6.8/10
12,808
123 user 75 critic

Bijitâ Q (2001)

A troubled and perverted family find their lives intruded by a mysterious stranger who seems to help find a balance in their disturbing natures.

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3 wins. See more awards »
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Cast

Cast overview:
Ken'ichi Endô ...
Kiyoshi Yamazaki / Father
Shungiku Uchida ...
Keiko Yamazaki / Mother
...
The visitor
Jun Mutô ...
Takuya Yamazaki / Son
Fujiko ...
Miki Yamazaki / Daughter
Shôko Nakahara ...
Asako Murata
Ikkô Suzuki ...
Sasaoka (as Ikko Suzuki)
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Storyline

A father, who is a failed former television reporter tries to mount a documentary about violence and sex among youths. He proceeds to have sex with his daughter who is now a prostitute and films his son being humiliated and hit by classmates. "Q", a perfect stranger somehow gets involved and enter the bizzare family who's son beats his mom, who in turn is also a prostitute and a heroin addict... Written by Christian D <christian94@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

The only thing stranger than this family is... Visitor Q. See more »


Motion Picture Rating (MPAA)

Rated R for strong aberrant sexual and violent content, language and drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

26 November 2002 (USA)  »

Also Known As:

Visitor Q+  »

Box Office

Budget:

JPY 7,000,000 (estimated)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Goofs

(at around 59 mins) You can see the shadow of the boom on the ground when they are taking the dead body to the little shed in the back of the house. See more »

Quotes

Kiyoshi Yamazaki: This isn't a mystery of life! It's a shit!
See more »

Connections

Referenced in Gozu (2003) See more »

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User Reviews

 
disturbing, powerful, but so hilarious
5 May 2005 | by (England) – See all my reviews

What is amazing with Miike Takashi's cinema is its ability to surprise you. This film is no exception.

Wery aware of its medium (a DV camera) Miike uses this cheap look to touch the viewer more deeply. The credibility comes from this disturbing proximity of the image (It looks like your holiday film). Recurrent use of subjective perspective, emphasis this. But, instead of falling into a dogma-like movie, Miike pushes the plot to its most unacceptable extremities, sometimes flirting with the fantastic genre.

Miike plays with multi point of views, particularly during the opening scene, in which the girl takes photographs of her father before they sleep together. Desorienting the spectator.

What astonished me when I saw that movie, is the amount of humor (noir)that grows up during the film. Here, shocking situations (necrophilia, humiliations...) become really funny. And from an awful family relationship, the plot evolves to an objectively even worst situation, but subjectively a much better situation for the characters.

Miike plays here with conventional Hollywood vision about family and gives a much cynical and humorist meaning to unity! A really enjoyable film I would advise to open minded mature people.


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