| Photos (see all 22 | slideshow) | Videos |
| Ben Affleck | ... | Larry Gigli | |
| Terry Camilleri | ... | Man in Dryer (as Terrence Camilleri) | |
| David Backus | ... | Laundry Customer | |
| Lenny Venito | ... | Louis | |
| Robert Silver | ... | Man in Debt | |
| Luis Alberto Martínez | ... | Adult Care Resident | |
| Justin Bartha | ... | Brian | |
| Jennifer Lopez | ... | Ricki | |
| Christopher Walken | ... | Det. Stanley Jacobellis | |
| Todd Giebenhain | ... | High School Kid #1 | |
| Brian Sites | ... | High School Kid #2 | |
| Brian Casey | ... | High School Kid #3 | |
| Les Bradford | ... | High School Kid #4 | |
| David Bonfadini | ... | High School Kid #5 | |
| Dwight P. Ketchum | ... | High School Kid #6 | |
| Lainie Kazan | ... | Mother | |
| Missy Crider | ... | Robin | |
| Peter Van Norden | ... | Morgue Attendant | |
| Alex Fatovich | ... | Packing Store Clerk | |
| Al Pacino | ... | Starkman | |
| David Pressman | ... | Assistant Director | |
| Shelby Fenner | ... | Australian Dancer | |
| Theresa Barbosa-Adams | ... | Beach Dancer | |
| Kelly Cooper | ... | Beach Dancer | |
| R.J. Durell | ... | Beach Dancer (as RJ Durell) | |
| Shaun Earl | ... | Beach Dancer | |
| Nadine Ellis | ... | Beach Dancer | |
| Samuel Givens | ... | Beach Dancer (as Samuel Luis Givens) | |
| Hunter Hamilton | ... | Beach Dancer | |
| Stacey Harper | ... | Beach Dancer | |
| Zach Hensler | ... | Beach Dancer | |
| Brandon Henschel | ... | Beach Dancer | |
| Scott Hislop | ... | Beach Dancer | |
| Robert Hoffman | ... | Beach Dancer | |
| Dondraico Johnson | ... | Beach Dancer (as Dondraico L. Johnson) | |
| Elaine Klimaszewski | ... | Beach Dancer | |
| Melanie Lewis | ... | Beach Dancer | |
| Brooke Long | ... | Beach Dancer | |
| Kim McSwain | ... | Beach Dancer | |
| Mark Meismer | ... | Beach Dancer | |
| Ross Mulholland | ... | Beach Dancer | |
| Jenni Oborne | ... | Beach Dancer | |
| Brandi Oglesby | ... | Beach Dancer (as Brandi Olgesby) | |
| Zeke Ruelas | ... | Beach Dancer | |
| Robert Schultz | ... | Beach Dancer | |
| Jenny Seeger | ... | Beach Dancer | |
| Matt Sergott | ... | Beach Dancer | |
| Jeri Slaughter | ... | Beach Dancer | |
| Megan Stephens | ... | Beach Dancer | |
| Jenny Lynn Suckling | ... | Beach Dancer | |
| Giggi Thesman | ... | Beach Dancer | |
| Lisa Thompson | ... | Beach Dancer | |
| Nikki Tuazon | ... | Beach Dancer | |
| Salvatore Vassallo | ... | Beach Dancer | |
| Robert Vinson | ... | Beach Dancer | |
| Kevin Wilson | ... | Beach Dancer | |
| Tara Wilson | ... | Beach Dancer | |
| Tovaris Wilson | ... | Beach Dancer |
Directed by | |||
| Martin Brest | |||
Writing credits(WGA) | ||
| Martin Brest | (written by) | |
Produced by | |||
| Martin Brest | .... | producer | |
| Frederic W. Brost | .... | associate producer | |
| John Hardy | .... | executive producer | |
| Amy Sayres | .... | associate producer | |
| Casey Silver | .... | producer | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Robert Elswit | |||
Film Editing by | |||
| Julie Monroe | |||
| Billy Weber | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Gary Frutkoff | |||
Art Direction by | |||
| Sue Chan | |||
Set Decoration by | |||
| Maggie Martin | |||
Costume Design by | |||
| Michael Kaplan | |||
Makeup Department | |||
| Enzo Angileri | .... | hair stylist: Ms. Lopez | |
| Margot Boccia | .... | makeup artist: Ms. Lopez | |
| John Caglione Jr. | .... | makeup artist: Al Pacino | |
| Rebecca DeHerrera | .... | additional makeup artist | |
| Teressa Hill | .... | hair stylist | |
| Whitney James | .... | makeup artist: Ben Affleck | |
| Janine Rath | .... | hair stylist: Mr. Affleck (as Janine Thompson) | |
| Lori Rozman | .... | assistant hair stylist | |
| Nikoletta Skarlatos | .... | makeup artist | |
| Pamela S. Westmore | .... | makeup artist: Mr. Affleck | |
Production Management | |||
| Frederic W. Brost | .... | unit production manager | |
| Robin Le Chanu | .... | production supervisor | |
| Carey Len Smith | .... | post-production supervisor | |
Art Department | |||
| Chris Alvarez | .... | welding foreman | |
| David Elliott | .... | construction coordinator | |
| Trish Gallaher Glenn | .... | property master | |
| Meg Hyatt | .... | painter | |
