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Directed by | |||
| Gus Van Sant | |||
Writing credits(WGA) | ||
| Casey Affleck | (written by) & | |
| Matt Damon | (written by) & | |
| Gus Van Sant | (written by) | |
| Casey Affleck | ... | Gerry | |
| Matt Damon | ... | Gerry |
Produced by | |||
| Jay Hernandez | .... | associate producer | |
| Dany Wolf | .... | producer | |
Original Music by | |||
| Arvo Pärt | |||
Cinematography by | |||
| Harris Savides | |||
Film Editing by | |||
| Casey Affleck | |||
| Matt Damon | |||
| Gus Van Sant | |||
Makeup Department | |||
| Chris Burgoyne | .... | special makeup effects artist | |
Production Management | |||
| Diego Conejero | .... | production manager: Argentina | |
| Jen Wall | .... | production supervisor | |
| Dany Wolf | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sally Sue Beisel | .... | second assistant director | |
| Dany Wolf | .... | assistant director | |
Sound Department | |||
| Felix Andrew | .... | sound | |
| Todd Beckett | .... | sound re-recording mixer | |
| Stuart Deutsch | .... | boom operator | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Tim Rakoczy | .... | assistant sound editor | |
| Leslie Shatz | .... | sound designer | |
| Leslie Shatz | .... | supervising sound editor | |
| Don White | .... | foley recording mixer | |
| Rebecca Wright | .... | foley assistant | |
Visual Effects by | |||
| Syd Dutton | .... | special visual effects: Illusion Arts | |
| Janos Pilenyi | .... | optical supervisor | |
| Bill Taylor | .... | special visual effects: Illusion Arts | |
| Mamie McCall | .... | visual effects coordinator: Illusion Arts (uncredited) | |
Camera and Electrical Department | |||
| Chris Blauvelt | .... | assistant camera | |
| Mike Blauvelt | .... | third assistant camera | |
| Tony Cady | .... | grip | |
| Andrew Davidson | .... | grip | |
| Christian Davidson | .... | grip | |
| Jamie Franta | .... | grip | |
| Pablo Gómez | .... | second assistant camera | |
| Alice Gu | .... | assistant camera | |
| Mark Hyde | .... | grip | |
| Jim Kwiatkowski | .... | key grip | |
| John Mang | .... | dolly grip | |
| Jason McCormick | .... | assistant camera | |
| Brady McElroy | .... | grip | |
| Matías Mesa | .... | Steadicam operator | |
| Bud Scott | .... | best boy grip | |
Editorial Department | |||
| Lilah Bankier | .... | assistant editor | |
| Don Ciana | .... | color timer | |
| Patricia Sztaba | .... | negative cutter | |
| Stan Sztaba | .... | negative cutter | |
| Joe Violante | .... | dailies advisor | |
| Paul Zucker | .... | associate editor | |
| Cory Ginsburg | .... | assistant editor (uncredited) | |
Other crew | |||
| Jeff Eveleth | .... | production assistant | |
| Trinette L. Faint | .... | assistant: Mr. Damon (as Trinette Faint) | |
| Roger D. Faires | .... | location manager | |
| Danielle Fenati | .... | production assistant | |
| Joeby Gibson | .... | production assistant | |
| Andrew K. Hodge | .... | location manager | |
| Mary Jasionowski | .... | production accountant: Los Angeles | |
Thanks | |||
| Bobby Bukowski | .... | thanks | |
| Ken Kesey | .... | in memory of | |
| Béla Tarr | .... | special thanks | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Crazy credits | Main details |