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Fixing Frank (2002)

TV-MA | | Drama | 3 August 2002 (USA)
Gay journalist, Frank Johnston sets out to write an expose on Dr. Apsey, a therapist who claims to convert gays to straight. Enlisted by his psychotherapist boyfriend, Jonathan, Frank finds... See full summary »




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1 win & 1 nomination. See more awards »
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Cast overview:
Dr. Arthur Apsey
Frank Johnston
Dr. Jonathan Baldwin
Andrew Gitzy ...
Shop Clerk
Claudia Schneider ...
Shop Patron
Perfecto ...
Ken Hanes ...
Market Clerk
Adam Hunt ...
Market Patron
Arlynn Wilson ...
Market Patron
Amy Kiehl ...
Frank's Mother
Frank's Father
Shannon Carson ...
Laundry Patron
Tom Vitale ...
Gym Patron (as Thomas Vitale)
Suzanne Gilad ...
Additional Voices (voice) (as Sue Gilad)


Gay journalist, Frank Johnston sets out to write an expose on Dr. Apsey, a therapist who claims to convert gays to straight. Enlisted by his psychotherapist boyfriend, Jonathan, Frank finds that Apsey may not necessarily be a quack, after all. The reason for Frank's seeing Apsey becomes blurred is it for the article or for personal reasons? As Frank falls under Apsey's spell, his relationship with Jonathan deteriorates, and a fierce psychological tug of war erupts between the two persuasive doctors over the heart of mind of Frank. Frank must make decisions that eventually explode the lives of all of them. Written by Anonymous

Plot Summary | Add Synopsis


If there were a pill to make you straight, would you... ?






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Release Date:

3 August 2002 (USA)  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:


Aspect Ratio:

1.78 : 1
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Did You Know?


The mailbox next to Frank's bears the name "Vito Russo". Vito Russo was a film scholar and historian who wrote 'The Celluloid Closet', a study of homosexuality in film that was adapted into a documentary film of the same name. See more »


Featured in 2006 Independent Spirit Awards (2006) See more »

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User Reviews

An Intelligent, Thought-Provoking, Well Made Film
28 October 2006 | by (United States) – See all my reviews

FIXING FRANK is somewhat of a rarity these days - a film well made form script to production that puts a hot topic on the table and challenges the viewer to think, all the while providing a very entertaining movie experience. The work began as a play by Ken Hayes who also adapted his play for the screen and while the 'opening up' of a stage play on the cinematic format is successful, in many way the dialogue feels very theatrical and the method of production stagy. That fact may annoy some viewers: for this viewer it worked, allowing us to here the superb script delivered in its entirety without frosting it with unnecessary visuals.

Credit director Michael Selditch for the creative approach to this filmed play. He keeps the story moving and integrated and draws exceptionally fine performances from his superb cast. In essence this is a three person film - two apposing therapists who are at opposite poles of dealing with the concept that being gay is an immutable inherited trait versus the possibility that with therapy the gay behavior can be changed to heterosexual behavior if the patient desires that 'change'.

Frank (Andrew Elvis Miller), a writer who is in the process of exposing a therapist Dr. Aspey (Dan Butler) who claims he can 'cure' gay men - at least according to Frank's lover Dr. Baldwin (Paul Provenza), an activist gay therapist. Frank, coached by Baldwin, has sessions with Aspey with the idea of trapping him into revealing his 'damage' to gay patients who have complained to Baldwin of Aspey's techniques. But what Frank discovers is a that Aspey deals with choices and changes on a strictly therapeutic angle, not basing claims for 'cures' for a lifestyle he does not condemn. In the process of the 'therapy' sessions, Frank grows into his own identity - a fact that alters his relationship with Baldwin and opens many closed doors of thought for all three characters - and us.

The actors are all excellent: one wonders if they played these roles on the stage. The intermingling of the sessions with conversations outside of sessions is additive and while many may object to the theatrical use of placing all three actors on the screen simultaneously when a 'session; is in progress, the format works well in allowing the script to be heard and maintain its punch. This is a thinkers' movie, the concepts are controversial and may find some viewers anger points, but as a film it works exceptionally well. Grady Harp

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