Directed by | |||
| Peter Greenaway | |||
Writing credits(in alphabetical order) | ||
| Peter Greenaway | writer | |
Produced by | |||
| Wouter Barendrecht | .... | executive producer | |
| Eva Baró | .... | co-producer | |
| Jet Christiaanse | .... | line producer | |
| Jimmy de Brabant | .... | co-producer | |
| Carlo Dusi | .... | executive producer | |
| Susanne Fischer | .... | assistant executive producer: Italy | |
| Kees Kasander | .... | producer | |
| Ragna Arny Larusdottir | .... | assistant line producer | |
| Aleksandr Mikhajlov | .... | co-producer | |
| Gherardo Pagliei | .... | co-producer | |
| Elisabetta Riga | .... | co-producer | |
| Edmon Roch | .... | line producer | |
| Aron Sipos | .... | co-producer | |
| Antoni Sole | .... | co-producer | |
| Sándor Söth | .... | co-producer | |
| Esther Thedinga | .... | assistant line producer | |
| Klaus Volkenborn | .... | co-producer | |
| Michael J. Werner | .... | executive producer | |
Original Music by | |||
| Borut Krzisnik | |||
| Eduardo Polonio | |||
Cinematography by | |||
| Reinier van Brummelen | (director of photography) | ||
Film Editing by | |||
| Elmer Leupen | |||
| Chris Wyatt | |||
Casting by | |||
| Pep Armengol | |||
| Sharon Howard-Field | |||
| Radica Jovicic | |||
| Peter Wooldridge | |||
Production Design by | |||
| Márton Ágh | |||
| Davide Bassan | |||
| Billy Lelieveld | |||
| Pirra Jesús Lorenzo | |||
| Bettina Schmidt | |||
Costume Design by | |||
| Andrea Flesch | |||
| Beatrice Giannini | |||
Makeup Department | |||
| Aurélie Elich | .... | makeup artist | |
| Sara Meerman | .... | key makeup artist | |
| Joël Seiller | .... | assistant hair stylist | |
| Evelyne Sittig | .... | assistant hair stylist | |
| Evelyne Sittig | .... | assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| Sébastien Fernandes Tasch | .... | second assistant director | |
| Gábor Gajdos | .... | first assistant director: Hungary | |
| Dylan Gray | .... | first assistant director: Germany | |
| Tamás Joó | .... | assistant director trainee: Luxembourg | |
| Ángel Lafuente | .... | first assistant director | |
| Stojan Petrov | .... | second assistant director: Germany | |
| Julen Robles | .... | second assistant director | |
| Csilla Szigeti | .... | second assistant director | |
Art Department | |||
| Pau Albin | .... | assistant props buyer | |
| Manuel Demoulling | .... | prop buyer | |
| Dominique De Pompignan | .... | stand-by props | |
| Queralt Antú Serrano | .... | calligraphy artist | |
| Queralt Antú Serrano | .... | props | |
| Seth Turner | .... | assistant art director | |
Sound Department | |||
| Caoimhe Doyle | .... | foley artist | |
| Csaba Erös | .... | boom operator: Budapest | |
| Dani Fontrodona | .... | sound recordist | |
| Max Frick | .... | sound editor | |
| Arni Gustafsson | .... | boom operator | |
| Bart Jilesen | .... | sound re-recording mixer | |
| Bart Jilesen | .... | supervising sound editor | |
| János Köporosy | .... | sound recordist: Budapest | |
| Han Otten | .... | sound designer | |
| Han Otten | .... | sound effects editor | |
| Han Otten | .... | sound re-recording mixer | |
| György Rajna | .... | utility sound: Budapest | |
Special Effects by | |||
| Sara Meerman | .... | special effects makeup | |
Visual Effects by | |||
| Francesco Paglia | .... | digital compositor | |
| Mauro Vicentini | .... | digital compositor | |
| Raymond Viveen | .... | digital compositor | |
Camera and Electrical Department | |||
| Raül Campos Arroyo | .... | electrician | |
| Ruzbeh Babol | .... | camera operator | |
| László Berger | .... | assistant camera | |
| Juan Gonzalez Guerrero | .... | assistant gaffer | |
| Laura Martínez | .... | grip | |
| Alex Narváez | .... | electrician | |
| José Alberto Pinto de Jesus | .... | electrician | |
| Frank Restle | .... | crane operator | |
| Mike Roberts | .... | video assist operator | |
| Attila Szûcs | .... | dolly grip | |
| Balázs Vákár | .... | gaffer | |
Casting Department | |||
| Pep Armengol | .... | casting: Spain | |
Costume and Wardrobe Department | |||
| Magdalena Marczynska | .... | wardrobe assistant | |
| Marrit van der Burgt | .... | wardrobe | |
| József Varjú | .... | dresser: men | |
Editorial Department | |||
| Jaap Praamstra | .... | additional editor | |
| Jon Thompson | .... | post-production consultant | |
Transportation Department | |||
| Gaby Meyers | .... | driver: cast | |
| Gaby Meyers | .... | facility/truck driver | |
| Francois Muller | .... | truck driver | |
| Igor Pecirep | .... | driver: director | |
Other crew | |||
| Bob Bellion | .... | financial manager | |
| Alexandre Brown | .... | facilities supervisor | |
| Pauline Burt | .... | risk manager | |
| Guy Hebeler | .... | location manager | |
| Zoltán A. Kerényi | .... | managing director: Focusfilm Kft. | |
| Joe Kotroczo | .... | production office assistant | |
| Patricia Kretschmer | .... | assistant to producer | |
| Annick Lockman | .... | production coordinator: Luxembourg | |
| Roberto Longobardi | .... | production accountant | |
| Alba Morera-Vallverdu | .... | production assistant | |
| Francois Muller | .... | location security officer | |
| Sébastien Peiffer | .... | additional location assistant | |
| Otfried Suppin | .... | location assistant | |
| Elly Verduyckt | .... | script supervisor | |
| Allard van der Werff | .... | assistant: Peter Greenaway | |
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| Novecento | Malèna | Ken Park | The Tulse Luper Suitcases, Part 2: Vaux to the Sea | The Sheltering Sky |
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I watched this several months ago at a local film festival, and to be honest it was not an enjoyable experience. To put it simply the film appears to be a giant experiment in multimedia, the type of thing a film studies phd student might envisage as being worthwhile. If you are fully aware of this before you watch the first film then you may possibly appreciate the work done, if you are looking for something enjoyable then I suggest you look elsewhere. The film oosed pretension, as if the mere act of experimentation could make up for a worthwhile film. If you are the type of watcher who enjoys say special affects rather than plot, or action rather than competent script work then this may be for you.
This is the first film that I have watched at a film festival in about ten years that I can honestly say the vast majority of the audience left the theatre in a state of bemused disgust. It was one of the least enjoyable film experiences I have ever had, right up there with Salo, and UFO: The Movie. Maybe if viewed in sequence with the other parts of the production it might have some worth, but i doubt it. At best it may serve as an educational tool to the many film schools out there...