| Linda Hardy | ... | Jill Bioskop | |
| Thomas Kretschmann | ... | Alcide Nikopol | |
| Charlotte Rampling | ... | Elma Turner | |
| Yann Collette | ... | Froebe | |
| Frédéric Pierrot | ... | John | |
| Thomas M. Pollard | ... | Horus | |
| Joe Sheridan | ... | Allgood | |
| Corinne Jaber | ... | Lily Liang | |
| Olivier Achard | ... | Checker | |
| Jerry Di Giacomo | ... | Jack Turner | |
| Dominique Mahut | ... | Hotel Receptionist | |
| Gary Cowan | ... | Tycho Barman | |
| Augustin Legrand | ... | Pusher / Salesman | |
| Javon Constantin | ... | Eugenics Little Boy | |
| Owen Steketee | ... | Horus's Baby | |
| Thomas Murat | ... | Adaptater (voice) | |
| Barbara Scaff | ... | Jill (voice) (as Barbara Weber-Scaff) | |
| Dominic Gould | ... | John (voice) | |
| Geoffrey Carey | ... | Froebe / Checkers (voice) (as Geoffrey Carrey) | |
| Allan Wenger | ... | Hotel Receptionist (voice) | |
| Paul Bandey | ... | Dayaks (voice) | |
| Coralie Seyrig | ... | Bastet (voice) | |
| Goran Vejvoda | ... | Anubis (voice) | |
| Helen Later | ... | Conti / Speaker Meteo (voice) (as Helene Later) | |
| Paul Barrett | ... | Pilot Helico (voice) | |
| Leslie Clack | ... | Co-Pilot / Background Voices (voice) (as Les Clack) | |
| Lemmy Constantine | ... | Voice Over (voice) | |
| Robert Dauney | ... | Security Guard (voice) (as Robert Dawney) | |
| Geoffrey Greenhill | ... | Policeman (voice) | |
| Irene Palko | ... | Background Voices (voice) | |
| rest of cast listed alphabetically: | |||
| Rhonda Constantin | ... | Fonctionnaire | |
| Eddie Crew | ... | Policier 2 | |
| Max Delor | ... | Egyptologue | |
| David Gasman | ... | Client bar Géant | |
| Vanessa Hope | ... | Bastet | |
| Charles Maquignon | ... | Le gérant | |
| Joel Mitchell | |||
| Rochelle Redfield | ... | Schneider | |
| Mark Reed | ... | Policier 1 | |
| Shush Tenin | ... | Anubis | |
| Tony Vanaria | ... | Infirmier | |
| Derrick Brenner | ... | Jonas (uncredited) | |
| Thierry René | ... | Sam (uncredited) | |
| Jacquelyn Toman | ... | Patiente Elma (uncredited) | |
| Jean-Louis Trintignant | ... | Jack Turner (voice: French version) (uncredited) | |
Directed by | |||
| Enki Bilal | |||
Writing credits(in alphabetical order) | ||
| Enki Bilal | comic books "La Foire aux immortels" and "La Femme piège" | |
| Enki Bilal | scenario & adaptation and dialogue | |
| Serge Lehman | scenario & adaptation | |
Produced by | |||
| Dominique Brunner | .... | executive producer | |
| Sylvie Chevereau-Marchais | .... | line producer | |
| Charles Gassot | .... | producer | |
| Daniel J. Walker | .... | co-producer (as Daniel Walker) | |
Original Music by | |||
| Sigur Rós | |||
| Goran Vejvoda | |||
Cinematography by | |||
| Pascal Gennesseaux | |||
Film Editing by | |||
| Véronique Parnet | |||
Casting by | |||
| Bernard Savin Pascaud | |||
Production Design by | |||
| Jean-Pierre Fouillet | |||
Art Direction by | |||
| Jean-Pierre Fouillet | |||
| Sophie Campbell | (art direction) (uncredited) | ||
Set Decoration by | |||
| Stéphane Blau | |||
| Christophe Faton | |||
| Frédérique Nouailhat | |||
Costume Design by | |||
| Mimi Lempicka | (as Mimi Lempika) | ||
Production Management | |||
| Sylvie Chevereau-Marchais | .... | production manager | |
| Solenn Colas | .... | assistant production manager | |
| Eric Duchêne | .... | unit manager | |
Art Department | |||
| Hervé Babaud | .... | plasterer | |
| Gille Baette | .... | construction manager | |
| Eric Berthet | .... | head carpenter | |
| Hubert Bocquet | .... | carpenter | |
| Marc Bonetti | .... | carpenter | |
