Working from his home in a converted windmill, Jonathan Creek is a magician with a natural ability for solving puzzles. He soon puts this ability to the use of solving impossible crimes and mysterious murders.
The evil Black Ninjas are at it again!!! In a bloody attempt to take over the world the barbaric Leo Pierce leads the fierce Black Ninjas in a rampage of death and destruction on the ... See full summary »
Max Vivaldi has always believed that he owns the town of Swansea, thanks to an ancient ancestral document that hangs on his wall. But instead of commanding respect, it's made him a laughing stock. Max discovers he's been right all along
Griff Rhys Jones,
Things are going badly for Raymond Fox. His high-powered wife, Jenny, has left him for a younger man, and looking after his teenage kids - nerdy Sara (17) and wayward Robinson (15) - and ... See full summary »
I'm only a few episodes into 'Bob & Rose' as I write this, but the programme is already shaping up to be a far superior product to Russell Davies' last TV hit 'Queer As Folk'. Daring and provocative (and just damn-well needed) as that series was, it always smacked of 'preaching to the converted'.
'Bob & Rose' is a far more more mainstream affair than 'QAF', but in many ways is slowly proving to be more subversive. The characters in 'QAF' lived almost exclusively in the gay ghetto and thus the series sometimes seemed to avoid addressing the more common truth about those of us who attempt to live an open gay lifestyle whilst also operating in the 'real' world. By making 'Bob & Rose' a gay/straight affair, Davies has succeeded in telling a few home truths about the strained relations that exist within the supposed 'liberal' masses, who may be comfortable with gay lifestyles in the abstract, but who often react somewhat differently when faced with the less glamourised reality. The writer has, as a result, produced a far more profound and touching study of (shifting) sexuality than his - perhaps in retrospect - overrated last work.
Moreover, the language is frank and realistic throughout, avoiding the overbearing coyness that other gay/mainstream programming ultimately suffers from (I'm talking to you, 'Will & Grace'!)
One minor quibble, though, in relation to Alan Davies' character. I've been 'out' for almost 5 years now, and I have yet to have met any self-respecting gay man sporting a 'wet-look' shaggy perm. We're talking 'meek suburban white boy sporting early-eighties Rick James jeri-curls' here. Please sort your barnet out in time for series 2, sweetheart....
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