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Patrick O'Brian (novels)
Peter Weir (screenplay) ...
(more)
View company contact information for Master and Commander: The Far Side of the World on IMDbPro.
14 November 2003 (USA) more
The Courage To Do The Impossible Lies In The Hearts of Men.
During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America. full summary | full synopsis
Won 2 Oscars. Another 17 wins & 57 nominations more
“Creation” Movie Poster and Trailer
(From Filmofilia. 3 November 2009, 10:37 AM, PST)
Newmarket Will Stage Creation
(From Atomic Popcorn. 24 September 2009, 4:24 PM, PDT)
Masterful (and Commanderful) more (637 total)
| Russell Crowe | ... | Capt. Jack Aubrey | |
| Paul Bettany | ... | Dr. Stephen Maturin, Surgeon | |
| James D'Arcy | ... | 1st Lt. Tom Pullings | |
| Edward Woodall | ... | 2nd Lt. William Mowett | |
| Chris Larkin | ... | Capt. Howard, Royal Marines | |
| Max Pirkis | ... | Blakeney, Midshipman | |
| Jack Randall | ... | Boyle, Midshipman | |
| Max Benitz | ... | Calamy, Midshipman | |
| Lee Ingleby | ... | Hollom, Midshipman | |
| Richard Pates | ... | Williamson, Midshipman | |
| Robert Pugh | ... | Mr. Allen, Master | |
| Richard McCabe | ... | Mr. Higgins, Surgeon's Mate | |
| Ian Mercer | ... | Mr. Hollar, Boatswain | |
| Tony Dolan | ... | Mr. Lamb, Carpenter | |
| David Threlfall | ... | Preserved Killick, Captain's Steward | |
| Billy Boyd | ... | Barrett Bonden, Coxswain | |
| Bryan Dick | ... | Joseph Nagle, Carpenter's Mate | |
| Joseph Morgan | ... | William Warley, Cpt. of Mizzentop | |
| George Innes | ... | Joe Plaice, Able Seaman | |
| William Mannering | ... | Faster Doudle, Able Seaman | |
| Patrick Gallagher | ... | Awkward Davies, Able Seaman | |
| Alex Palmer | ... | Nehemiah Slade, Able Seaman | |
| Mark Lewis Jones | ... | Mr. Hogg, Whaler | |
| John DeSantis | ... | Padeen, Loblolly Boy | |
| Ousmane Thiam | ... | Black Bill, Killick's Mate | |
| Thierry Segall | ... | French Captain | |
| rest of cast listed alphabetically: | |||
| Aidan Black | ... | Pvt. Trollope, Royal Marines (uncredited) | |
Directed by | |||
| Peter Weir | |||
Writing credits | ||
| Patrick O'Brian | (novels) | |
| Peter Weir | (screenplay) & | |
| John Collee | (screenplay) | |
Produced by | |||
| Todd Arnow | .... | co-producer | |
| Alan B. Curtiss | .... | executive producer | |
| Samuel Goldwyn Jr. | .... | producer | |
| Meyer Gottlieb | .... | co-producer | |
| Duncan Henderson | .... | producer | |
| Peter Weir | .... | producer | |
| Bob Weinstein | .... | co-producer (uncredited) | |
| Harvey Weinstein | .... | co-producer (uncredited) | |
Original Music by | |||
| Iva Davies | |||
| Christopher Gordon | |||
| Richard Tognetti | |||
Cinematography by | |||
| Russell Boyd | |||
Film Editing by | |||
| Lee Smith | |||
Casting by | |||
| Mary Selway | |||
| Fiona Weir | |||
Production Design by | |||
| William Sandell | |||
Art Direction by | |||
| Bruce Crone | |||
| Mark W. Mansbridge | |||
| Marco Niro | |||
| Héctor Romero | |||
Set Decoration by | |||
| Robert Gould | |||
Costume Design by | |||
| Wendy Stites | |||
Production Management | |||
| Todd Arnow | .... | unit production manager | |
| Rafael Cuervo | .... | unit manager | |
| Jeffrey Harlacker | .... | post-production supervisor | |
| R.J. Mino | .... | unit production manager: second unit | |
Sound Department | |||
| Cesar Aguirre | .... | cable person | |
| Robbie Ashhurst | .... | adr recordist: Soundfilm | |
| Andrew Bock | .... | assistant sound editor | |
| James Bolt | .... | additional sound re-recording mixer | |
| Derek Casari | .... | adr engineer | |
| Colin Cooper | .... | adr recordist | |
| Ronny Cox | .... | adr re-recording mixer: 20th Century Fox (as Ron Cox) | |
| Wendy Czajkowsky | .... | adr mixer | |
| Susan Dawes | .... | adr editor: Baja (as Susan Shackelford Dawes) | |
| John P. Fasal | .... | sound effects recordist (as John Paul fasal) | |
