| Emily Haack | ... | Clara | |
| Tommy Biondo | ... | Leonard | |
| Todd Tevlin | ... | Biffle Morris | |
| Elizabeth Hammock | ... | Young Leonard's Sister | |
| Sam Maiden Jr. | ... | Young Leonard's Brother | |
| Angelia Sanderson | ... | The Victim In The Van |
Directed by | |||
| Eric Stanze | |||
Writing credits(in alphabetical order) | ||
| Tommy Biondo | ||
Produced by | |||
| Tommy Biondo | .... | executive producer | |
| Eric Stanze | .... | executive producer | |
| Todd Tevlin | .... | associate producer | |
| Jeremy Wallace | .... | producer | |
Original Music by | |||
| Brian McClelland | |||
Film Editing by | |||
| Eric Stanze | |||
Production Design by | |||
| Tommy Biondo | |||
Makeup Department | |||
| Tommy Biondo | .... | special makeup effects artist | |
| Tony Bridges | .... | special makeup effects artist | |
| Sarah Stanze | .... | special makeup effects artist | |
Production Management | |||
| Lisa Anne Harness | .... | post-production supervisor | |
Art Department | |||
| Paula Morhaus | .... | production design assistant | |
Special Effects by | |||
| Tony Bridges | .... | special effects creator | |
| Sarah Stanze | .... | special effects creator | |
Camera and Electrical Department | |||
| Jason Christ | .... | grip | |
| Anthony Graham | .... | grip | |
| Eric Stanze | .... | camera operator | |
| Eric Stanze | .... | lighting | |
| Todd Tevlin | .... | gaffer | |
| Todd Tevlin | .... | lighting | |
Editorial Department | |||
| Jay Johnson | .... | post-production assistant | |
| Todd Tevlin | .... | post-production assistant | |
Other crew | |||
| Jack Fansher | .... | production associate | |
| Rick Green | .... | production associate | |
| Chuck LeRoi | .... | production associate | |
| Jim Martin | .... | location manager | |
| Patti Pagliai-Bowzer | .... | location manager | |
| Craig Schubert | .... | production associate | |
| Michael Wallace | .... | location manager | |
Thanks | |||
| Michael Bangert | .... | special thanks | |
| Diana Blackwell | .... | special thanks | |
| Ron Bonk | .... | special thanks | |
| William Clifton | .... | special thanks | |
| Alfred Dodson | .... | special thanks | |
| Jessica Dodson | .... | special thanks (as Jessica Wyman-Dodson) | |
| Shana Ko | .... | special thanks | |
| Steve Lashly | .... | special thanks | |
| Kevin J. Lindenmuth | .... | special thanks (as Kevin Lindenmuth) | |
| Doug Mutert | .... | special thanks | |
| Jason Pankoke | .... | special thanks | |
| Pam Rainey | .... | special thanks | |
| D.J. Vivona | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Censored? | chemotherapywig |
| Would you ever...? | grapeape1969 |
| VERY SINISTER! | DICEMAN-2 |
| Based on a true story? | blah020122 |
| Puking? | jokwusi |
| Tommy Biondo Memorial | bab73 |
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| Chôjin densetsu Urotsukidôji | Lo squartatore di New York | Shin chôjin densetsu Urotsukidôji: Mataiden | Delirio caldo | Dabide no hoshi: Bishôjo-gari |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Wow, what a disappointment. After watching the director's ICE FROM THE SUN, I thought I'd give this one a shot. If you've ever seen ICE FROM THE SUN, feel free to laugh up your sleeve at my naiveté for thinking this one would be even better. SCRAPBOOK is a truly awful pseudo-movie, all the more stunningly awful because the mise-en-scene at least indicates that a modicum of talent resides behind the camera. Tommy Biondo, who "wrote" the "script", plays a serial killer who keeps a scrapbook of all the women he tortures and kills. Why? It's never made clear. He kidnaps a girl and tells her that she must maintain an account of her torture in the scrapbook. Why? It's never made clear. The killer has a deep-seated resentment of women, and is sexually maladjusted. Why? It's never made clear. As a matter of fact, the only thing that's clear from this stupid movie is the filmmakers' desire to "make something really disturbing"; their miserable failure comes from the fact that without subtext, scenes of violence and torture are simply demoralizing, not to mention boring. Maybe the film could've at least been uncomfortable to watch, but all the torture sequences -- the film's bread and butter -- are so ineffectively staged that all their violence is rendered completely useless. The acting in this movie is so bad: how hard could it possibly be to act out blinding pain? The girl in this movie is so stupid; through the whole thing, she simply cries and whimpers, rolls up into a little ball, says "Please" a lot. I'm not ordinarily the type to watch a movie and say, "If I were there, I'd do this...", but in this case we're talking about a dumb weepy girl who isn't even tied half the time, and through all the rape and debasement, never once a raised hand, never a kick, not even a cross word! I know girls who would eat this psycho-killer prick for breakfast. I'm not the sort of person who thinks that gore and graphic sex disqualify a film from greatness. I just find it insulting that this movie is intended to be "thought-provoking". The only thought it provoked in me was "What an idiot I was for spending $25 on this horse-s__t." If you want to see a truly disturbing and thought-provoking horror film that has a point beyond the lovingly-detailed (and poorly rendered) torture of a severely stupid young woman, watch IN A GLASS CAGE, HENRY: PORTRAIT OF A SERIAL KILLER, Texas CHAINSAW MASSACRE, or LAST HOUSE ON THE LEFT (that's right, even LAST HOUSE wasn't this bad). Some people here have called SCRAPBOOK offensive and nauseating; I'd argue that this is giving the "film"-makers too much credit. SCRAPBOOK is stupid, boring, and pointless; I wouldn't even do the cast and crew the favor of getting sick at this stupid, boring, and pointless movie. I could go on and on about how terrible it is, but just see for yourself. If you found this movie stimulating, I have three words for you: READ A BOOK!