A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Pepas's lover, Iván, leaves her and she tries to contact him to find out why he's left. In her search for Iván, she confronts his wife and son, who are as clueless as she is. Meanwhile; ... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
After a chance encounter at a theater, two men, Benigno and Marco, meet at a private clinic where Benigno works. Lydia, Marco's girlfriend and a bullfighter by profession, has been gored and is in a coma. It so happens that Benigno is looking after another woman in a coma, Alicia, a young ballet student. The lives of the four characters will flow in all directions, past, present and future, dragging all of them towards an unsuspected destiny. Written by
After Marco moves in to Benigno's apartment there is a moment when a book is seen on the nightstand by the bed. That book is Las Horas by Michael Cunningham. This is a Spanish translation of The Hours, which was made into the 2002 movie of the same name. Both The Hours (2002) and Hable con ella were nominated for Best Director at the Academy Awards in 2003. See more »
The end credits contain the following text: "El 7 de agosto, durante el rodaje de esta película nació Pablo hijo de Cova y de Juan y niño de todos.". This translates to: "On August 7th, while shooting this movie, Pablo, son of Cova and Juan and child of all of us, was born." See more »
There are many who say that "Todo Sobre Mi Madre" is his best film, but now that I've seen both these movies, I give the nod - by a long way - to "Hable con Ella". This is a masterpiece, and not just because of the poignancy of the characters, or the story in general, or the way the scenes are shot - watching the matador get dressed was quite engrossing
but EVERYTHING comes together so wonderfully. The brilliance of
Spanish-language films never fails to amaze me, and this is another one in that long line of greatness. There will be times where the viewer may feel somewhat uncomfortable with the characters and their actions, but that does not stop Almodovar from exploring such emotions; indeed, one sometimes gets the impression that Almodovar's entire purpose is to make you analyze your own feelings - and simply does it better than anyone else. Recommended for anyone who can read subtitles.
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