| Christopher Flick | .... | foley supervisor | |
| Peter Gleaves | .... | adr mixer | |
| Kevin Globerman | .... | digital recordist | |
| Tim Gomillion | .... | sound recordist | |
| Laura Graham | .... | adr editor | |
| Richard Grant | .... | auricle operator | |
| Jeff Greenberg | .... | studio manager: The Village Recorder | |
| Phillip A. Hamilton | .... | adr recordist | |
| Gary A. Hecker | .... | foley artist (as Gary Hecker) | |
| Doug Hemphill | .... | sound re-recording mixer | |
| Jeffrey A. Humphreys | .... | boom operator | |
| Terry Isted | .... | adr recordist: De Lane Lea | |
| Phil Jeffers | .... | adr recordist: Soundfilm | |
| Richard King | .... | sound designer | |
| R.J. Kizer | .... | supervising adr editor | |
| John A. Larsen | .... | supervising adr editor: Baja | |
| Skip Longfellow | .... | assistant adr editor: Baja | |
| David Lucarelli | .... | adr recordist: 20th Century Fox | |
| Michael Magill | .... | sound editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Khama Matiti | .... | adr recordist | |
| Tim McColm | .... | stage engineer | |
| Michael Miller | .... | adr mixer | |
| Michael W. Mitchell | .... | sound effects editor | |
| Nancy Parker | .... | foley artist | |
| Eric Potter | .... | sound effects recordist | |
| Andy Potvin | .... | stereo sound consultant: Dolby | |
| Charleen Richards | .... | adr mixer (as Charleen Richards-Steeves) | |
| Art Rochester | .... | production sound mixer | |
| Dennis Rogers | .... | sound recordist | |
| Monique Salvato | .... | adr assistant sound editor | |
| Scott Schmidt | .... | adr recordist: Pinewood Sound | |
| Larry Spotts | .... | adr recordist: 20th Century Fox | |
| Hamilton Sterling | .... | sound effects editor | |
| Donald Sylvester | .... | adr editor: Baja | |
| Michael Thompson | .... | adr re-recording mixer: Soundfilm | |
| Jon Vogl | .... | adr mixer | |
| Hugo Weng | .... | dialogue editor | |
| Anthony Woodman | .... | sound librarian | |
| Linda Yeaney | .... | first assistant sound editor | |
| Fernando Cámara | .... | production sound mixer: second unit (uncredited) | |
| Brent Ellingwood | .... | sound (uncredited) | |
| Kevin K. Sorensen | .... | additional boom operator (uncredited) | |
Visual Effects by | |||
| Blondel Aidoo | .... | executive visual effects producer | |
| Matt Appleton | .... | miniatures crew | |
| Joakim Arnesson | .... | computer graphics supervisor: ILM | |
| Rebecca Asquith | .... | miniatures crew | |
| Jean-Luc Azzis | .... | Inferno artist: Asylum | |
| Katharine Baird | .... | digital paint: ILM | |
| Katharine Baird | .... | rotoscope artist: ILM | |
| Bill Barr | .... | stage technician: ILM | |
| Tom Barrett | .... | visual effects editor | |
| Andy Barrios | .... | Inferno artist: ASYLUM | |
| John Baster | .... | miniatures crew | |
| Jimmy Batchelder | .... | night operations: Asylum (as Jim Batchelder) | |
| Daniel Becerra | .... | rotoscope artist: Asylum | |
| Kathleen Beeler | .... | digital compositor: ILM | |
| Joel Behrens | .... | visual effects: Asylum | |
| Elissa Bello | .... | digital artist | |
| Jil-Sheree Bergin | .... | visual effects coordinator | |
| Kelly Bergougnoux | .... | engineering and tech support: Asylum | |
| Andrea Biklian | .... | negative preparation: ILM | |
| Tim Bird | .... | Inferno artist: Asylum (as Tim Bird) | |
| Christopher Bonnstetter | .... | 3D technician: Asylum (as Chris 'Pink' Bonnstetter) | |
| Robert Bourgeault | .... | CG artist | |
| Jason Brackett | .... | practical effects: ILM | |
| Phil Brennan | .... | supervising compositing/lead artist: Asylum | |
| Brooke Breton | .... | supervising visual effects producer | |
| Melissa Brockman | .... | visual effects production supervisor | |
| Bela Brozsek | .... | digital effects artist | |
| Shannan Burkley | .... | matte painter | |
| Anthony Butler | .... | stage production coordinator: ILM | |
