| Photos (see all 79 | slideshow) | Videos (see all 11) |
| John Cusack | ... | Ed | |
| Ray Liotta | ... | Rhodes | |
| Amanda Peet | ... | Paris | |
| John Hawkes | ... | Larry | |
| Alfred Molina | ... | Dr. Malick | |
| Clea DuVall | ... | Ginny | |
| John C. McGinley | ... | George York | |
| William Lee Scott | ... | Lou | |
| Jake Busey | ... | Robert Maine | |
| Pruitt Taylor Vince | ... | Malcolm Rivers | |
| Rebecca De Mornay | ... | Caroline Suzanne (as Rebecca DeMornay) | |
| Carmen Argenziano | ... | Defense Lawyer | |
| Marshall Bell | ... | District Attorney | |
| Leila Kenzle | ... | Alice York | |
| Matt Letscher | ... | Assistant District Attorney | |
| Bret Loehr | ... | Timmy York | |
| Holmes Osborne | ... | Judge Taylor | |
| Frederick Coffin | ... | Detective Varole | |
| Joe Hart | ... | Bailiff Jenkins | |
| Michael Hirsch | ... | Naked Businessman | |
| Terence Bernie Hines | ... | Bailiff | |
| Stuart M. Besser | ... | Frozen Body (as Stuart Besser) |
Directed by | |||
| James Mangold | |||
Writing credits(WGA) | ||
| Michael Cooney | (written by) | |
Produced by | |||
| Stuart M. Besser | .... | executive producer (as Stuart Besser) | |
| Dixie J. Capp | .... | associate producer | |
| Cathy Konrad | .... | producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Phedon Papamichael | |||
Film Editing by | |||
| David Brenner | |||
Casting by | |||
| Lisa Beach | |||
| Sarah Katzman | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Jess Gonchor | |||
Set Decoration by | |||
| Cindy Carr | |||
Costume Design by | |||
| Arianne Phillips | |||
Makeup Department | |||
| Catherine Childers | .... | hair stylist | |
| Scott H. Eddo | .... | makeup department head | |
| Jane Galli | .... | makeup department head | |
| Jake Garber | .... | special makeup effects artist | |
| Jonathan Hanousek | .... | hair stylist supervisor | |
| Katharine Kremp | .... | hair stylist: Mr. Liotta | |
| Katharine Kremp | .... | key hair stylist | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Judy Lovell | .... | key makeup artist | |
| Gregory Nicotero | .... | special makeup effects supervisor | |
| Nanci Cascio | .... | hair stylist (uncredited) | |
Production Management | |||
| John Anthony | .... | production supervisor | |
| Stuart M. Besser | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Rick Avery | .... | second unit director | |
| Rosemary C. Cremona | .... | second assistant director (as Rosemary Cremona) | |
| Maria Mantia | .... | second second assistant director | |
| Nicholas Mastandrea | .... | first assistant director (as Nick Mastandrea) | |
Art Department | |||
| Ron Ashmore | .... | paint supervisor | |
| Oana Bogdan | .... | set designer | |
| Sam Dean | .... | welder | |
| Alex DiGerlando | .... | art department assistant | |
| Christopher Elledge | .... | set dresser | |
| Josh Ian Elliott | .... | on-set dresser (as Josh Elliott) | |
| Steve A. Hagberg | .... | construction coordinator | |
| Sarah Harwich | .... | construction purchaser | |
| Bart C. Hubenthal | .... | set dresser | |
| Alan James | .... | painter | |
| John Paul 'J.P.' Jones | .... | property master | |
| Miguel López-Castillo | .... | assistant art director | |
| Michael McCombe | .... | greens foreman | |
| Marc Messenger | .... | storyboard artist | |
| Chris Nakayama | .... | propmaker | |
| Victoria Ruskin | .... | set designer | |
| Rick C. Taplin | .... | art department assistant | |
| Freddy Waff | .... | lead man | |
| Cheree Welsh | .... | art department coordinator | |
| Perry E. Ellis | .... | set dresser (uncredited) | |
| John P. Goldsmith | .... | set designer (uncredited) | |
| Amber Haley | .... | set buyer (uncredited) | |
| J. Bryan Holloway | .... | sculptor (uncredited) | |
Sound Department | |||
| Jessy Bender | .... | sound utility | |
| Joseph Bonn | .... | first assistant sound editor | |
