| Photos (see all 50 | slideshow) | Videos (see all 12 NEW) |
| Chris Ambrose | ... | Superman | |
| Joey Krajcar | ... | Batman | |
| Josh Hutcherson | ... | Robin | |
| Cameron Carter | ... | Green Lantern | |
| Daniel Tay | ... | Young Harvey | |
| Mary Faktor | ... | Housewife | |
| Paul Giamatti | ... | Harvey Pekar | |
| Harvey Pekar | ... | Real Harvey | |
| Shari Springer Berman | ... | Interviewer (voice) | |
| Larry John Meyers | ... | Throat Doctor (as Larry John Myers) | |
| Vivienne Benesch | ... | Lana | |
| Barbara Brown | ... | Nurse | |
| Earl Billings | ... | Mr. Boats | |
| Danny Hoch | ... | Marty | |
| James Urbaniak | ... | Robert Crumb | |
| Eli Ganias | ... | Pahls | |
| Sylvia Kauders | ... | Old Jewish Lady | |
| Rebecca Borger | ... | Cashier | |
| Nick Baxter | ... | Mattress Guy #1 | |
| Allen Branstein | ... | Mattress Guy #2 | |
| Dick Prochaska | ... | WW II Patient | |
| Charles Eduardos | ... | Doctor | |
| Judah Friedlander | ... | Toby Radloff | |
| Robert Pulcini | ... | Bob The Director | |
| Toby Radloff | ... | Real Toby | |
| Bianca Santos | ... | Counter Girl | |
| Maggie Moore | ... | Alice Quinn | |
| Hope Davis | ... | Joyce Brabner | |
| Mike Rad | ... | Rand | |
| Amy K. Harmon | ... | Cheery Waitress | |
| Joyce Brabner | ... | Real Joyce | |
| Donal Logue | ... | Stage Actor Harvey | |
| Molly Shannon | ... | Stage Actor Joyce | |
| Eytan Mirsky | ... | Guitarist | |
| Rob Grader | ... | Stage Manager | |
| Terrence Sullivan | ... | Letterman Regular | |
| Ebon Moss-Bachrach | ... | MTV Director | |
| Patrick Lafferty | ... | Yuppie | |
| Jesse Perez | ... | Miguel | |
| Jeff Peters | ... | Talk Show Host | |
| Ola Creston | ... | PA #1 | |
| Robert J. Williams | ... | Cancer Doctor | |
| James McCaffrey | ... | Fred | |
| Madylin Sweeten | ... | Danielle | |
| Danielle Batone | ... | Real Danielle | |
| Jason Stevens | ... | Letterman Regular Voice (voice) | |
| Todd Cummings | ... | Talk Show Host Voice (voice) | |
| rest of cast listed alphabetically: | |||
| Marcus Wynnycky | ... | Comic Book Fan (uncredited) | |
Directed by | |||
| Shari Springer Berman | |||
| Robert Pulcini | |||
Writing credits(WGA) | ||
| Harvey Pekar | comic book series American Splendor and | |
| Joyce Brabner | comic book series Our Cancer Year | |
| Shari Springer Berman | (written by) & | |
| Robert Pulcini | (written by) | |
Produced by | |||
| Declan Baldwin | .... | line producer: New York | |
| Ted Hope | .... | producer | |
| Julia King | .... | associate producer | |
| Christine K. Walker | .... | line producer (as Christine Kunewa Walker) | |
Original Music by | |||
| Mark Suozzo | |||
Cinematography by | |||
| Terry Stacey | (director of photography) | ||
Film Editing by | |||
| Robert Pulcini | |||
Casting by | |||
| Ann Goulder | |||
Production Design by | |||
| Thérèse DePrez | (as Thérèse Deprez) | ||
Set Decoration by | |||
| Robert DeSue | (as Robert Desue) | ||
Costume Design by | |||
| Michael Wilkinson | |||
Makeup Department | |||
| Luisa Abel | .... | makeup department head | |
| Deanna | .... | hair department head (as R. Deanna) | |
| Deborah Lilly | .... | hair swing (as Deborah R. Lilly) | |
| Deborah Lilly | .... | makeup swing (as Deborah R. Lilly) | |
| Kathy Madison | .... | additional hair | |
| Kathy Madison | .... | additional makeup | |
Production Management | |||
| Janet Fries Eckholm | .... | post-production supervisor: Los Angeles (as Janet Eckholm) | |
| Chip Signore | .... | unit production manager: New York | |
| Andy Wheeler | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Eric Richard Lasko | .... | second second assistant director (as Eric Lasko) | |
| Matt G. Sheets | .... | additional second assistant director | |
| Chip Signore | .... | first assistant director | |
| Meryl Stavitz | .... | second assistant director | |
Art Department | |||
| Doug Allen | .... | original artwork | |
