8 femmes (2002)

User Rating:

7.0/10   

Director:

François Ozon

Writers:

François Ozon (writer)
Robert Thomas (play)

Release Date:

20 September 2002 (USA)

Genre:

Musical | Comedy | Crime | Mystery

Tagline:

Living in a house full of women can be murder.

Plot:

One murdered man, eight women, each seeming to be more eager than the others to know the truth. Gimme, gimme, gimme some clues to make up my mind. And eventually enter the truth. Oh, thou cruel woman!

Plot Keywords:

Maid | Murder | Seduction | Pregnancy | Digit In Title

Awards:

8 wins & 25 nominations

Cast

Danielle Darrieux	...	Mamy
Catherine Deneuve	...	Gaby
Isabelle Huppert	...	Augustine
Emmanuelle Béart	...	Louise
Fanny Ardant	...	Pierrette
Virginie Ledoyen	...	Suzon
Ludivine Sagnier	...	Catherine
Firmine Richard	...	Madame Chanel
Dominique Lamure	...	Marcel, the husband

Also Known As:

8 Women (International: English title)
8 donne e un mistero (Italy)
Huit femmes (France) (alternative spelling)
8 mujeres (Argentina) (Chile) (Spain) [es]
8 Frauen (Austria) (Germany) [de]
8 Mulheres (Brazil) [pt]
8 femei (Romania) [ro]
8 kadin (Turkey: Turkish title) [tr]
8 kobiet (Poland) [pl]
8 kvinder (Denmark) [da]
8 kvinner (Norway) [no]
8 kvinnor (Sweden) [sv]
8 nö (Hungary) [hu]
8 naist (Estonia) [et]
8 naista (Finland) [fi]
Hachinin no onna-tachi (Japan) [ja]

MPAA:

Rated R for some sexual content.

Runtime:

111 min

Country:

France | Italy

Language:

French | English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Malaysia:18PL | Iceland:L | Portugal:M/16 | South Korea:15 | Argentina:13 | Australia:M | Brazil:14 | Canada:14A | Chile:14 | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIA | Netherlands:AL | Norway:11 | Peru:14 | Singapore:M18 | Singapore:PG (cut) | Spain:T | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of the Grisons) | UK:15 | USA:R

Company:

BIM

Trivia:

Director François Ozon wanted to make a remake of George Cukor's The Women (1939) but he changed his mind and later found the play written by Robert Thomas.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): On two occasions the ladies refer to the gun as a revolver but it is clearly a semi-automatic pistol.

Quotes:

Pierrette: As you ladies want the whole truth, I'd like to add a tidbit of information you lack.
Gaby: What is it this time?
Pierrette: Marcel and your new maid, Louise, have known each other for five years.
Gaby: What?
Pierrette: Five years of rented rooms and secret weekends. This winter you needed a maid, so Louise got hired.
[leaning in towards Gaby]
Pierrette: It's called "in-home service."

Movie Connections:

References Laura (1944)

Soundtrack:

Pour ne pas vivre seul

I saw the future of French cinema and its name is François Ozon!

A movie launched in 2002, "8 femmes" was the establishing movie for François Ozon. Through his movies, from his medium-length film "See the Sea" (1997) to "8 women" (2002) to "the criminal lovers" (1999), he developed his own style based on surprise. In short, his aim is to surprise the spectator. With this movie, we can say that he reached his goal and it is probably his most accomplished movie. It is also a movie that confirms the originality of his cinema.

First of all, "8 women" is a movie that surprises by its tone breaks. It means that Ozon passes from drama to comedy with great ease just like Jaco Van Dormael with "Toto the Hero" (1991). As for the songs, they are totally unexpected. Which other director would have included musical numbers in a detective movie?

As for the influences of the movie, they are numerous. Of course, this film is an adaptation from a play that evokes the Agatha Christie universe but Ozon felt like scattering his movie with all kinds of allusions: Vincente Minelli, Douglas Sirk (the deer in the garden). These allusions are especially linked to French culture: the French TV program "au théâtre ce soir" but also Jacques Demy (the bright colors, the songs) and French cinema before the "new wave". More than allusions, they are tributes from a director who once said "I don't care about new-wave".

François Ozon also plays with the spectator, a bit like Hergé with the Tintin album "the Castafiore Emerald". He holds him spellbound until the end of the film either by leading him on wrong tracks, either by giving him clues that seem to make the movie progress, and this until the final revelation that turns out to be unexpected and amazing. Besides, given the conclusion, Ozon's movie can be considered in its whole as a farce with absurd humor. The best example involves Danièle Darrieux. At the beginning of the movie, she seems to be disabled but then she stands up and walks without any difficulty for an important part of the movie!

The movie is also powerful thanks to its dialogs. On this point, beware of the poster where these 8 women have a smiling countenance! These witty and sometimes ironical dialogs reveal these women's real personality that mainly rests on selfishness. Furthermore, the actresses have a spare time in the shoes of their respective character (Isabelle Huppert is particularly irresistible).

Ozon also left high and dry several details that have, in the long run nothing important (and it is a compliment): we don't know at what time the movie takes place. Several points of the movie show it: the songs composed at different times. Then, certain elements of scenery and dialogs seem either dated either modern. In another extent, we never see the face of the sole man in the plot.

In the end, "8 women" is an unrealistic, timeless and unique movie and surprise to see this movie meet commercial acclaim in France. François Ozon by imposing his style so peculiar remains more than ever a filmmaker to follow.