7.9/10
158,466
846 user 283 critic

Ying xiong (2002)

A defense officer, Nameless, was summoned by the King of Qin regarding his success of terminating three warriors.

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(screenplay), (screenplay) | 1 more credit »
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2,811 ( 2)

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Nominated for 1 Oscar. Another 37 wins & 39 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Broken Sword (as Tony Leung Chiu-Wai)
...
Flying Snow (as Maggie Cheung Man-Yuk)
...
Moon (as Zhang Ziyi)
...
King (as Chen Dao Ming)
...
Sky
Zhongyuan Liu ...
Scholar (as Liu Zhong Yuan)
Tianyong Zheng ...
Old Servant (as Zheng Tian Yong)
...
Prime Minister
Chang Xiao Yang ...
General
Yakun Zhang ...
Commander (as Zhang Ya Kun)
Ma Wen Hua ...
Head Eunuch
Jin Ming ...
Eunuch
Xu Kuang Hua ...
Pianist
Shou Xin Wang ...
Musician
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Storyline

In ancient China, before the reign of the first emperor, warring factions throughout the Six Kingdoms plot to assassinate the most powerful ruler, Qin. When a minor official defeats Qin's three principal enemies, he is summoned to the palace to tell Qin the story of his surprising victory. Written by Yocke

Plot Summary | Plot Synopsis

Plot Keywords:

king | china | flying | sword | palace | See All (121) »

Taglines:

One man will challenge an empire See more »


Motion Picture Rating (MPAA)

Rated PG-13 for stylized martial arts violence and a scene of sensuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

27 August 2004 (USA)  »

Also Known As:

Jet Li's Hero  »

Filming Locations:

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Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend:

$687,653 (Hong Kong), 27 December 2002, Limited Release

Opening Weekend USA:

$18,004,319, 29 August 2004, Wide Release

Gross USA:

$53,710,019

Cumulative Worldwide Gross:

$177,394,432
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

(Director's Cut) | (Theatrical Version)

Sound Mix:

|

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

(at around 12 mins) The old blind man in the chess court plays an instrument know as a "Guqin" or just "Qin." See more »

Goofs

On numerous occasions, it is possible to see the glue that molds the sides of Jet Li's wig to his head (it casts a plastic-like reflection in certain light). It's most noticeable during the fight with Ziyi Zhang("Moon"), when he traps one of her blades with his sword and there's a close-up of the side of his face, and at the very end, when he's reached the palace gate and turns towards the camera. See more »

Quotes

[first lines]
Nameless: [voiceover] I was orphaned at a young age and was never given a name. People simply called me Nameless. With no family name to live up to, I devoted myself to the sword. I spent ten years perfecting unique skills as a swordsman. The King of Qin has summoned me to court, for what I have accomplished has astonished the kingdom.
See more »

Connections

Referenced in Het glazen huis: Eigen agenda (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A most beautifully questionable film

After two years of hearing about the myth of the most expensive Chinese film ever made, Hero has finally floated on to British cinema screens. As it flies, it trails a coloured cloth that carries the film's numerous morals and messages which descend upon you like a soft layer of fabric. This is a film that can lift your spirits and have you laughing out in sheer joy as you gaze in wonder at the perfection of the mise-en-scene and cinematography. That is, if you let the film take you on a journey, without pondering the films questionable plot points.

Hero is two sides of a tale as presented by Nameless (Jet Li), a mere Prefect who defeated three deadly assassins, and the King of Qin (Daoming Chen), the man the assassins wished to kill. Nameless weaves his heroic though modest story of how he killed the assassins, but the King remains unconvinced, spinning his own version of how he believed events unfolded.

Director Yimou Zhang takes us through Nameless' story first, spreading the battle sequences thick, allowing them to take their own time. In the King's version, certain battles are then revised, which is remarkably brave considering that some battles are utter fabrications. In one such fictitious fight, in a faultlessly designed set, Nameless and Sky (Donnie Yen) close their eyes and fight out the battle within their minds. Screen time is being spent lavishly on showing how two characters contemplated a fight, whilst fighting each other in a battle that never occurred. It is confusing certainly, but perhaps Zhang wished for his audience to get lost in the plot's design so that they would not question the warrantability of half of the battle sequences, which make up most of the film.

Yet, it is difficult to ponder these details when they are made so utterly insignificant when viewing such a spectacle. The sheer beauty of the battles, the gentle floating of the assassins as they fly around their arenas (which range from a forest full of orange leafed trees, crisp leaves falling down to the ground like rain, to the crystal clear and calm of a mountain lake), the costumes of characters at varying stages in the story line (red for passion, green for youth, white for truth, blue for love), the amazing army scenes which feature thousands of arrows being fired into the sky to create a black cloud that descends right on top of the camera, all these elements combine to produce a faultlessly perfect image on the screen, each frame a worthy photograph that gently reminds you why cinema is the greatest art form of the twentieth century.

And characterisation is not lost in this beauty as one may have feared. Despite the irritating two dimensional performance of Zhang Ziyi as Moon, the other actors carry off fine performances, especially Tony Leung Chiu Wai as Broken Sword and Daoming Chen as the King. Their performances are especially credible as they are often drowning in the memories of the King and Nameless - they need to change slight mannerisms in order to reflect whose mind they are now in.

The script too is of an impressively high standard. The moments of clarity that the warriors feel are experienced by the audience also, and there are some very informed outlooks of the emptiness of warfare, communicating that to achieve peace, sometimes war is the only option. These messages of course seem fitting in our current times, underlining how ancient some of the methods of our governing body truly are.

Hero is undoubtedly a most beautiful and awe inspiring film. What it lacks in plot substance, it makes up for with structure and script. It elaborates on the ground work created by 'Crouching Tiger' and is an experience that I would encourage you to seek out, as long as you are willing to submit to the film and let it guide you through its world on its own terms.

Rating: 4/5


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