| Greg Budgett | .... | original artwork | |
| John Alan Champion | .... | swing gang (as John Champion) | |
| Robert Crumb | .... | original artwork (as R. Crumb) | |
| Gary Dumm | .... | original artwork | |
| Jack Gardener | .... | swing gang (as Jack Gardner) | |
| Jason Gerstein | .... | original artwork | |
| Mindy Harris | .... | property master | |
| Dean Haspiel | .... | original artwork | |
| Matt Hausmann | .... | art department intern | |
| Todd Heckeler | .... | art department intern | |
| Kenneth J. Kellers | .... | leadman (as Kenneth Kellers) | |
| Lynn Kramer | .... | props assistant | |
| Donald Leigl | .... | swing gang (as Donald J. Liegl) | |
| Tema Levine | .... | assistant to production designer | |
| Dustin Lucien | .... | art department intern | |
| Dean Macur | .... | props assistant | |
| Shaina Malkin | .... | art department intern | |
| Deborah Marsh | .... | art department coordinator | |
| David W. Mooney | .... | swing gang | |
| Beth O'Brien | .... | art department intern | |
| Mike O'Neill | .... | art department intern | |
| Erika Rice | .... | swing gang | |
| Joe Sacco | .... | original artwork | |
| Gerry Shamray | .... | original artwork | |
| Frank Stack | .... | original artwork | |
| Diana Stoughton | .... | on-set dresser | |
| Matthew T. | .... | art department production assistant | |
| James E. Todd | .... | swing gang | |
| Joe Zabel | .... | original artwork | |
| Mark Zingarelli | .... | original artwork: "Our Movie Year" | |
Sound Department | |||
| Ron Bochar | .... | re-recording mixer | |
| Mick Davies | .... | boom operator (as Michael B. Davies) | |
| Chris Fielder | .... | transfer assistant | |
| Albert Gasser | .... | dialogue editor | |
| Ruth Hernandez | .... | first sound assistant | |
| George A. Lara | .... | foley supervisor | |
| Whit Norris | .... | sound mixer | |
| Jay Peck | .... | foley artist | |
| Anne Pope | .... | dialogue editor | |
| Nicholas Renbeck | .... | supervising sound editor | |
| Jeffrey Stern | .... | adr editor (as Jeff Stern) | |
| Allan Zaleski | .... | sound effects editor | |
| Alexa Zimmerman | .... | first sound assistant | |
| Rick Ash | .... | sound re-recording mixer (uncredited) | |
| Jamie Baker | .... | adr recordist (uncredited) | |
| Glenn Marullo | .... | sound mixer (uncredited) | |
| Unsun Song | .... | sound recordist (uncredited) | |
Visual Effects by | |||
| John Kuramoto | .... | animator: Twinkle | |
| John Kuramoto | .... | compositor: Twinkle | |
| Gary Leib | .... | animator: Twinkle | |
| Gary Leib | .... | designer: Twinkle | |
| Patrick Clancey | .... | digital opticals (uncredited) | |
| John R. Ellis | .... | digital cleanup artist (uncredited) | |
| Steven J. Scott | .... | digital intermediate colorist: EFilm (uncredited) | |
| Michael J. Williams | .... | digital opticals: Heavy Light Digital (uncredited) | |
Casting Department | |||
| Elizabeth Baird | .... | principals casting assistant (as Liz Baird) | |
| Sarah Katherine Christie | .... | casting assistant | |
| Kendall Embrescia | .... | extras casting assistant | |
| Marcy Ronen | .... | extras casting: Cleveland | |
Costume and Wardrobe Department | |||
| Kimberly Andrews | .... | costume assistant | |
| Robin Fields | .... | key costumer (as Robin K. Fields) | |
| Murshel Lewis | .... | costume supervisor (as Murshel C. Lewis) | |
| Sarah Silver | .... | wardrobe intern | |
| Adrienne Brown | .... | wardrobe production assistant (uncredited) | |
Editorial Department | |||
| Alfredo Frasson | .... | color timer | |
| Mitchell Gutman | .... | post-production intern | |
| Linus Hume | .... | post-production coordinator | |
| Julia King | .... | post-production supervisor | |
| Catherine Rankin | .... | negative cutter | |
| Tim Streeto | .... | additional editor | |
| Mila Patriki | .... | colorist: dailies (uncredited) | |
| Andrew Seklir | .... | assistant editor (uncredited) | |
