| Xun Zhou | ... | Little Chinese Seamstress | |
| Ye Liu | ... | Ma | |
| Kun Chen | ... | Luo | |
| Shuangbao Wang | ... | Head of the Village | |
| Zhijun Cong | ... | Old Tailor | |
| Hongwei Wang | ... | Four Eyes | |
| Xiong Xiao | ... | Mother of Four Eyes | |
| Zuohui Tang | ... | Old Mill Worker | |
| Wei Chen | ... | Wife of the Head of the Village | |
| Tianlu Chen | ... | Director of the Commune | |
| Qing-yun Fan | ... | Doctor | |
| Jie Min | ... | Peasant | |
| He Zhang | ... | Peasant | |
| Yukun Xu | ... | Peasant | |
| Lina Mei | ... | Female Villager | |
| Jing Fang | ... | Female Villager | |
| Li Peng | ... | Female Villager | |
| Heng Fei Zhao | ... | Female Villager | |
| Yao Liu | ... | Female Villager | |
| Yulin Chen | ... | Female Villager | |
| Chun Hua Xu | ... | Female Villager | |
| Fang Zong Zhao | ... | Female Villager | |
| Wa Su | ... | Daughter in Law of the Head of the Village | |
| Quilène Boileux | ... | Airport Shop Assistant | |
| Dandan Yang | ... | Mrs. Lao | |
| Guy-Pierre Bennet | ... | Journalist (voice) |
Directed by | |||
| Sijie Dai | |||
Writing credits(in alphabetical order) | ||
| Sijie Dai | novel | |
| Sijie Dai | screenplay | |
| Nadine Perront | ||
Produced by | |||
| Lise Fayolle | .... | producer | |
| Bernard Lorain | .... | executive producer | |
| Pujian Wang | .... | executive producer | |
| Wang Zhebin | .... | executive producer | |
Original Music by | |||
| Pujian Wang | |||
Cinematography by | |||
| Jean-Marie Dreujou | |||
Film Editing by | |||
| Luc Barnier | |||
| Julia Gregory | |||
Production Design by | |||
| Juiping Cao | |||
Costume Design by | |||
| Huamiao Tong | |||
Makeup Department | |||
| Guihua Cheng | .... | hair stylist | |
Production Management | |||
| Zi An | .... | unit manager: Shanghai | |
| Fanny Bourdillon | .... | unit manager | |
| Lewu Chen | .... | unit manager | |
| Boutboul Déborah | .... | unit manager | |
| Xiong Jiang | .... | unit manager: Shanghai | |
| Shenlin Li | .... | unit manager | |
| Benoît Ouvrier-Bonnaz | .... | unit manager | |
| Zhong Yuan Qian | .... | unit manager | |
| Yulong Shen | .... | unit manager: Shanghai | |
| Roland Thénot | .... | unit manager | |
| Jing-Hua Wang | .... | unit manager | |
| Qiang Wang | .... | unit manager | |
| Dong Lai Wei | .... | unit manager: Shanghai | |
| Hong Wu | .... | unit manager | |
| Chenhao Yu | .... | unit manager | |
| Jun Zhao | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jen Chang Hsien | .... | assistant director | |
| Guang Li | .... | assistant director | |
| Charles Liu Morel | .... | assistant director | |
| Chunlin Zhao | .... | assistant director | |
Art Department | |||
| Baihan Hui | .... | set dresser | |
| Jian-An Lu | .... | set dresser | |
| Hailiang Luo | .... | set dresser | |
| Ying Ma | .... | assistant art director | |
| Zhang Tian | .... | props | |
| Zhuangchun Wu | .... | props | |
| Jian Qun Zhang | .... | assistant art director | |
Sound Department | |||
| Jean-Philippe Callet | .... | sound recordist | |
| Jean De Sagey | .... | foley recordist | |
| Franck Desmoulins | .... | ProTools consultant | |
| Rodolphe Duhamel | .... | sound recordist | |
| Li Pei Gen | .... | assistant sound | |
| Benjamin Leloch | .... | sound recordist (as Benjamin Le Loch) | |
| François Lepeuple | .... | foley artist | |
| Sylvain Malbrant | .... | assistant sound editor | |
| Olivier Marlangeon | .... | foley artist | |
| Michel Monier | .... | stereo sound consultant: Dolby | |
| Nicolas Naegelen | .... | sound mixer | |
| Nicolas Naegelen | .... | sound | |
| Daniel Sobrino | .... | sound | |
| Zhe Wang | .... | assistant sound | |
| Li Wen | .... | assistant sound | |
| Lala Wu | .... | sound | |
| Xin Zhan | .... | sound | |
Visual Effects by | |||
| Stephane Bidault | .... | digital effects supervisor | |
| Pierre Blain | .... | digital effects director | |
| Marc-André Brunet | .... | visual effects | |
| Christophe Chanvin | .... | artistic director | |
| Alain Fauchon | .... | optical transfer | |
| Matthias Weber | .... | visual effects | |
Stunts | |||
| Hui Xie | .... | stunt double: swimming | |
Camera and Electrical Department | |||
| Te Ba | .... | grip | |
| Paul-Claude Bessière | .... | key grip | |
| Renaud Chassaing | .... | first assistant camera | |
| Dong Cong | .... | electrician | |