| Vinson Jae | .... | stand-by painter | |
| Adam Khalid | .... | art department coordinator | |
| Ann Knight | .... | assistant set decorator | |
| David C. Potter | .... | lead man | |
| Robin Richesson | .... | storyboard artist | |
| Tommy Samona | .... | set dresser | |
| Theodore Sharps | .... | set designer | |
| Jim Stubblefield | .... | assistant property master | |
| Michael P. Sweeney | .... | set dresser | |
Sound Department | |||
| George H. Anderson | .... | dialogue editor | |
| David V. Butler | .... | dialogue editor | |
| Don Coufal | .... | boom operator | |
| Teri E. Dorman | .... | dialogue editor | |
| Frank Fleming | .... | sound recordist | |
| David Giammarco | .... | supervising sound editor | |
| Wayne Griffin | .... | adr editor | |
| Andrea Horta | .... | adr editor | |
| Scott A. Jennings | .... | sound effects editor | |
| Dave Lopez | .... | sound engineer | |
| David Raymond | .... | second cable man | |
| Joe Schiff | .... | assistant sound editor | |
| Greg Steele | .... | adr mixer | |
| Cherie Tamai | .... | assistant sound editor | |
| Jeff Wexler | .... | production sound mixer | |
Special Effects by | |||
| David J. Barker | .... | special effects assistant | |
| Kevin Hannigan | .... | special effects coordinator | |
| Kevin Hannigan | .... | special effects supervisor | |
| Al Marangoni | .... | special effects crew | |
| Brendon O'Dell | .... | special effects technician | |
| David A. Poole | .... | special effects | |
| Ken Tarallo | .... | special effects | |
| Paul Vigil | .... | on set foreman | |
Visual Effects by | |||
| Tom Capizzi | .... | digital effects artist | |
| Brandon Craig | .... | render supervisor | |
| Chris Crowell | .... | digital compositor | |
| Caleb J. Howard | .... | digital effects | |
| Michael Karp | .... | digital artist | |
| Sonserae Leese | .... | texture map painter | |
| Tim Miller | .... | Inferno artist | |
| Stuart Mintz | .... | effects artist | |
| Jeremy Nelligan | .... | digital compositor | |
| Mike O'Neal | .... | digital effects supervisor | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Edwin Rivera | .... | digital compositing supervisor | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Serkan Zelzele | .... | digital compositor | |
| Jimmy Jewell | .... | digital compositor (uncredited) | |
| Douglas Smith | .... | visual effects supervisor (uncredited) | |
Stunts | |||
| Randall Huber | .... | stunt double: Christopher Walken | |
| John Robotham | .... | stunt coordinator | |
| Bill Willens | .... | precision driver (uncredited) | |
Casting Department | |||
| Jennifer Euston | .... | casting associate | |
| Rich King | .... | extras casting | |
| Alysson Marcus | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Cynthia Black | .... | set costumer | |
| Lorraine Crossman | .... | costumer | |
| Mitzi Haralson | .... | costumer: Ms. Lopez | |
| Meg Matthews | .... | costumer: Mr. Affleck | |
| Ric Spencer | .... | costumer: re-shoots | |
| Catherine Wall | .... | cutter/fitter | |
Editorial Department | |||
| Tristan M. Brighty | .... | first assistant editor | |
| Charles Bunn | .... | assistant editor | |
| Carlos M. Castillón | .... | apprentice editor | |
| Elisa Cohen | .... | assistant editor | |
| Guglielmo Cuellar | .... | post-production assistant | |
| Richard B. Molina | .... | assistant editor: avid | |
| Jim Passon | .... | color timer | |
| Jonathan Poirier | .... | assistant editor | |
Music Department | |||
| Bryan Clements | .... | scoring crew | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Mark Eshelman | .... | scoring crew | |
| John Finklea | .... | music editor | |
| Marina Manukian | .... | musician | |
| Adam Michalak | .... | score recordist | |
| Shawn Murphy | .... | orchestra mixer | |
| Gary Raymond | .... | music playback mixer | |
| Liza Richardson | .... | music consultant | |
| Tim Rodier | .... | music preparation | |
| Ben Schor | .... | apprentice music editor | |
| Pat Weber | .... | scoring technician | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb bottom 100 movies | IMDb Comedy section |
| IMDb USA section | Add this title to MyMovies |
