | ... | Monsignore Hudal | |
| Niels Hansen | ... | Pastor Rebling | |
| Matthias Koeberlin | ... | Decorated Officer (as Mathias Köberlin) | |
| Nina Proll | ... | Helga | |
| Marin Moraru | ... | Photographer | |
| Hinnerk Schönemann | ... | Chess Player | |
| Ion Haiduc | ... | Controler | |
| Maria Rotaru | ... | Nun | |
| Dorina Chiriac | ... | Berthe Gerstein | |
| Cornelia Pavlovici | ... | Berthe's Mother | |
| Cornel Ciupercescu | ... | Berthe's Father | |
| Robinson Reichel | ... | SS Officer In Rome | |
| Lilly Tukur | ... | Adelheid Gerstein | |
| Charles Brian | ... | Arnulf Gerstein | |
| Sophie Parea | ... | Baby Gerstein | |
| Laurentiu Cizmas | ... | Young Son Gerstein | |
| George Ivascu | ... | Tailor | |
| Ion Pavlescu | ... | Monsignore Kaas | |
| Constantin Cotimanis | ... | Pruffer | |
| Valentin Teodosiu | ... | Hirt | |
| Rodica Lazar | ... | Rachel | |
| Stefania Zamfirescu | ... | Gudrun | |
| Doru Badiu | ... | Gerhard | |
| Andreea Macelaru | ... | Ingrid | |
| Rudy Rosenfeld | ... | Moshe | |
| Costin Anghel | ... | Barcia Trelles | |
| Alexandru Repan | ... | First Cardinal | |
| Ion Siminie | ... | Majordome | |
| Sandu Mihai Gruia | ... | Cook | |
| Florin Kevorkian | ... | Stenographer Priest | |
| Valeriu Crisan | ... | Fritz | |
| Cristian Ieremia | ... | Priest | |
| Natasa Raab | ... | Blond Lady At Fontana's | |
| Andriana Andronache | ... | Woman At The Church | |
| Andrei Finti | ... | Parish Priest 1 | |
| Andrei Boncea | ... | Parish Priest 2 | |
| Zoltan Butuc | ... | Priest 1 | |
| Laurentiu Bobalca | ... | Priest 2 | |
| Nicolae Calugarita | ... | Nation Society President | |
| Karina Bobe | ... | Woman 1 | |
| Christine Georgescu | ... | Old Woman | |
| Cici Caraman | ... | Woman 2 | |
| Lucia Maier | ... | Woman 3 | |
| Andrei Duban | ... | Camp Officer | |
| Andrei Gheorghe | ... | French Officer | |
| Bogdan Uritescu | ... | French Sergeant | |
| Fred Wesson | ... | American Officer | |
| Cornel Vulpe | ... | Swedish Guard | |
| Petre Moraru | ... | Prosecutor | |
| Mihai Niculescu | ... | Civilian 1 | |
| Mircea Stoian | ... | Civilian 2 | |
| Geo Dobre | ... | Civilian 3 | |
| Viorel Comanici | ... | Civilian 4 | |
| Mihai Calin | ... | Civilian 5 | |
| Marius Galea | ... | Thief | |
| Gabriel Spahiu | ... | Inmate | |
| Nicodim Ungureanu | ... | Kapo | |
| Stefan Potzolli | ... | Pastor | |
| Emil Hostina | ... | Sergeant | |
| Bogdan Florea | ... | Young Sergeant | |
| Alex Jitea | ... | SS Officer 1 (as Alexandru Jitea) | |
| Marian Ralea | ... | SS Officer 2 | |
| Florin Busuioc | ... | SS Officer 3 | |
| Florin Dobrovici | ... | SS Officer 4 | |
| Eugen Cristian Motriuc | ... | SS Officer 5 (as Cristian Motriuc) | |
| Alin Panc | ... | SS Lieutenant 1 | |
| Pavel Bartos | ... | SS Lieutenant 2 | |
| Dorina Lazar | ... | First SS Officer's Wife | |
| Anca Sigartau | ... | Second SS Officer's Wife | |
| Oana Ioachim | ... | Third SS Officer's Wife | |
| Tamara Popescu | ... | Fourth SS Officer's Wife | |
| Nicolae Borza | ... | Chief Doctor | |
| Adrian Plopeanu | ... | Doctor 1 | |
| Daniel Iordan | ... | Technician | |
| Dan Astileanu | ... | Truck Driver | |
| Mihai Razus | ... | Swiss Guard Officer | |
| Doru Stan | ... | Fontana's Chauffeur | |
| rest of cast listed alphabetically: | |||
| Diana Busuioc | ... | Catholic Woman (uncredited) | |