| Sophie Campbell | .... | assistant art director | |
| John Cavard | .... | carpenter | |
| Vincent Dangoise | .... | painter | |
| Frédéric Danos | .... | painter | |
| Pascale Evrard | .... | carpenter | |
| Christian Gazio | .... | property master | |
| Farida Hadjour | .... | art department secretary | |
| Jacky Hardouin | .... | chief carpenter | |
| Jérôme Hayot | .... | painter | |
| Joanna Kotowicz | .... | assistant art director | |
| Jérôme Larivière | .... | carpenter | |
| Xavier Laroyenne | .... | carpenter | |
| Nicolas Le Jeune | .... | prop buyer | |
| Alain Le Méo | .... | carpenter | |
| Sylvie Léger | .... | painter | |
| Caroline Martinet | .... | painter | |
| Frédéric Nollet | .... | painter | |
| Magali Oechsner de Coninck | .... | sculptor | |
| Rodolphe Planchais | .... | trainee art director | |
| Olivier Rouillard | .... | assistant art director | |
| Guillaume Rouzade | .... | painter | |
| Laurent Soulier | .... | head painter | |
| Angélique Verbeck | .... | assistant art director (as Angélique Verbeeck) | |
Sound Department | |||
| Germain Boulay | .... | sound editor | |
| Denis Carquin | .... | boom operator | |
| Pascal Dedeye | .... | foley artist | |
| Toni Di Rocco | .... | sound recordist | |
| Ivan Dumas | .... | additional sound assistant | |
| Eric Ferret | .... | sound recordist | |
| Daniel Gries | .... | assistant foley artist | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Lionel Le Bras | .... | boom operator | |
| Anne Le Campion | .... | sound mixer | |
| Pierre Lenoir | .... | sound | |
| Marion Lorthioir | .... | post-synchronisation | |
| Gréggory Poncelet | .... | sound recordist | |
| Laurent Quaglio | .... | sound designer | |
| Serge Rouquairol | .... | foley sound editor | |
| Eric Tisserand | .... | sound recordist | |
Special Effects by | |||
| Jean-Claude Dauphinot | .... | special effects | |
| Georges Demétrau | .... | special effects | |
| Pierre Foury | .... | special effects | |
| Sara Helmlinger | .... | special effects | |
| Jérome Miel | .... | special effects | |
| Jacques-Olivier Molon | .... | assistant special effects | |
| François Philippi | .... | special effects | |
| Benoît Squizzato | .... | special effects | |
| Olivier Zenenski | .... | special effects | |
Visual Effects by | |||
| Catherine Athon | .... | digital coordinator | |
| Stephanie Aubriot | .... | digital artist | |
| Quentin Auger | .... | character setup and animation | |
| Alex Bernardi | .... | software engineer: research and development | |
| Farchad Bidgolirad | .... | research & development lead | |
| Axel Bonami | .... | digital compositor | |
| Cyrille Bonjean | .... | digital compositor | |
| Cyrille Bonjean | .... | visual effects coordinator | |
| Lucie Bories | .... | digital compositor | |
| Ronan Broudin | .... | digital compositor | |
| Habbah Bruno | .... | digital compositor | |
| Myriam Catrin | .... | digital artist | |
| Seb Caudron | .... | visual effects supervisor | |
| Julien Charles | .... | digital artist | |
| Gérald Clévy | .... | rotoscopy | |
| Julien Cohen Bengio | .... | animation artist | |
| Julien Cohen Bengio | .... | software engineer | |
| Yann Couderc | .... | lighting artist | |
| Olivier Coulon | .... | matte painter | |
| Stéphane Dalbera | .... | motion capture consultant | |
| Benoit De Longlee | .... | special visual effects | |
| Brune Marie de Miscault | .... | digital artist | |
| Valérie de Palma | .... | motion capture lead | |
| Benjamin Deboute | .... | render wrangler | |
| Fabrice Delapierre | .... | animation supervisor | |
