| Photos (see all 10 | slideshow) |
| Audrey Tautou | ... | Michèle | |
| Edouard Baer | ... | François | |
| Julie Depardieu | ... | Valérie | |
| Catherine Jacob | ... | Evelyne | |
| Philippe Laudenbach | ... | Jean | |
| Cathy Verney | ... | Florence | |
| Anna Koch | ... | Régine | |
| Max Tzwangue | ... | Simon | |
| Mathieu Demy | ... | Bertrand | |
| Atmen Kelif | ... | Ali | |
| Nelly Camara | ... | Laetitia | |
| Jean Reichman | ... | Joseph | |
| Bruno Slagmulder | ... | Fred | |
| Lucien Melki | ... | Laurent | |
| Nathalie Levy-Lang | ... | Jessica | |
| Thierry Neuvic | ... | Le premier patient | |
| Edwin Gerard | ... | Le rabbin | |
| Philippe Guyral | ... | Le flic | |
| Laurent Natrella | ... | Serge | |
| Saskia Mulder | ... | Cécile | |
| Nathalie Zemirou | ... | Copine cours vie juive | |
| Carole Zarka | ... | Copine cours vie juive | |
| Valérie Dashwood | ... | Mannequin terrasse | |
| rest of cast listed alphabetically: | |||
| Paulette Frantz | ... | (uncredited) | |
Directed by | |||
| Pascale Bailly | |||
Writing credits | ||
| Alain Tasma | screenplay and | |
| Pascale Bailly | adaptation & | |
| Pascale Bailly | dialogue | |
Produced by | |||
| Georges Benayoun | .... | producer | |
| Christine Gozlan | .... | executive producer | |
| Françoise Guglielmi | .... | executive producer | |
| Alain Sarde | .... | producer | |
Original Music by | |||
| Stéphane Malca | |||
| Fabrice Naud | |||
Cinematography by | |||
| Antoine Roch | |||
Film Editing by | |||
| Lise Beaulieu | |||
| Jean-Pierre Viguie | |||
Casting by | |||
| Stéphane Foenkinos | |||
| Brigitte Moidon | |||
Production Design by | |||
| Denis Mercier | |||
Costume Design by | |||
| Radija Zeggai | (as Khadija Zeggai) | ||
Makeup Department | |||
| Odile Fourquin | .... | key makeup artist | |
| Christian Gruau | .... | hair stylist: Audrey Tautou | |
| Sylvie Mathevet | .... | key hair stylist | |
Production Management | |||
| Patrice Arrat | .... | production manager | |
| Julien Bouley | .... | unit manager | |
| Capucine Chappuis | .... | assistant unit manager | |
| Nicolas Daguet | .... | production manager | |
| Helene Glabeke | .... | post-production supervisor | |
| Alain Monne | .... | production manager | |
| Francis Poignard | .... | assistant unit manager | |
| Murielle Thierrin | .... | assistant unit manager | |
Art Department | |||
| Dominique Antraygues | .... | key painter | |
| Pierre Cotte | .... | construction coordinator | |
| David D'Aquaro | .... | property master | |
| Irène Galitzine | .... | key painter | |
| Sébastien Grangereau | .... | assistant art director | |
| Jean-Pierre Ledept | .... | painter | |
| Herald Najar | .... | assistant decorator | |
| Jacques Pélissier | .... | art department assistant | |
| Valérie Rozanes | .... | assistant art director | |
Sound Department | |||
| Jean-Luc Audy | .... | sound | |
| Sylviane Bouget | .... | sound effects editor | |
| Olivier Busson | .... | boom operator | |
| Caroline Chatriot | .... | sound editor | |
| Jean-Pierre Houël | .... | post-synchronization | |
| François Lepeuple | .... | foley artist | |
| Olivier Marlangeon | .... | assistant foley artist | |
| Pascal Mazière | .... | foley artist | |
| Fabrice Naud | .... | sound editor | |
| Gérard Rousseau | .... | sound mixer | |
| Hervé Roux | .... | sound consultant: DTS | |
| Nathalie Vidal | .... | sound recordist | |
| Jean-Alexandre Villemer | .... | sound recordist | |
| Pascal Vuillemin | .... | sound recordist | |
Camera and Electrical Department | |||
| Alessio Anzalone | .... | gaffer | |
| Pascale Bailly | .... | still photographer | |
| Stéphane Bourgoin | .... | electrician | |
| Mathieu Caudroy | .... | Steadicam operator | |
| Nathalie Eno | .... | still photographer | |
| Gérard Figuerola | .... | Steadicam operator | |
| Olivier Goelen | .... | grip | |
| Leo Gomez | .... | gaffer | |
| Céline Guenancia | .... | second assistant camera | |
| René Haan | .... | additional electrician | |
| Frédérique Le Hir | .... | electrician | |
| Valentin Monge | .... | Steadicam operator | |
| Pierre Souchar | .... | assistant camera | |
| Jean-Baptiste Thibaud | .... | Steadicam operator | |
| Emmanuel Van Wambeke | .... | key grip | |
Costume and Wardrobe Department | |||