| Sergiu Cepleanu | ... | Nazi Officer / Prisoner (uncredited) | |
Directed by | |||
| Costa-Gavras | |||
Writing credits(in alphabetical order) | ||
| Costa-Gavras | writer | |
| Jean-Claude Grumberg | writer | |
| Rolf Hochhuth | play "Der Stellvertreter" | |
Original Music by | |||
| Armand Amar | |||
Cinematography by | |||
| Patrick Blossier | |||
Film Editing by | |||
| Yannick Kergoat | |||
Casting by | |||
| Florin Kevorkian | (as Florin Chevorchian) | ||
| Sabine Schroth | |||
Production Design by | |||
| Ari Hantke | |||
Art Direction by | |||
| Emita Frigato | |||
| Maria Miu | |||
Set Decoration by | |||
| Carmen Pasula | |||
Costume Design by | |||
| Edith Vesperini | |||
Makeup Department | |||
| Lidia Constantin | .... | hair stylist | |
| Gabi Cretan | .... | makeup assistant (as Gabriela Cretan) | |
| Lidia Ivanov | .... | hair stylist | |
| Alexis Kinebanyan | .... | special makeup effects artist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Jeni Lita | .... | hair stylist | |
| Ferdinando Merolla | .... | hair stylist: Italy | |
| Thi-Loan Nguyen | .... | key makeup artist | |
| John Nollet | .... | hair stylist: Matthieu Kassovitz | |
| Angela Tugui | .... | assistant hair stylist | |
Art Department | |||
| Daniel Alexandru | .... | sculptor | |
| Diana Apostol | .... | art department assistant | |
| Maria Rita Cassarino | .... | assistant art director: Italy | |
| Ioana Corciova | .... | set construction supervisor | |
| Vraciu Eduard Daniel | .... | assistant art director | |
| Dana Dinescu | .... | assistant art director | |
| Paul Dobre | .... | assistant art director | |
| Olivier Drano | .... | head painter | |
| Viviana Dumitru | .... | painter | |
| Dorin Grigorescu | .... | property master | |
| Oliver Hoese | .... | assistant production designer | |
| Liviu Marcu | .... | sculptor | |
| Lucian Mihaila | .... | art department assistant | |
| Ion Molete | .... | sculptor | |
| Dan Munteanu | .... | sculptor | |
| Costin Nastac | .... | set construction supervisor | |
| Coralia Nitu | .... | painter | |
| Baba Novac | .... | assistant art director | |
| Adi Popa | .... | on-set property master | |
| Adrian Popa | .... | property master | |
| Adina Popescu | .... | assistant art director | |
| Mervyn Rowe | .... | art supervisor | |
| Marius Stanciu | .... | assistant property master | |
| Ica Varna | .... | production coordinator | |
| Petre Veniamin | .... | painter | |
| Dan Vraclu | .... | assistant art director | |
Sound Department | |||
| Yannick Boulot | .... | sound recordist | |
| Bernard Chaumeil | .... | boom operator | |
| Gelu Costache | .... | sound assistant | |
| Hélène de la Morinerie | .... | assistant sound editor | |
| Michelle Flamand | .... | dialogue editor | |
| Dominique Gaborieau | .... | sound re-recording mixer | |
| Pierre Gamet | .... | sound | |
| Jean-Pierre Lelong | .... | sound effects editor | |
| Alain Lévy | .... | post-synchronization | |
| Mario Melchiorri | .... | sound effects assistant | |
| Maurizio Miani | .... | sound operator: Italy | |
| Nicolas Moreau | .... | assistant sound editor | |
| Marian Pana | .... | sound assistant | |
| Stefan Richter | .... | dialogue editor | |
| François Waledisch | .... | sound operator: Italy | |
| Francis Wargnier | .... | sound editor | |
Visual Effects by | |||