| Jerome Desvignes | .... | characters modeling supervisor | |
| Delphine Doreau | .... | texturing supervisor (as Delphine Coffin) | |
| Florence Dubin | .... | digital effects artist | |
| Lionel Duminil | .... | digital compositor | |
| Ludovic Fouche | .... | matchmover | |
| Jerome Fournier | .... | visual effects | |
| Eric Gambini | .... | digital artist | |
| Christine Gatto | .... | virtual set supervisor: interior set | |
| Pierre Genin | .... | roto 3D supervisor | |
| Renaut Gilles | .... | layout artist | |
| Pierre Gosset | .... | digital compositor | |
| Matthieu Grospiron | .... | lighting supervisor | |
| Bruno Hajnal | .... | lighter | |
| Ali Hamdan | .... | digital artist | |
| Afif Heukeshoven | .... | on-set match mover | |
| Philippe Huberdeau | .... | 3D layout assistant | |
| Philippe Huberdeau | .... | digital compositor | |
| Philippe Huberdeau | .... | visual effects coordinator | |
| Nicolas Kermel | .... | digital artist | |
| Jean-Charles Kerninon | .... | layout artist | |
| Jean-Charles Kerninon | .... | modeling artist | |
| Farid Khadiri-Yazami | .... | lighting & modeling: Duran | |
| Aurelie Lajoux | .... | digital compositor | |
| Aurelie Lajoux | .... | visual effects coordinator | |
| Julien Lambert | .... | lead lighting artist | |
| Emmanuel Le Courbe | .... | digital compositor | |
| Yann Leroux | .... | digital compositor | |
| Julien Leveugle | .... | lighting technical director | |
| Emmanuel Linot | .... | senior animator | |
| Sergeï Lourié | .... | digital compositor | |
| Jean Baptiste Lère | .... | visual effects technical director assistant | |
| Catherine Macresy | .... | visual effects production manager | |
| Frederic Medioni | .... | tracking artist | |
| Fredrik Monteil | .... | digital compositor | |
| Antoine Moulineau | .... | rendering lead | |
| Malik Nahassia | .... | digital effects artist | |
| Carrié Nicolas | .... | digital artist | |
| Prothais Nicolas | .... | senior animator | |
| Alban Orlhiac | .... | lead texture artist | |
| Fred Palacio | .... | virtual set supervisor: outside set | |
| Stephane Paris | .... | modeling technical director | |
| Arnaud Pecqueur | .... | lead texture artist | |
| Claire Pegorier | .... | digital effects artist | |
| Cecile Peltier | .... | digital compositor | |
| Carlos Perona | .... | lighting artist | |
| Carlos Perona | .... | modeler | |
| Cyril Pichard | .... | research & development | |
| Jacquemin Piel | .... | visual effects supervisor | |
| Olivier Pinol | .... | lead lighter | |
| Sebastien Rame | .... | digital compositor | |
| Olivier Renouard | .... | character setup supervisor | |
| Caroline Rézeau | .... | lead texture artist | |
| Florian Salanova | .... | lighting artist | |
| Pierre Salazar | .... | modeler | |
| Pascal Savignac | .... | lead texture artist | |
| Denis Scolan | .... | digital compositor | |
| Bruno Serre | .... | digital artist | |
| Gaël Seydoux | .... | on-set supervisor: Duboi | |
| Gaël Seydoux | .... | visual effects consultant: Telema | |
| Manuel Souillac | .... | digital artist | |
| Majid Taibi | .... | visual effects | |
| Nina Taraud | .... | render wrangler | |
| Sebastien Terme | .... | digital artist | |
| Chris Thunig | .... | digital matte artist: Duran | |
| Georges Tornero | .... | digital artist | |
| Marine Tuloup | .... | CGI set and props production coordinator | |
| Patrice Wechsler | .... | lighting production manager | |
| Veronique Zylberfain | .... | matte painter | |
Stunts | |||
| Laurent Avare | .... | stunts | |
| Rémi Canaple | .... | assistant stunt coordinator | |