| Zhang Dahai | .... | electrician | |
| Zhao Danyang | .... | electrician | |
| Luo Dong | .... | still photographer | |
| Wei Guo Dong | .... | generator operator | |
| Zhang Fengzhu | .... | grip | |
| Patrick Gasché | .... | electrician | |
| Liu Guangshun | .... | grip | |
| Pei Luo | .... | video assistant | |
| Michele Mattei | .... | special photographer (as Michèle Mattei) | |
| Yang Ning | .... | assistant Steadicam operator | |
| Hong Peng | .... | second assistant camera | |
| Jean-Claude Reux | .... | gaffer | |
| Chen Zhu Xiang | .... | Steadicam operator | |
| Niu Yi | .... | electrician | |
| Lu Zhixin | .... | electrician | |
Costume and Wardrobe Department | |||
| Zhigang Chen | .... | dresser | |
| Huani Tong | .... | dresser | |
Editorial Department | |||
| Fleur Augustin | .... | assistant editor | |
| Fabrice Dequeant | .... | color timer | |
| Nicolas Duchemin | .... | assistant editor | |
| Zoé Forget | .... | post-production coordinator | |
| Alice Godeau | .... | assistant editor | |
Music Department | |||
| Ya Dai | .... | musician: flute | |
| Can Gao | .... | musician: violin | |
| Zhang Gaoxiang | .... | musician: dulcimer | |
| Xiaopei Li | .... | music recordist | |
| Pujian Wang | .... | conductor | |
| Jie Min Yan | .... | musician: Chinese violin | |
Other crew | |||
| Tony Krantz | .... | press attache | |
| Latifa Laarcy | .... | administrator | |
| Li Liang | .... | translator | |
| Luc Oeuvray | .... | administrator | |
| Laurent Renard | .... | press attache | |
| Rafael Schneider | .... | making-of director | |
| Dominique Segall | .... | press attache | |
| Guixin Zhai | .... | administrator | |
| Xia Zhao | .... | script supervisor | |
Thanks | |||
| Georges Beaume | .... | thanks | |
| Guy-Pierre Bennet | .... | thanks | |
| Prune Bergé | .... | thanks | |
| Dominique Besnehard | .... | thanks | |
| Florence Bitoun | .... | thanks | |
| Jacques Bitoun | .... | thanks | |
| Jean-François Boyer | .... | thanks | |
| Valérie Boyer | .... | thanks | |
| Zouhua Chen | .... | thanks | |
| Brahim Chioua | .... | thanks | |
| Jean-Marie Duchemin | .... | thanks | |
| Sylvie El Sayegh | .... | thanks | |
| Joy Fleury | .... | thanks | |
| Danièle Heymann | .... | thanks | |
| Guy Joussemet | .... | thanks | |
| Monique Kouznekzoff | .... | thanks (as Monique Kouznetzoff) | |
| Tony Krantz | .... | thanks | |
| Anne Kuperberg | .... | thanks | |
| Pierre Kuperberg | .... | thanks | |
| Didier Kustinger | .... | thanks | |
| Archie Larochie | .... | thanks (as Archie Laroche) | |
| Xin-Min Long | .... | thanks | |
| Yong Luo | .... | thanks | |
| Zitian Luo | .... | thanks | |
| Denis Offroy | .... | thanks | |
| Isabelle Peyrefitte | .... | thanks | |
| Bernard Pivot | .... | special thanks | |
| Marie-Françoise Rousset-Rouard | .... | thanks | |
| Yves Rousset-Rouard | .... | thanks | |
| Jean-Marie Sénia | .... | thanks | |
| Anna Maria Tatò | .... | thanks | |
| Perrine Tézé | .... | thanks | |
| Shi Zhao | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb France section |
I wanted to see a few films at the recent Asian Film Festival here in San Diego. So I chose three films that seemed to grab my interest. "Balzac and The Little Chinese Seamstress" was one of them. So after seeing an ok film from Taiwan the night before,I headed down to the cool art theatre this night to catch "The Little Chinese Seamstress." Wow! Packed house...wow! one empty seat next to me,and an attractive Asian girl by herself sits down..wow! I was lost in the film,as was the rest of the audience(including the cute girl) This film took a wide eyed,but intelligent swipe at the upside down vision of Mao's Cultural Revolution,and asked us"What if?" The simple,humorous story,and the lead characters drew that whole audience in,and reminded me of why I like the movies. I like a good heavy drama as much as anyone,but as I sat there in the dark packed house that night flying over the most beautiful lush Chinese landscapes,and really being involved in the three characters plights,amid tears and sniffles scattered throughout the theatre(i got choked up a bit too) I realized that sometimes less is more in filmmaking,and it can mean the difference between connecting with the story and characters,and just being along for the ride du jour. This film plays like a classical piece of music you never want to end.