At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ...
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Cuenta la historia de Jorge Pellegrini y Laura Ramallo a lo largo de casi dos décadas. Comienza en 1980 y termina en nuestros días. Cuenta le romance inicial, los posteriores desencuentros,... See full summary »
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari ... See full summary »
Muriel Santa Ana,
The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "... See full summary »
In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a ... See full summary »
Mariano Is a psychologist who must fulfill community service after losing a lawsuit by a traffic accident. He is forced to provide therapeutic support to Alfredo, a policeman depressed over... See full summary »
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time with their daughter and he has yet to make a commitment to his girlfriend. At his lowest point, a minor heart attack reunites him with Juan Carlos, a childhood friend, who helps Rafael to reconstruct his past and look at the present in new ways. Written by
Sujit R. Varma
Argentina's official submission for the 2001 Oscar Awards, Foreign Language film category. See more »
Porque él le dio alegría a millones de personas y después esos mismos fanáticos se dieron la vuelta y le crucificaron.
Terminó la función. Dejad ya de hablar de Cristo.
¿Cristo? ¿Yo hablaba de Maradona?
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Halfway through the credits, we find Rafael and Juan Carlos watching a porn film and admiring it's particularly well-endowed star - the mysterious and elusive Dick Watson. See more »
I had seen this film for two times, at the first time I believed it one of the best movies I had ever seen alreadly. The story was very very funny and deeply moving.It's quite difficult to find this kind of films, because most of the films nowadays lose sight of the most important thing in a film--the real human emotion,the real lives, the real feelings, the real love.Most of the movies were too sweet,or too violent,or too erotic. The actors and actoresses all given the best performance,even the little girl--Ricado's daugther in the secens. I love it!It should have won the Oscar!
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