Music Department | |||
| Sanford Allen | .... | featured musician: violin solo/concertmaster | |
| John Beal | .... | featured musician: bass | |
| Linda Cohen | .... | music supervisor | |
| Dave Douglas | .... | featured musician: trumpet | |
| Butch Jones | .... | additional music recordist: Back Pocket Recording Studios | |
| Evyen Klean | .... | music consultant | |
| Bob Malach | .... | featured musician: tenor sax | |
| Josh Rosenblum | .... | additional conductor | |
| Derek Smith | .... | featured musician: piano, organ, celeste | |
| Ted Spencer | .... | music recordist-mixer | |
| Dale Stuckenbruck | .... | featured musician: musical saw | |
| Mark Suozzo | .... | conductor | |
| Mark Suozzo | .... | music producer | |
| Mark Suozzo | .... | orchestrator | |
| Ronnie Zito | .... | featured musician: drums | |
| Jamie Baker | .... | music recordist (uncredited) | |
Transportation Department | |||
| Wayne Conway | .... | transportation captain | |
| Cheryl Dennis | .... | driver | |
| Tom McCue | .... | transportation coordinator (as Thomas Titus McCue) | |
| Russ A. Minerd | .... | driver | |
| Larry Spencer | .... | additional driver | |
| Roman Wlaszyn | .... | picture car wrangler (as Roman A. Wlaszyn) | |
| Andy Bethke | .... | driver (uncredited) | |
Other crew | |||
| Jeremy Bailey | .... | assistant location manager | |
| William Ball | .... | additional craft assistant | |
| Andy Bethke | .... | set production assistant | |
| Chad Bronson | .... | set production assistant | |
| Brian Cantaldi | .... | bookkeeper | |
| Alison S. Cohen | .... | production counsel: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein (as Alison Cohen) | |
| Paula D. Collins | .... | craft service assistant | |
| Joseph Cortese | .... | location production assistant (as Joe Cortese) | |
| Rob Fegen | .... | production administrative supervisor (as Robert Fegen) | |
| Janell Fletcher | .... | facility manager: Avid | |
| Jennifer Zolten Freed | .... | post-production accountant (as Jennifer Freed) | |
| Jason Gerstein | .... | office production assistant | |
| Elisabeth Giglio | .... | office manager: C 5 | |
| Lamia Guellati | .... | assistant: Ted Hope | |
| Jason Cooper Hall | .... | assistant: Christine Walker | |
| Virginia M. Herdman | .... | craft service | |
| Derrick Kardos | .... | clearance assistant | |
| Billy Lalor | .... | clearance assistant | |
| Robert Langhorst | .... | assistant chef: Premiere Caterers | |
| David Lemoyne | .... | additional set production assistant (as David Lemoyne Jones) | |
| Sara Lieberth | .... | craft service | |
| Eric Muss-Barnes | .... | production assistant: cast | |
| Jen O'Neal | .... | additional production secretary | |
| Chris Petro II | .... | production assistant: cast | |
| Ryan Polack | .... | set production assistant | |
| Amanda L. Preputnik | .... | additional set production assistant | |
| Michael Rochford | .... | location manager (as Michael M. Rochford) | |
| Elizabeth Rohrbaugh | .... | set production assistant | |
| Michael Santeramo | .... | chef: Premiere Caterers | |
| Michael Taylor | .... | script supervisor | |
| Melinka Thompson-Godoy | .... | production executive: Good Machine | |
| Lesley Ward | .... | production secretary (as Lesley Ward-Zickefoose) | |
| Becky Woodward | .... | additional location production assistant | |
| Devon Zeigler | .... | set production assistant | |
| Brian Dickson | .... | production assistant (uncredited) | |
| Jason Cooper Hall | .... | assistant to cast (uncredited) | |
| Kelly Lofstrom | .... | contract administrator (uncredited) | |
| Charles Moore | .... | production assistant (uncredited) | |
| Rebecca Thornell | .... | clearance (uncredited) | |
| Daniel Villagomez | .... | credits administrator (uncredited) | |
| Andy Wheeler | .... | production accountant (uncredited) | |
Thanks | |||
| Norman Barr | .... | special thanks: The Detroit Theatre | |