| Timothy Michael Cairns | .... | quality control supervisor: Efilm/Panavision | |
| Michaela Calanchini | .... | digital paint: ILM | |
| Michaela Calanchini | .... | rotoscope artist: ILM | |
| Colin Campbell | .... | digital compositor | |
| Derrick Carlin | .... | 3D camera matchmove artist: ILM | |
| Ozzie Carmona | .... | digital artist | |
| Kathy Chasen-Hay | .... | visual effects producer: Asylum | |
| Grace Cheney | .... | digital paint: ILM | |
| Grace Cheney | .... | rotoscope artist: ILM | |
| Patrick Clancey | .... | digital opticals | |
| Timothy Clark | .... | matte painter | |
| Robbie Clot | .... | practical effects: ILM | |
| Grady Cofer | .... | lead Sabre artist | |
| Zachary Cole | .... | digital artist | |
| Rafael Colon | .... | digital compositor: ILM | |
| Brian Connor | .... | digital compositor: ILM | |
| Michael Conte | .... | digital compositor: ILM | |
| Caitlin Content | .... | sabre artist: ILM | |
| Jay Cooper | .... | compositing sequence supervisor | |
| Don Crawford | .... | digital compositor: ILM | |
| Julie Creighton | .... | visual effects coordinator | |
| Brandon Criswell | .... | rotoscope/shake compositor: Asylum | |
| Brice Criswell | .... | research and development: ILM | |
| Lee Croft | .... | digital paint and rotoscope artist: ILM | |
| Steve Curd | .... | computer systems support: ILM | |
| Gail Currey | .... | senior staff: ILM | |
| Brian Cuscino | .... | I/O technician: Asylum | |
| Michael Degtjarewsky | .... | digital compositor: Pacific Title | |
| Jeff Doran | .... | compositing supervisor: ILM | |
| Mitchell S. Drain | .... | visual effects supervisor | |
| Richard Ducker | .... | digital compositor: ILM | |
| Nika Dunne | .... | digital paint and roto artist: ILM | |
| Travis Dutch | .... | scanning and recording | |
| Michael Eaves | .... | digital intermediate colorist: EFilm | |
| David Ebner | .... | digital effects supervisor: CafeFX | |
| Christopher Edwards | .... | operations manager: Efilm (as Chris Edwards) | |
| Sam Edwards | .... | digital compositor | |
| John Ellis | .... | senior staff: ILM | |
| Helen Elswit | .... | visual effects producer | |
| Leanard Estebecorena | .... | computer graphics artist: ILM | |
| Bill Eyler | .... | digital compositor | |
| Stefen Fangmeier | .... | visual effects supervisor | |
| Mitchell Ferm | .... | senior visual effects coordinator | |
| Michael Sean Foley | .... | master lighting artist | |
| Andy Foster | .... | production coordinator: Asylum (as Andrew Foster) | |
| Adam Frazier | .... | I/O technician: Asylum | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Julia Frey | .... | visual effects producer: Galapagos sequence | |
| David Fuhrer | .... | digital artist: ILM | |
| Joe Fulmer | .... | practical effects: ILM | |
| David Gainey | .... | matchmover: ILM | |
| Ryan Galloway | .... | digital artist | |
| Vicki Galloway-Weimer | .... | visual effects executive producer: CafeFX (as Vicki Galloway Weimer) | |
| Dawn Gates | .... | digital roto/paint artist: ILM | |
| Brian Gee | .... | technical director | |
| Richard Gentner | .... | digital imaging operator | |
| Jessica Gerstenzang | .... | visual effects production assistant | |
| Tim Gibbons | .... | digital compositor | |
| Greg Gilmore | .... | Sabre artist: ILM | |
| Paul Graff | .... | digital compositor | |
| Michael Grealish | .... | miniatures crew | |
| Orin Green | .... | sabre artist | |
| Ben Grossmann | .... | digital compositor | |
| Paul Grossmann | .... | digital compositor: CafeFX | |
| Matthew Hackett | .... | CG animator: Asylum | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Jeff Hatchel | .... | digital artist | |
| Monika Hawkins | .... | visual effects accountant: Asylum | |
| Steven Hawkins | .... | I/O technician: Asylum (as Steve Hawkins) | |
| Maureen Healy | .... | digital compositor: Pacific Title | |
| Pablo Helman | .... | visual effects supervisor: ILM | |
| Michael Hemschoot | .... | lead animator | |
