| Videos (see all 3) |
| Jean-Pierre Bacri | ... | Jacques | |
| Émilie Dequenne | ... | Laura | |
| Brigitte Catillon | ... | Claire | |
| Jacques Frantz | ... | Ralph | |
| Axelle Abbadie | ... | Helene | |
| Catherine Breillat | ... | Constance | |
| Apollinaire Louis-Philippe Dogue | ... | Ernest, le barman | |
| Amalric Gérard | ... | Julien | |
| rest of cast listed alphabetically: | |||
| Nathalie Boutefeu | ... | Jeune fille au concert | |
| Laurence Colussi | ... | Femme à la terrasse | |
| Djura | ... | Chanteuse | |
| Daniel Humair | ... | Musicien | |
| Xavier Maly | ... | Assistant de Jacques | |
| Pierre Michelot | ... | Musicien | |
| Abel Nahmias | ... | Le voisin | |
| René Urtreger | ... | Musicien | |
Directed by | |||
| Claude Berri | |||
Writing credits(in alphabetical order) | ||
| Claude Berri | writer | |
| Christian Oster | book | |
Produced by | |||
| Claude Berri | .... | producer | |
| Pierre Grunstein | .... | executive producer | |
| Nathalie Rheims | .... | associate producer | |
Original Music by | |||
| Frédéric Botton | |||
Cinematography by | |||
| Eric Gautier | |||
Film Editing by | |||
| François Gédigier | |||
Casting by | |||
| Gérard Moulévrier | |||
Production Design by | |||
| Hoang Thanh At | |||
Art Direction by | |||
| James David Goldmark | |||
Costume Design by | |||
| Corinne Jorry | |||
Second Unit Director or Assistant Director | |||
| Judith Havas | .... | third assistant director | |
| Thierry Mauvoisin | .... | first assistant director | |
| Emmanuel Murat | .... | third assistant director | |
Art Department | |||
| Philippe Boulenouar | .... | construction manager | |
| Frédéric Jourdan | .... | carpenter | |
| Yvon Moreno | .... | property master | |
| Jochen Rohrig | .... | carpenter | |
Sound Department | |||
| Pascal Chauvin | .... | foley artist | |
| Michel Filippi | .... | adr supervisor | |
| Vincent Goujon | .... | boom operator | |
| Eric Grattepain | .... | foley artist | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Nadine Muse | .... | sound | |
| Laurent Poirier | .... | sound | |
Camera and Electrical Department | |||
| François Berroir | .... | gaffer | |
| Bernard Brégier | .... | key grip | |
| Xavier Cholet | .... | electrician | |
| Patrick de Ranter | .... | Steadicam operator | |
| Etienne George | .... | still photographer | |
| Eric Gies | .... | electrician | |
| Jean-François Grancher | .... | best boy rigger | |
| Tom Mitaux | .... | electrician | |
| Ludovic Petit | .... | electrician | |
Costume and Wardrobe Department | |||
| Maira Ramedhan Lévy | .... | costumes | |
Editorial Department | |||
| Gwenola Heaulme | .... | assistant editor | |
| Isabelle Julien | .... | color timer | |
| Lucile Sautarel | .... | assistant editor | |
Music Department | |||
| Christian Chevalier | .... | music supervisor | |
Other crew | |||
| Hélène Sebillotte | .... | script supervisor | |
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| Les amants du Pont-Neuf | Ceux qui m'aiment prendront le train | 37°2 le matin | La captive | Gods and Monsters |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
The best thing coming from this Berri film is that plausibility and prediction conspire to improve a weak plot. The spectator, however, gets the surprise of his life when, in a sudden twist, the film reveals he has been watching the wrong movie. Give the kudos to the actors: sexily believable and deceitfully ordinary. Jacques and Laura, the main characters in this autumn-spring old line plot, early show their true self. She, young and beautiful, knows he is in a middle of a sentimental crisis. He, mature and confused, is never deceived by her egotist intentions. A sexual relationship is sure to occur, and so it does. But, it comes as a strange mix of feelings and desires, that the film never gets it clear. That's the relevance of this story: life cannot be deconstructed and explained in terms of art. Just the mirror, as the good Stendhal knew almost two centuries ago. Une femme de menage (more explicative than the English title) is a quiet thought on the passing of chances and the options we make; and a lecture on the futility of adapting our expectations to a self-deceitful sense of self-importance.