| Jude Brennan | .... | special thanks | |
| Paul Brennan | .... | special thanks (as Paul Brennan Esq.) | |
| Bernt Amadeus Capra | .... | the producers would like to thank (as Bernt Capra) | |
| Chris Carmody | .... | special thanks | |
| Debra Greico | .... | special thanks | |
| Wayne A. Harold | .... | special thanks (as Wayne Harold) | |
| Robert Katz | .... | special thanks | |
| Walt Kelly | .... | acknowledgment: the filmmakers acknowledge the creative work of | |
| Anne Kuenzel | .... | special thanks: Lakewood Hospital | |
| Matt Loeb | .... | special thanks | |
| Lewis Payton | .... | special thanks | |
| Carla Raij | .... | special thanks | |
| Alicia Sams | .... | special thanks | |
| Adam Shulman | .... | special thanks | |
| Mary Jane Skalski | .... | special thanks | |
| Pam Smith | .... | special thanks | |
| Jim Stark | .... | the producers would like to thank | |
| Vince Waldron | .... | the producers would like to thank | |
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In `American Splendor,' Paul Giamatti plays Harvey Pekar, the comic book creator who became famous as a recurring guest on the David Letterman Show. A resident of Cleveland, Pekar was a socially backward man who found he had the talent to translate the pain, loneliness and frustration of his own unhappy life into universal truths, writing material that other artists would then illustrate in comic book form. He began a series entitled `American Splendor,' which was really an ongoing autobiographical narrative, drawing on people and events in his own life as his source of inspiration. The film, a pseudo-documentary of sorts, tells his life story by cutting back and forth between both staged reenactments of the events in the stories and interviews with Pekar himself commenting on those events.
`American Splendor' is an offbeat little gem that, in many ways, approximates the look and style of a comic book. As the story plays itself out, captions often appear on the screen, as well as illustrations from Pekar's actual work based on the scene we are witnessing. Robert Pulcini and Sheri Springer Berman, who wrote and directed the film together, create a surrealistic tone by having Pekar and his real friends and companions frequently appear on screen next to the actors who are portraying them (some of them dead ringers for the originals). This technique brings a homespun, homey sweetness to the film. `American Splendor' is a paean to all the social misfits in the world, people who, for whatever reason, can't seem to fit into society's prescribed mold but who often develop strong, meaningful bonds with similar individuals. The movie is also a tribute to the power of art, both for the artist who finds purpose and release through his work and for those to whom his work speaks on a personal and emotional level. The people who inhabit Pekar's strange world both in reality and within the borders of his comic strip boxes are seen in the film as warm, good-natured individuals, not socially astute, perhaps, but not losers either.
The emotional focal point for the film is Harvey's relationship with his wife, Joyce, beautifully played by Hope Davis. Despite the somewhat bizarre nature of their marriage, Harvey and Joyce forge a lasting commitment based on reciprocity and devotion. In fact, in the latter sections, the film achieves an emotional depth one doesn't expect it to early on, partly because Harvey is dealt a cruel blow of fate that he and his wife are forced to navigate through together. Yet, the film as a whole is filled with a sly, deadpan, mischievous sense of humor that demonstrates a keen grasp of the absurdities of life.
As Pekar, Paul Giametti turns in a flawless performance, capturing the nebbishness, cantankerousness and ultimate likeability of the man he is portraying.
In both style and content, `American Splendor' is aptly named.