A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
Based on a true story, this is about the Irish journalist Veronica Guerin (Cate Blanchett), a reporter for The Sunday Independent, who exposed some of Dublin's most powerful crime barons and drug lords in 1996. But later that year she was gunned down by assasins hired by the same criminal drug lords she exposed. Written by
Andreas Furumo <email@example.com>
Danny DeVito was also considering the Veronica Guerin story as a directing project. He met with her family when he was in Dublin doing promotional work for Matilda (1996) and hoped to cast Winona Ryder in the role. See more »
At one point, Veronica is working at home, wearing headphones while listening to music. Her husband asks her to come to bed. Veronica takes of her headphones to chat with him. In the next shot, when they are dancing, she is wearing the headphones again. See more »
[to an informer who is bound and gagged in a derelict flat]
[genially but menacingly]
Ah Jamey, Jamey, Jamey. You're an awful man, d'you know that? What did you have to go and shoot your mouth off to the Gards about me for? Did you think I wouldn't find out it was you? You know, I was thinking about killing you. And then I thought to myself, you know, sure, people get killed every day - and nobody gives a shite. So I've decided I'm going to have to hurt you a bit.
Jamey the Tout:
[mumbling through gag]
[...] See more »
Disclaimer in closing credits: "Chris Mulligan is a fictional composite character based in part on several different people, and certain events in which the character is depicted have been fictionalised for dramatic effect." See more »
Veronica Guerin is the kind of journalist I could never, ever be, if I choose to go into that field in the future. She was determined, ballsy, hard-nosed, a risk-taker, and instilled with a bravado that bordered on irrationality. This movie is based on the true story of how Guerin, an Irish reporter, galvanized her country into implementing stricter drug laws and cracking down on drug-related crimes and drug abuse. Veronica Guerin paints her as a modern day Joan of Arc - misunderstood by peers and politicians while she was alive, but made a martyr and heroine after her death. It spans a period of two years, from Guerin's decision to take down Dublin's drug overlord, to her eventual assassination. (I'm not revealing any secrets - she's shot at the beginning before the movie flashes back). Guerin's tenacious reporting-style - poking, prodding, nudging friends and foes alike
was effective, albeit often treacherous - there had been previous attempts
on her life before the final, fatal one. It is this that critics pick on in their reviews: Guerin's almost insane tendency to provoke known criminals and gangsters to the point of immediate danger to herself and her family. While it would be somewhat implausible if this were a fictitious story, the story of Veronica Guerin is a true one. Having not read her biography, I have no idea how much the filmmakers have embellished on it, but I'm willing to give them the benefit of the doubt. With the picture they painted of Guerin, as well as Cate Blanchett's wonderful portrayal of her, I believe that Guerin, in her passion-fuelled moral crusade, would have been that compulsive, and ultimately, that heroic.
As much as I loved the story of Veronica Guerin, crusading journalist, I have some bones to pick with the technical aspects of the movie. One is with the director's tendency to suddenly go into "Blair Witch Cam," or hand-held cam, for those of you who haven't been nauseated by that movie. It's intended to give the movie a documentary feel, but the sudden switches to from fixed to hand-held cams just leave me dizzy. Another problem I had, though a smaller one, was with the schmaltzy-ing of certain scenes, especially the last one, where Celtic songs are played in the background. While I understand the reverrence intended and the relevance of playing Celtic music, I couldn't stop images of the Titanic and Sarah McLachlan (I don't know either) from appearing in my head. A suitably solemn, well-composed, non-Celtic piece would've been much more preferable. But that's just me. 9/10
27 of 38 people found this review helpful.
Was this review helpful to you?