| Geoff Heron | .... | practical effects supervisor: ILM | |
| Clark Higgins | .... | VTR operator: ILM | |
| Shawn Hillier | .... | compositor: ILM | |
| Robert Hill | .... | first assistant camera operator: ILM | |
| Sherry Hitch | .... | digital compositor: ILM | |
| Phillip Hoffman | .... | visual effects coordinator: Pacific Title | |
| Robert Hoffmeister | .... | digital compositor: ILM | |
| Larry Hoki | .... | projectionist: ILM | |
| Ron Honn | .... | visual effects coordinator: CafeFX | |
| Tommy Hooper | .... | digital color timer: Asylum | |
| Stephanie Hornish | .... | visual effects producer: ILM | |
| David Horsley | .... | computer graphics supervisor | |
| Adam Howard | .... | Sabre artist: ILM | |
| Heather Hoyland | .... | digital compositor: ILM | |
| Peg Hunter | .... | digital compositor: ILM | |
| Jen Hutchinson | .... | production accountant | |
| Nancy Hyland | .... | digital compositor | |
| Erich Ippen | .... | digital compositor: ILM | |
| Eddie Isho | .... | digital plate store restoration artist: ILM | |
| Alex Jaeger | .... | animatics compositor: ILM (as Alex Jeager) | |
| Sarahjane Javelo | .... | digital restoration artist: ILM | |
| Ian Jenkins | .... | matchmove artist: ILM | |
| Darren Jones | .... | digital imaging engineer | |
| Randy Jonsson | .... | matchmover: ILM | |
| Kim Jorgensen | .... | visual effects coordinator | |
| Zach Justman | .... | visual effects editor: Asylum | |
| Brad Kalinoski | .... | digital compositor | |
| Kristopher Kasper | .... | visual effects editor: Asylum | |
| Patrick Keenan | .... | digital compositor: Pacific Title Digital | |
| Joe Ken | .... | Inferno artist: Asylum | |
| Paul Kirwan | .... | digital compositor | |
| Bill Laverty | .... | engineering & tech support: Asylum | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Erik Lee | .... | CG animator | |
| James Lee | .... | rotoscope artist: Asylum | |
| Jack Lewars | .... | digital colorist: Efilm | |
| Michael Logan | .... | sabre artist: ILM | |
| David Lombardi | .... | digital effects artist | |
| Luke Longin | .... | 3D matchmove: ILM | |
| Mark Alan Loso | .... | compositor | |
| Tom Lynnes | .... | 3D technician: Asylum | |
| Jules Mann | .... | art director: ILM | |
| Tom Martinek | .... | senior digital effects artist: ILM | |
| Marcel Martinez | .... | digital compositor | |
| Ray Massa | .... | miniatures crew | |
| Richard Matthews | .... | first assistant director: nz miniatures, weta workshop | |
| Paul Maurice | .... | boats scanning and modeling: Lidar Services | |
| Kevin May | .... | sabre artist | |
| Jake Maymudes | .... | digital artist | |
| Molly McCourt | .... | video engineering: ILM | |
| Will McCoy | .... | digital compositor: ILM | |
| Jason McDade | .... | pre-visualisation artist | |
| Emma McGuinness | .... | visual effects executive producer: Asylum | |
| Nathan McGuinness | .... | visual effects supervisor | |
| Rich McKay | .... | digital plate restoration artist: ILM | |
| Ryan Meredith | .... | assistant visual effects editor | |
| Matt Merkovich | .... | digital artist: Tracking | |
| Joseph Metten | .... | digital effects artist: ILM | |
| Todd Mitchell | .... | film recording engineer: ILM | |
| Terry Molatore | .... | viewpaint artist: ILM | |
| Steve Molin | .... | CG artist: ILM (as Steven Molin) | |
| Jack Mongovan | .... | digital paint & rotoscope artist: ILM (as Jake Mongovan) | |
| Rodney Montague | .... | visual effects producer | |
| Carlos Morales | .... | Inferno artist | |
| Sébastien Moreau | .... | Inferno compositor: ILM | |
| Tim Morgan | .... | stage technician: ILM | |
| Danny Morrow | .... | 3D matchmove: ILM | |
| Bo Mosley | .... | CGI modeler: Asylum VFX | |
| Michelle Motta | .... | digital paint & rotoscope artist | |
| Kenn Moynihan | .... | projectionist: ILM | |
| Steve Muangman | .... | Inferno artist | |
| Michael Muir | .... | digital artist: ILM | |