| Gary C. Bourgeois | .... | sound re-recording mixer (as Gary Bourgeois) | |
| Matthew Dettmann | .... | foley artist | |
| John Dunn | .... | sound editor | |
| Donald Flick | .... | sound editor | |
| Howell Gibbens | .... | supervising sound effects editor | |
| Matthew P. Hanson | .... | assistant sound editor (as Matthew Hanson) | |
| Gary A. Hecker | .... | foley artist | |
| Larry Kemp | .... | sound editor | |
| Sean Landeros | .... | sound recordist | |
| Howard London | .... | adr mixer | |
| James Morioka | .... | sound effects editor | |
| Greg Orloff | .... | sound re-recording mixer | |
| Ken Strain | .... | boom operator | |
| Jim Stuebe | .... | sound mixer | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects coordinator | |
| John Fleming | .... | special effects | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group | |
| William D. Lee | .... | special effects | |
| Ian C. McArthur | .... | special effects technician | |
| Matt McDonnell | .... | special effects technician | |
| Gregory Nicotero | .... | puppeteer | |
| Richard Stutsman | .... | special effects foreman | |
Visual Effects by | |||
| David Ebner | .... | digital effects supervisor: Computercafe | |
| Julia Frey | .... | visual effects producer | |
| Vicki Galloway-Weimer | .... | visual effects producer: CafeFX (as Vicki Galloway Weimer) | |
| Anthony Harris | .... | digital color timer | |
| Bruce Harris | .... | digital compositor | |
| Robert Stromberg | .... | visual effects supervisor: Digital Backlot | |
| Patrick Zentis | .... | compositing supervisor: Digital Backlot | |
| Jeff Barnes | .... | executive producer: Computercafe (uncredited) | |
| Attila Veress | .... | film recorder operator (uncredited) | |
Stunts | |||
| Brian Avery | .... | utility stunts | |
| Rick Avery | .... | stunt coordinator | |
| Tom Harper | .... | stunts | |
| Brett A. Jones | .... | stunts | |
| Brian Machleit | .... | stunts | |
| Caryn Mower | .... | stunt double: Leila Kenzle | |
| Eric Norris | .... | stunts | |
| Michelle Sebek | .... | stunt double | |
| Brian Simpson | .... | stunts | |
| Darlene Ava Williams | .... | stunt double: Rebecca DeMornay | |
Camera and Electrical Department | |||
| Jeff Andrus | .... | grip | |
| Brad Boyer | .... | dolly grip: "b" camera | |
| Craig A. Brink | .... | rigging gaffer | |
| Eric M. Davis | .... | lighting technician | |
| Sean Devine | .... | best boy grip | |
| Christopher Franey | .... | set lighting technician | |
| Cory Geryak | .... | chief lighting technician | |
| Bob Hall | .... | first assistant camera: "a" camera | |
| Ryan Huston | .... | electrician | |
| David Luckenbach | .... | Steadicam operator | |
| David Luckenbach | .... | camera operator | |
| Daniel C. McFadden | .... | assistant camera | |
| Andrew Osborne | .... | assistant camera | |
| Paul Sanchez | .... | camera operator | |
| Philip Shanahan | .... | assistant camera | |
| Matthew J. Siegel | .... | camera operator: second unit | |
| Dan Squires | .... | additional second assistant camera | |
| Larry Sushinski | .... | assistant chief lighting technician | |
| Suzanne Tenner | .... | still photographer | |
| Brian Woronec | .... | lighting technician | |
| David Schmalz | .... | video assist operator (uncredited) | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
Costume and Wardrobe Department | |||
| Terry Anderson | .... | key costumer | |
| Lorraine Crossman | .... | costumer | |
| Carlane Passman | .... | costume supervisor | |
Editorial Department | |||
| Sara Cueva | .... | apprentice editor | |
| Quincy Z. Gunderson | .... | assistant editor | |
| Dale Jones | .... | avid technician | |
| Michael McCusker | .... | associate editor | |
| Jim Passon | .... | color timer | |
| Michael Rafferty | .... | assistant editor | |
| David Reale | .... | first assistant editor | |
Music Department | |||
| Bill Abbott | .... | music editor: temp music (as William Abbott) | |