| Nathalie Clavier | .... | costumer | |
Editorial Department | |||
| Mylene Azria | .... | post-production | |
| Eric Dardill | .... | conforming editor | |
| Béatrice Maleville | .... | assistant editor | |
| Lise Roure | .... | conforming editor | |
Music Department | |||
| Christine Catherin | .... | assistant music supervisor | |
| Eric Michon | .... | music supervisor | |
Other crew | |||
| Franck Belaiche | .... | production assistant (as Franck Prince) | |
| Thierry Chapat | .... | administrator | |
| Sandra Cohen | .... | financial director | |
| Irene de Balasy | .... | production secretary | |
| Julie Flament | .... | production secretary | |
| Josiane Morand | .... | script supervisor | |
| Audrey Tautou | .... | handwriting | |
| Jerôme Vimard | .... | group man | |
Thanks | |||
| Emma de Caunes | .... | thanks | |
| Claude Lanzmann | .... | thanks | |
| Mathilde Seigner | .... | an enormous thank you | |
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Tautouology should not be confused with tautology, which means 'the needless repetition of an idea'. Tautouology is concerned, on the contrary, with necessary repetitions, that is, with the annual recurrence of a species of elfin creature with large eyes, which once a year appears in films. Tautouology is the most recently created of scientific disciplines, and is thus an indicator of the relentless march of progress in science and technology. Tautous are very rare, and only one specimen is so far known to science. Although it is suspected that there may be a colony of Tautous somewhere, perhaps in France, this has never been proved. The private habits of the Tautou are entirely unknown, and it has never been observed in its burrow. Many theories have been formed about the Tautou, but they are all highly speculative. Certainly, the Tautou has been observed frequently in Paris, and it is thought that this rare creature may have some connection with the Paris catacombs, to which it may possibly retire at night (though this has never been reliably reported by a qualified observer). This film, 'God Is Great but I Am Tiny', preserves valuable evidence on film of the behaviour of the Tautou. This film was made immediately after 'Amelie', when the Tautou is estimated by science to have been 24 years of age. (Tautous are believed to live to a great age, perhaps even 100.) The Tautou is a neotonous creature, that is, it looks much younger than it is, and it preserves childlike characteristics into adulthood. In fact, it is believed by some that these infantilisms will never disappear, or at least many scientists hope not, and that the Tautou will still be a little girl when it reaches the age of 100 which is predicted for it. In this film, a fine contribution is made by Edouard Baer, who delivers an excellent performance as a human, as do Julie Depardieu, Anna Koch, Atmen Kelif, and other humans who surround and interact with the Tautou in this excellent natural history film. The direction of the film by Pascale Bailly is lively, if somewhat over-quirky at times, adopting very much a cinema verite approach (the references to Godard in the film did not go unnoticed by scientists). The theological implications of this study of the religious behaviour of the Tautou, as it wavers in the film from religion to religion (Catholicism, Buddhism, Judaism, you name it), is thought to be a comment upon Heidegger's views of 'being and essence'. Certainly the Tautou says at one point to Francois: 'You aren't Jewish enough.' The social interactions of the Tautou with the humans make this film fascinating to watch, as the Tautou shows extreme volatility, which the humans have trouble coping with. The Tautou is liable to change religions in the same way that the Arctic hare goes from brown to white when the snow falls. Tautou mood swings, emotional seizures, changes of hair style, clothing changes, alterations between loving and hating, all confirm the zoological conclusions arrived at on the basis of other evidence, that the Tautou has a hyper-sensitivity to its social environment and reacts badly to the withdrawal of love. This film is of extreme importance to the discipline of Tautouology, and is recommended to all serious students of this rare mammal.