| Rémi Canaple | .... | stunts | |
| Alexandre Cauderlier | .... | stunts | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Yan Dron | .... | stunt double | |
| Pascaline Girardot | .... | stunts | |
Animation Department | |||
| Guillaume Aliquot | .... | animator | |
| Stephane Hoarau | .... | character setup | |
| Jean-Marc Ky | .... | animator | |
| Catherine Loonis | .... | lighter | |
| Ahmidou Lyazidi | .... | character modeler | |
| Jean-Paul Tétu | .... | layout artist | |
Casting Department | |||
| Alexandra Paraboschl | .... | casting assistant | |
| Jean-Jacques Pugliese | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Adélaïde Gosselin | .... | wardrobe supervisor | |
| Laetitia Harvey | .... | wardrobe assistant | |
| Clara Le Picard | .... | wardrobe assistant | |
| Maira Ramedhan Lévy | .... | wardrobe assistant | |
Editorial Department | |||
| Serge Anthony | .... | grader | |
| Jérôme Arthuis | .... | color grading coordinator | |
| Stéphanie Carré | .... | post-production coordinator | |
| Isabelle Julien | .... | color timer | |
| Catherine Macresy | .... | supervising editor | |
| Magali Magnan | .... | assistant editor | |
| Annick Ménier | .... | post-production coordinator | |
| Laurent Pelé | .... | first assistant editor | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Emmanuelle Zelez | .... | first assistant editor | |
Music Department | |||
| Valérie Lindon | .... | music supervisor | |
| Ralph Rainger | .... | composer: song "June in January" | |
Other crew | |||
| Julie Adams | .... | dialect coach | |
| Jérôme Arthuis | .... | scan editing supervisor | |
| Sophie Bernard | .... | production coordinator | |
| Thomas Capelle | .... | r&d engineer | |
| Thomas Foncelle | .... | lead render wrangler | |
| Laurence Granec | .... | publicist | |
| Christophe Huchet | .... | title designer: main titles | |
| Laurence Lemaire-Bazi | .... | script supervisor (as Laurence Lemaire) | |
| Ash Malde | .... | auditor: Malde & Co. (as Ashit Malde) | |
| Peggy Plessas | .... | dialogue coach (as Peggy Hall Plessas) | |
| Vaden Shah | .... | auditor: Malde & Co. | |
| Claude Varis | .... | production assistant | |
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| Enter the Void | The Stunt Man | The English Patient | Rois et reine | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb France section |
This is a very stylish and artistic movie, but it doesn't forget to tell a story. It is all done in bleak and washed out colors. It is a poetic movie; while the genre is science fiction, the author obviously could not care less for real science fiction. It's just design material, just as the piece of Egyptian mythology. The story line is straight, and has a style that is a mix between french and Japanese comics. It has the deadly epic seriousness of anime, and the designwork is both kitsch and awesome at the same time, as is customary for the french metal hurlant style. And, most refreshing, there is not a hint of Hollywood in this. So, sit back and let it flow.
I give the movie nine out of ten, but I can't say I feel hungry for more. No, what I'd like to see on the screen is some real science fiction. Not Star Wars crap and not poetic artistry, but the real thing, a modern novel by the likes of Iain M. Banks or Greg Egan adapted for the screen. Sadly enough, sf for the movies is becoming something that is exploited for it's kitschy futuristic themes and it's design and action possibilities, rather than a way to express the true visions the bookshelves are actually overflowing with. But here's still hoping...