Larry Gigli is a hired thug for the mob in LA. When he is put on a job to kidnap the brother of the Federal DA, he takes the mentally handicapped Brian to his flat with the intention of the DA dropping charges against his boss. Later he is joined by another contractor, Ricki, who Louis has put with him to make sure he doesn't f**k the job up. His amorous approaches towards her are rejected when she tells him she is a lesbian, but the two have bigger problems with the job itself.
I rented this film because I had read all the harsh reviews, both professional and on this site, that just ripped into it and seemed to have more personal vendettas against the stars rather than objective points to make about the film. With this in mind I decided that I would have to check it out myself; I have no personal feelings about Lopez and Affleck - their relationship is not something I have had rammed down my throat as I don't read the gossips mags and my paper of choice is the Times, where they get rather limited coverage. Without this fatigue I was able to view the film as it came to me rather than seething with cruel and clever put downs even before the film started (as some critics clearly did).
However, the critics were mostly right, even if they overreacted to the extreme. The film starts reasonably well and you can see the potential, or at least you can see what they were thinking when the film was being put together. Sadly, as the film continues, the thin strands holding it together are slowly unravelling until almost nothing is left of value. Some of it works well; how many times have the audience embraced a comic crime caper with hit men in the lead roles? Here the film does have some of that type of humour (particularly in the jokes about Gigli's masculinity) but the music used to set the tone begins to grate after a while because there is nothing to support it, and everything else is flawed.
The main plot is so very full of holes and stupid plot devices that it is difficult to be involved by it. For a crime comedy, the plot doesn't need to be perfect - but it needs to be good enough so that it doesn't take away from the film, here it is so weak that it damages the film at it's core. The other side of the plot is the romance, and it is absurd! I'm sure if I were a lesbian that I would be offended by the `I'll turn her' approach of the film, but I'm not so I'll leave that for others to debate. However the romance between the two is unrealistic and uninvolving, the lesbian thing just makes it worse.
The characters themselves are poor. Neither Gigli or Ricki ever seem like killers - in fact even a hint of violence and they look terrified and out of their depth. His personality seems to change to whatever the scene requires (one moment impatient, the next sensitive, the next angry) while Ricki is just sweetness and light. Affleck and Lopez must take almost all the blame for this, their performances are as misjudged and lacking as the script. Affleck is actually not that bad - he is willing to send himself up, it is the jumping script that makes him appear to be all over the place. Lopez is awful; someone who has done this crime comedy style movie before should have been much better but she acts like she is in a simpering rom-com. What is surprising is just how little chemistry the two have considering they are a couple now; they just don't do the job at all.
Bartha gives a dumb Rain Man impression to the point where I kept expecting him to say `I'm an excellent driver'. His character is just a joke and I even wished for Lopez to come onto the screen whenever he was on - at least I could just stare at her body and ignore him! The two main cameos are actually very good but unfortunately serve to show up the rest of the film. Walken is good but his character appears and disappears without reason, Pacino is much better simply because he does his menacing `woo-ha' thing and is very effective.
Overall this is not the `worst film ever made', those who tell you that have clearly have a limited viewing experience; many of the reviews were made harsher by the back lash against the whole Bennifer thing. However that's not to say they are wrong - only overly harsh. The film is poorly judged in almost every aspect and is too hard to enjoy as a result. Has about 3 good moments in it, but it is an overwhelming shambles.