| Maria Hofstätter | ... | The hitchhiker | |
| Alfred Mrva | ... | Security Guard | |
| Erich Finsches | ... | Old Man | |
| Gerti Lehner | ... | Housekeeper | |
| Franziska Weisz | ... | Young Girl | |
| Rene Wanko | ... | Friend | |
| Claudia Martini | ... | The Ex-Wife | |
| Victor Rathbone | ... | The Ex-Husband | |
| Christian Bakonyi | ... | Masseur | |
| Christine Jirku | ... | Teacher | |
| Viktor Hennemann | ... | The Lover | |
| Georg Friedrich | ... | The Lover's Friend | |
| Ingeborg Wehofer | ... | Car accident victim | |
| Leopold Schlol | ... | Car scratch victim | |
| Silvia Piglmann | ... | Car scratch victim | |
| Karl Christoph | ... | Car scratch victim | |
| Henriette Maslo | ... | Car driver | |
| Christina Horvath | ... | Car driver | |
| Norbert Raftl | ... | Car driver | |
| Edith Helm | ... | Car driver | |
| Editha Maurer | ... | Car driver | |
| Christine Raffelsberg | ... | Anna's mother | |
| Peter Kristek | ... | Teacher's neighbour | |
| Elfriede Draszdak | ... | Teacher's neighbour | |
| Alfred Strobl | ... | Supermarket manager | |
| Marco Kutzeroff | ... | Disco visitor | |
| Hermine Mayer | ... | Klaudia's mother | |
| Elke Kreiseder | ... | Neighbours voice (voice) | |
| Alfred Sild | ... | Neighbours voice (voice) |
Directed by | |||
| Ulrich Seidl | |||
Writing credits(in alphabetical order) | ||
| Veronika Franz | ||
| Ulrich Seidl | ||
Produced by | |||
| Philippe Bober | .... | producer | |
| Helmut Grasser | .... | producer | |
Cinematography by | |||
| Wolfgang Thaler | |||
Film Editing by | |||
| Christof Schertenleib | |||
| Andrea Wagner | |||
Casting by | |||
| Eva Roth | |||
| Markus Schleinzer | |||
Production Design by | |||
| Andreas Donhauser | |||
| Renate Martin | |||
Costume Design by | |||
| Sabine Volz | |||
Makeup Department | |||
| Michaela Hofstetter | .... | special makeup effects artist | |
| Susanne Neidhart | .... | makeup artist | |
| Michaela Oppl | .... | makeup artist | |
Production Management | |||
| Max Linder | .... | production manager | |
| Thomas Schuttken | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Veronika Franz | .... | assistant director | |
| Klaus Pridnig | .... | assistant director | |
Sound Department | |||
| Ekkehart Baumung | .... | sound | |
| Stephan Liepe | .... | foley recordist | |
| Erik Mischijew | .... | supervising sound editor | |
| Matz Müller | .... | sound designer | |
| Matz Müller | .... | sound effects editor | |
| Thomas Neumann | .... | dialogue editor | |
| Carsten Richter | .... | foley artist | |
| Carsten Richter | .... | sound effects editor | |
Camera and Electrical Department | |||
| Petro Domenigg | .... | still photographer | |
| Marcus Kanter | .... | assistant camera: additional unit | |
| Harald Lechner | .... | electrician | |
Casting Department | |||
| Carmen Loley | .... | casting | |
Other crew | |||
| Thomas Pridnig | .... | location manager | |
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| Bitter Moon | The Acid House | Gegen die Wand | El diputado | Jamón, jamón |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Austria section |
An outstanding film by all accounts. Bleak, yes. Funny, yes. Shocking, yes. To all those reviewers harping on about lack of plot, then surely this is to miss the point. Seidl draws on his documentary background and indeed blends the this with the fictional elements. Do we really need the narrative signposts that we are force-fed in films. Life is not that black and white. I cannot understand the constant desire for fast paced cutting. Go and watch a commercial if you need to but leave the rest of us with well made, insightful films that speak about the bigger issues in life. This is a marvellous film that is disturbing and shocking but not in a gratuitous manner. I think it is in the tiny minutiae of life that these moments are revealed. I found the moment when the couple visit the grave and when the old woman does the striptease to be very moving. You need to look underneath the surface of the characters to see what makes them tick and Seidl has done this. As a result we have complex characters that seem too real for some viewers perhaps to stomach. I should stop defending the film. Just go and see it. Brilliant film-making.