Set in the 1930s, the story takes place in an old-fashioned English country house where a weekend shooting party is underway. The story centers on the McCordle family, particularly the man of the house, William McCordle. Getting on in years, William has become benefactor to many of his relatives and friends. As the weekend goes on, secrets are revealed, and it seems everyone, above stairs and below, wants a piece of William and his money, but how far will they go to get it? Written by
Neither Una Merkel nor Claudette Colbert appear in "Charlie Chan in London." See more »
When Mrs. Croft and the cook are counting the knives, servants are bringing the candelabra from the dining room down the stairs. Then the gentlemen are in the dining room, where the candelabra are still lit. See more »
[On the phone, discussing casting for his movie]
What about Claudette Colbert? She's British, isn't she? She sounds British. Is she, like, affected or is she British?
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At the end of the credits it says that the real Ivor Novello never took part in the fictional events portrayed in the film. See more »
You'll like it if you love films like Magnolia and Traffic
I've read through the first page of comments made by the many users, and I think I can understand why many think this film is overrated. People think that this film sucks because they don't like multi-story plot and they find it difficult to follow the stories. Some may expect a spine-chilling murder and want to be scared and wet the seat. However, those who really appreciate and understand the movie know more than clear that the film itself focuses on the life of the upper-class people (and the life of the time) rather than a bloody crime.
The movie defines the word originality no better. In fact, Julian Fellowes deserves all the awards he received since the screenplay is challenging to write and it's difficult to pack all the stories in a 150-minute movie. He explains the complicated relationship between the visitors so well, and he virtually creates a motive for murdering Sir William for everyone so that the crime itself becomes very mystifying. Of course, I must admit that there are really too many characters and it's simply impossible to keep track of everyone's movement in the first half of the movie; but Julian leaves the necessary hints for our understanding that our feeling intensifies more and more as the story unfolds. Even better is the dialogue - sharp, sarcastic, amusing, clever. It confers life to the film and fully delineates the character of the many visitors however short the time is when they appear on the screen. Before I saw it, I had always asked why Memento did not win an Oscar. But the time when the film ended, I was left stunned on my seat. I mean both stories are great and original, but when comparing the relative difficulty in writing the screenplay, Gosford Park apparently wins.
Gosford Park is to me perhaps the second best movie I've seen this year (after A Beautiful Mind). If you like films like Magnolia and Traffic, which require much patience to enjoy, it's perhaps the greatest movie of your lifetime.
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