| Gayle Munro | .... | miniatures production supervisor | |
| Patrick Neary | .... | digital effects artist | |
| Michael Olague | .... | visual effects gaffer | |
| Jeff Olson | .... | visual effects producer: ILM | |
| Alex G. Ortoll | .... | visual effects artist: Asylum | |
| Mayur Patel | .... | digital effects artist | |
| Perri Pecora | .... | Inferno artist: Asylum | |
| Patrick Phillips | .... | digital compositor: Pacific Title | |
| Chris Pinto | .... | digital plate restoration artist | |
| Anthony Pitone | .... | visual effects editor: ILM (as Tony Pitone) | |
| Evan Pontoriero | .... | pre-visualization artist | |
| Michael Porterfield | .... | Inferno artist: Asylum | |
| Kevin Prendiville | .... | compositing supervisor | |
| Chuck Ray | .... | stage technician: ILM | |
| Mark P. Renton | .... | digital artist | |
| Jay Robinson | .... | Inferno artist: Asylum | |
| Lee Robinson | .... | rotoscope artist | |
| Martin Rosenberg | .... | visual effects director of photography: ILM | |
| Corey Rosen | .... | lead creature technical director: ILM | |
| Greg Roth | .... | visual effects senior accountant: Asylum | |
| Gregory Salter | .... | digital compositor: ILM | |
| David Santiago | .... | senior technical director | |
| Kosta Saric | .... | visual effects editor: Asylum Visual Effects | |
| Eric Schafer | .... | research and development: ILM | |
| Gunther Schatz | .... | lead visual effects artist | |
| Frederic Schmidt | .... | digital effects artist | |
| Candice Scott | .... | Inferno artist: Asylum | |
| Steven J. Scott | .... | digital intermediate colorist: title sequence, EFilm | |
| Jamie Selkirk | .... | producer: boats miniatures sequences, Weta Workshop | |
| Jerry Sells | .... | digital compositor: ILM | |
| Ira Shain | .... | CG artist | |
| Amy Shepard | .... | lead rotoscope artist | |
| Dave Sidley | .... | 3D matchmove: ILM (as David Sidley) | |
| Ken Sjogren | .... | digital compositor | |
| Colum Slevin | .... | senior staff: ILM | |
| Douglas James Smith | .... | senior technical director | |
| Hilary Sperling | .... | Inferno artist: Asylum | |
| Brian Stempel | .... | computer systems support: ILM | |
| Jonathan Stone | .... | visual effects producer: Computercafe | |
| Robert Stromberg | .... | visual effects designer | |
| Frank Strzalkowski | .... | stage technician: ILM | |
| Greg Stuhl | .... | lead modeller: Asylum Visual Effects | |
| Russ Sueyoshi | .... | digital compositor | |
| Jeff Sutherland | .... | digital compositor | |
| Chris Taft | .... | digital services coordinator: Efilm | |
| Darcie Tang | .... | visual effects coordinator: Asylum | |
| Frank W. Tarantino | .... | practical effects: ILM | |
| Stephanie Taubert | .... | digital plate restoration: ILM | |
| Bridget M. Taylor | .... | digital artist: Asylum Visual Effects | |
| Chad Taylor | .... | Sabre artist: ILM | |
| Dale Taylor | .... | visual effects coordinator: ILM | |
| Jessica Teach | .... | production assistant | |
| Paul Theren | .... | digital modeler: ILM | |
| Joel H. Thornton | .... | digital artist | |
| Alex Tropiec Jr. | .... | Sabre artist: ILM | |
| Guerdon Trueblood | .... | digital compositor: ILM | |
| Hans Uhlig | .... | computer graphics supervisor: ILM | |
| Brian Van't Hul | .... | miniatures crew leader: Weta Workshop | |
| Marc Varisco | .... | visual effects supervisor | |
| Bruce Vecchitto | .... | digital color timer: ILM | |
| Paul Vega | .... | visual effects assistant editor | |
| Pascale Ville | .... | digital compositor | |
| Talmage Watson | .... | matchmove supervisor | |
| Susan M. Weeks | .... | digital compositor | |
| Jeff Werner | .... | visual effects producer | |
| Ken Wesley | .... | computer graphics artist: ILM | |
| Bob Wiatr | .... | digital compositor: Pacific Title | |
| Ronnie E. Williams Jr. | .... | lead compositor | |
| Gordon T. Wittmann | .... | visual effects coordinator: ILM | |
| Jeff Wozniak | .... | digital compositor: ILM | |