| David Bifano | .... | scoring coordinator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Mark Eshelman | .... | scoring crew | |
| Kenneth Karman | .... | music editor | |
| Jason Lloyd | .... | scoring crew | |
| Adam Michalak | .... | score recordist | |
| Bill Pearson | .... | music engineer | |
| John Rodd | .... | orchestral scoring recordist | |
| Dennis S. Sands | .... | music scoring mixer | |
| Alan Silvestri | .... | conductor | |
| Steven L. Smith | .... | music preparation | |
| Jacqueline Tager | .... | assistant music editor | |
| Pat Weber | .... | scoring technician | |
| Mark Graham | .... | music copyist (uncredited) | |
Transportation Department | |||
| J. Armin Garza II | .... | driver: camera car | |
| Dan Marrow | .... | transportation coordinator | |
| Pamela Monroe | .... | transportation office coordinator | |
| Mark Valdez | .... | driver: cast | |
| John Embry | .... | driver: cast (uncredited) | |
Other crew | |||
| Benjamin Adams | .... | production accountant | |
| Olivier Agostini | .... | set production assistant | |
| Ricky Andres | .... | production assistant | |
| Bianca Arvin | .... | assistant to producer | |
| Barry Barclay | .... | assistant production office coordinator | |
| Michael Boretz | .... | production secretary | |
| Michele A. Carmel | .... | production coordinator | |
| Rupert Cole | .... | production assistant | |
| Kyle Cooper | .... | title designer | |
| Jason Cox | .... | production assistant | |
| Chad Hammel | .... | production assistant | |
| Bruce Kaye | .... | assistant: Mr. Mangold | |
| Gary Kurashige | .... | on-set medic | |
| Aurelie Levy | .... | assistant: John Cusack | |
| Andrew Lipschultz | .... | unit publicist | |
| Brian MacAslan | .... | stand-in | |
| Lindsay McCracken | .... | assistant: Mr. Cusack | |
| Jeremy Mullen | .... | set production assistant | |
| Nikolette Orlandou | .... | production assistant | |
| Jennifer Priebe | .... | production assistant | |
| Ned R. Shapiro | .... | location manager | |
| Shannon Shea | .... | shop foreman | |
| Sheila Waldron | .... | script supervisor | |
| Chris Castaldi | .... | additional set production assistant (uncredited) | |
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| Psycho | The Fugitive | The Salton Sea | D-Tox | A History of Violence |
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For a start,i would like to say that this film is worth seeing.It is one of the best psychological thrillers that exist so i highly recommend to those who like this kind of movies.The plot was very nice,the twist also and the cast outstanding.Cusack,Liotta,Peet and Hawkes did their best and the result was excellent.I liked a lot the flashbacks that were made -mostly in the beginning. Furthermore,the idea of the whole film was terrific.On the other hand,speaking frankly there was an excessive gore and emphasis on the murders that didn't impress me;a big part of the movie was "dedicated" to murders.Another thing that i didn't like was the continuous rain that made me feel tired,seeing again again the storm. Moreover,what i liked most-contrary to many people- was the end of the movie.It was unpredictable and,besides that,it is one of the few thrillers that you cannot find out the end easily.It was very interesting and made me sit tight on my couch .If you don't pay attention for a while you will "get lost". I should not forget to refer to the hot presence of Peer that embellished the movie apart from her casting abilities. Lastly,you should make sure that you will be 100% concentrated on the film in order to understand what is happening cause i regard it as one of the most difficult movies to understand.It is certain that this film will dominate you with mystery and in parallel make you think a lot of things that will be predicted wrong in the end. I would give 9 -at least- out of 10 to Identity.