| Luc Augereau | .... | visual effects producer | |
| Alexandre Bon | .... | digital compositor | |
| Charly Boudriot | .... | digital compositor | |
| Alain Chene | .... | scanning & film recording assistant | |
| Christophe Courgeau | .... | matte painter | |
| Rosana D'Andrea | .... | scanning & film recording assistant | |
| David François | .... | digital compositor | |
| Julius Friede | .... | color grader | |
| Stéphane Gaillot | .... | digital compositor | |
| Justine Gasquet | .... | matte painting artist | |
| Thibaut Granier | .... | digital compositor | |
| Christian Guillon | .... | visual effects producer | |
| Christophe Keichinger | .... | scanning & film recording assistant | |
| Arassou Kichenassamy | .... | scanning & film recording assistant | |
| Stephane Lavoix | .... | digital compositor | |
| Sergeï Lourié | .... | digital compositor | |
| Toullet Matthieu | .... | Specter assistant | |
| David Montoya | .... | scanning & film recording assistant | |
| Frederic Moreau | .... | optical effects supervisor (as Frédéric Moreau) | |
| Hugues Namur | .... | visual effects supervisor | |
| Philippe Reinaudo | .... | scanning & film recording assistant | |
| Mourad Rennou | .... | scanning & film recording assistant | |
| Nicolas Rey | .... | visual effects supervisor | |
| Gérard Soirant | .... | scanning & film recording assistant | |
| Samuel Tchalikian | .... | digital artist | |
| Jean-Francois Theault | .... | digital composite artist | |
| François Vagnon | .... | visual effects supervisor | |
| Morgan Varona | .... | digital artist | |
| Veronique Zylberfain | .... | matte painting artist | |
Stunts | |||
| Sergiu Cepleanu | .... | stunt performer | |
| Alexandru Cseh | .... | stunt coordinator | |
| Sarbu Marian | .... | stunt performer | |
| Stefano Maria Mioni | .... | italian stunt coordinator | |
| Claudiu-Cristian Prisecaru | .... | stunt performer | |
| Valeriu Tomescu | .... | stunts | |
Casting Department | |||
| Carol Dermengiu | .... | casting coordinator | |
| Jina Jay | .... | casting: UK | |
| Silvano Spoletini | .... | extras casting: Italy | |
Editorial Department | |||
| Catherine Athon | .... | post-production coordinator | |
| Agathe Cauvin | .... | assistant editor | |
| Nicolas Criqui | .... | digital conformation | |
| Olivier Gourlay | .... | first assistant editor | |
| Yorgos Lamprinos | .... | apprentice film editor | |
| Bruno Patin | .... | color grader | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
Music Department | |||
| Laurent Levesque | .... | conductor | |
| Laurent Levesque | .... | music arranger | |
| Laurent Levesque | .... | musician: piano solo | |
Transportation Department | |||
| Nicu Kasza | .... | transportation coordinator | |
| Marian Pascale | .... | transportation coordinator | |
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"Amen," a film based on the largely accurate account of German SS officer Kurt Gerstein's multiple attempts to alert the Vatican to the ongoing highly efficient mass slaughter of Jews and others - for which he bore no small responsibility as a technician facilitating efficient genocide - is well done with excellent acting. Yet in the end Costa-Gravas's film is somewhat unsatisfying and not sufficiently responsive to the viewer's need to know what Gerstein was all about. Why?