| Kristopher Wright | .... | visual effects production assistant: ILM | |
| Yuichiro Yamashita | .... | CG animator | |
| Melva Young | .... | computer graphics artist: ILM | |
| Dean Yurke | .... | digital artist | |
| Heidi Zabit | .... | digital artist | |
| Patrick Zentis | .... | digital compositor: Digital Backlot | |
| Tom Zils | .... | digital compositor: ILM (as Thomas Zils) | |
| Rita E. Zimmerman | .... | sabre artist: ILM | |
| Jeff Barnes | .... | executive producer: CafeFX (uncredited) | |
| Danny Braet | .... | digital effects artist: Computer Cafe (uncredited) | |
| Trevor Hazel | .... | digital artist (uncredited) | |
| W. Regan McGee | .... | digital artist (uncredited) | |
| Toby Newell | .... | rotoscope artist (uncredited) | |
Casting Department | |||
| Judith Bouley | .... | additional casting | |
| Louis Elman | .... | adr voice casting | |
| Tom Gustafson | .... | additional casting associate (as Thomas Gustafson) | |
| Kazimierz Suwala | .... | casting: Poland | |
| Marek Zydowicz | .... | casting: Poland | |
| Nicole Hilliard-Forde | .... | casting associate: Toronto (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Marisa Clayton | .... | post-production Coordinator: Modern VideoFilm | |
| Sassica Francis-Bruce | .... | post-production assistant | |
| Anna Josenhans | .... | assistant editor | |
| John Lee | .... | first assistant editor | |
| Eric A. Lewy | .... | assistant editor | |
| David McKimmie | .... | post-production coordinator | |
| Kristine McPherson | .... | assistant editor | |
| Ken O'Keefe | .... | apprentice editor | |
| Warren Paeff | .... | assistant editor | |
| Jim Passon | .... | color timer | |
| Martha Pike | .... | digital intermediate editor | |
| Jon Poll | .... | additional editor | |
| Eric Putz | .... | telecine colorist: dailies | |
| Hilda Saffari | .... | digital intermediate producer | |
| Nathan Thrall | .... | post-production assistant | |
Music Department | |||
| Iva Davies | .... | musician: sampler and synthetizers | |
| Robert Fernandez | .... | scoring mixer (as Bobby Fernandez) | |
| Michael Fisher | .... | musician: percussion | |
| Christopher Gordon | .... | conductor: orchestra | |
| Mark Graham | .... | music librarian | |
| Jo Ann Kane | .... | music preparation | |
| Ohkee Kim | .... | assistant music engineer (as OK Hee Kim) | |
| John Kurlander | .... | scoring mixer | |
| Simon Leadley | .... | music editor | |
| Simon Leadley | .... | scoring mixer | |
| Larry Mah | .... | digital score recordist | |
| John Rodd | .... | orchestral scoring recordist | |
| Douglas Romayne | .... | score mock-up | |
| Steven L. Smith | .... | music preparation | |
| Tom Steel | .... | scoring stage manager | |
| Damon Tedesco | .... | scoring stage manager | |
| Richard Tognetti | .... | conductor: orchestra | |
| Richard Tognetti | .... | musician | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Richard Bailey | .... | captain: HMS Rose (as Captain Richard Bailey) | |
| Tom Gilhooley | .... | driver | |
| David Travis Grieb | .... | production driver | |
| Ron Kunecke | .... | driver | |
| Russell McEntyre | .... | transportation coordinator | |
| Ken Sale | .... | transportation captain: second unit | |
| Joey Soriano | .... | driver | |
| Wayne Stone | .... | transportation captain | |
| John Yarbrough | .... | transportation captain | |
Thanks | |||
| Christopher Terrill | .... | thanks | |
The Far Side of the World (Australia) (working title) (USA) (working title)
Capitán de mar y guerra (Argentina) (short title) [es]
Capitán de mar y guerra: La costa más lejana del mundo (Argentina) [es]
Kuninkaan mies: Maailman laidalla (Finland) (trailer title) [fi]
Maître à bord: de l'autre côté du monde (Canada: French title) [fr]
Master & Commander - Bis ans Ende der Welt (Germany) [de]
Master & Commander: Odvrácená strana sveta (Czech Republic) [cs]
Master and Commander (Japan) [ja]
Master and Commander - Bis ans Ende der Welt (Austria) [de]
Master and Commander: Na opacnom konci sveta (Slovakia) [sk]
Master and Commander: Sta perata tou kosmou (Greece) [el]
Master and commander - Dünyanin uzak ucu (Turkey: Turkish title) [tr]
Master and commander: Al otro lado del mundo (Spain) [es]
Master and commander: Bortom världens ände (Sweden) [sv]
Master and commander: De l'autre côté du monde (France) [fr]
Master and commander: Maailman laidalla (Finland) [fi]
Master and commander: Sfida ai confini del mare (Italy) [it]
Master and commander: Til verdens ende (Denmark) [da]
Mestre dos Mares - O Lado Mais Distante do Mundo (Brazil) [pt]
Pan i wladca - Na krancu swiata (Poland) [pl]
more
Rated PG-13 for intense battle sequences, related images, and brief language.
138 min
English | French | Portuguese
2.35 : 1 more
SDDS | Dolby Digital | DTS
Iceland:12 (video rating) | Iceland:14 | Malaysia:U | France:-12 (DVD rating) | South Korea:12 | Portugal:M/12 | New Zealand:M | Argentina:13 | Australia:M | Brazil:14 | Canada:14A | Chile:TE | Finland:K-11 | Germany:12 (bw) | Hong Kong:IIA | Norway:11 | Philippines:PG-13 | Singapore:PG | Spain:7 | Sweden:11 | UK:12A | USA:PG-13 (certificate #39922)
Fox Baja Studios, Rosarito, Baja California Norte, Mexico more
The cast endured a two week boot camp where they literally learned the ropes, and what to do on board a frigate including the loading and firing of cannons. They also all learned basic sword skills. more
Anachronisms: In the closing scenes, as the dead are buried at sea, the crew is saying the Lord's Prayer. Given the year, they would be using the version known by all from The Book of Common Prayer (1662 edition): "Our Father, which art in heaven..." Instead they say, "Our Father, who art in heaven..." the first instance of which actually appeared in the American Book of Common Prayer (1892 Revision). As a ship of the King's Navy, the established Anglican Book of Common Prayer would be the normative source of liturgy and prayer. more
[first lines]
Preserved Killick, Captain's Steward:
[taking egg from chicken coup] Come on, come on. It's all right.
more
Referenced in "Aqua Teen Hunger Force: Moon Master (#3.8)" (2004) more
Raging Sea/Bonnie Ship the Diamond more
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| Billy Budd | Major Dundee | Gone with the Wind | Empire of the Sun | Die Blechtrommel |
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Interestingly, Russell Crowe helps rather than hinders the picture. It's hard to believe that he's such a jerk when out of character, because his acting as the captain is totally believable. His character is great because he's smart, very stern, but very caring of his crew. While they fear him, they look up to and idolize him too.
The presumably accurate historical details really piqued my interest, from the little 12 and 13-year-old kids on the crew (and taking part in battle--viciously!), to the intricate chain of command, to the sheer power of the battle scenes. Splintering wood shrapnel, how often have we seen that in movies? Some of my favorite scenes are when Crowe is playing his cello in his quarters. His roomI never would have guessed a ship like that would have such a nice and fancy décor hidden within it. I mean the captain's room resembled a room out of "Clue" (The Study? The Library? I cannot say ) Anyway, the visual details are great. Lots of money was spent on this movie and it was spent on things that really mattered, like recreating interiors and antiques. The guns and cannons look like artifacts to the modern viewer, but they're also well-kept and shiny.
The dialog is fantastic, too I can't remember exact quotes, but when Crowe gave some of his powerful, rallying speeches to the crew, I was ready to climb the mast myself.
This movie is an incredible addition to the action/adventure/historical genre. It's also very much a man's movie. I'm not sure there's a chick in the whole thing.