"Amen" begins with the Nazi euthanasia program aimed at murdering retarded and mentally ill Germans. A campaign, spearheaded by both Protestant and Catholic clerics and their flocks, forced the regime to end the killings. Some have argued that this sole widespread public rejection of Nazi homicidal machinations might well have been repeated if Germans were alerted - internally or through specific denunciations by the pope and foreign leaders - of the fate of deported Jews and those rounded up in conquered territories. "Amen's" Kurt Gerstein and his priest friend both believe that would have happened.
That argument is at best questionable and, more likely, reflects the human need for the wish to spawn the thought. Whether one accepts the Goldenhagen thesis of mass complicity by Germans in the Holocaust, the fact remains that when the slaughter began Germany was at war and, as a character in "Amen" notes, defending the Reich and winning the war, to say nothing of staying clear of what would be seen as treasonous ideas, was the only realistic option.
Kurt Gerstein is a mystery. As Hannah Arendt wrote of Eichmann as an example of evil's often banal incarnation, historian Saul Friedlander described Gerstein years ago in terms of the ambiguity of good. Gerstein sincerely and at risk to his life tried to warn the Vatican of the Nazi death camps. But he also worked efficiently to make those camps operationally efficient. "Amen's" Gerstein is tortured but also highly compartmentalized. He gives quick and accurate advice to improve destruction of the "units," as the Jews were referred to, and then tries to prevent use of the Zyklon B gas he helped develop with almost unbelievable declarations that shipments are defective and must be buried.
This film owes its origin not so much to Friedlander's compelling account but to Rolf Hochhuth's controversial (still so after many years) "The Deputy," presented as a play to the outrage of many. Hochhuth portrayed Pope Pius XII as insensitive and unwilling to use his moral authority to challenge an extermination program he knew to be in progress.
In the film Gerstein is aided by a young Jesuit priest whose remarkable moral and physical courage was demonstrated by a few, or perhaps too few, clerics who knew what was happening. The pope is shown as a remote, unemotional figure. The now standard explanations for the Vatican's unwillingness to take on the Nazis are included in catalogue format. Allied unwillingness to bomb the death camps or take in refugee Jews are recited almost for the record. Complex questions still debated are reduced to the equivalent of sound bites. They need no repeating here.
Hochhuth's thesis which outraged many decades ago and which still brings angry denunciations has been partially rehabilitated by scholarly works such as John Cornwell's provocatively titled study, "Hitler's Pope," an exaggeration which belies the serious research and analysis within the book's covers.
Cornwell's pope is personally unpleasant, haughtily autocratic, rabidly fearful of Communism, at least mildly anti-Semitic and certainly emotionally and politically pro-German if not pro-Hitler (he wasn't that). The Pope Pius of "Amen" lacks the depth a more accurate and compelling portrayal would have provided.
The strongest moments in the film are those briefly showing the efficiency of the death camps focusing less on the victims, most of whom aren't shown, but rather on the chillingly competent technicians and logisticians without whose efforts millions could not have been murdered.
Director Costa-Gravas deserves much credit for bringing a difficult to tell complex story to the screen. Ultimately, however, we know less about Kurt Gerstein than we need to and the Vatican, from pope to bureaucrat, is too colorless. Was Gerstein a victim or a collaborator with a schizophrenic sense of morality? Even scholar Friedlander couldn't answer that question. Did the Vicar of Christ shame his church's vision of Jesus by putting political expediency ahead of moral imperative? That is a very alive issue today but "Amen" gives us a largely one-dimensional Supreme Pontiff.
The cast is unknown to American viewers but all act with varying but generally strong ability. Gerstein and the Jesuit priest are especially well portrayed as men of deep conviction.
7/10