| Photos (see all 35 | slideshow) | Videos (see all 3) |
Glen A. Larson (earlier teleplay)
Ronald D. Moore (written by) ...
(more)
8 December 2003 (USA) more
Never create what you can't control. more
A re-imagining of the original series in which a "rag-tag fugitive fleet" of the last remnants of mankind flees pursuing robots while simultaneously searching for their true home, Earth. full summary | add synopsis
Nominated for 3 Primetime Emmys. Another 2 wins & 3 nominations more
Drawing on Imagination: 'UFO - The Movie' Concept Art
(From CinemaSpy. 9 June 2009, 9:30 PM, PDT)
Battlestar Galactica: The Movie?
(From SciFiCool.com. 23 February 2009, 8:02 AM, PST)
Some of the anti-BSG2003 complaints are just crazy more (428 total)
Directed by | |||
| Michael Rymer | |||
Writing credits | ||
| Glen A. Larson | (earlier teleplay) | |
| Ronald D. Moore | (written by) and | |
| Glen A. Larson | (written by) (as Christopher Eric James) | |
Produced by | |||
| David Eick | .... | executive producer | |
| Harvey Frand | .... | producer | |
| Michael R. Joyce | .... | consulting producer | |
| Glen A. Larson | .... | consulting producer | |
| Ronald D. Moore | .... | executive producer | |
Original Music by | |||
| Richard Gibbs | |||
Cinematography by | |||
| Joel Ransom | |||
Film Editing by | |||
| Dany Cooper | |||
Casting by | |||
| Heike Brandstatter | |||
| Eric Dawson | |||
| Carol Kritzer | |||
| Coreen Mayrs | |||
| Robert J. Ulrich | |||
Production Design by | |||
| Richard Hudolin | |||
Art Direction by | |||
| Doug McLean | |||
Set Decoration by | |||
| Shirley Inget | |||
Costume Design by | |||
| Deborah Everton | |||
Makeup Department | |||
| Hayley Miller | .... | assistant makeup artist | |
| Bill Terezakis | .... | special makeup effects design | |
Production Management | |||
| Craig Forrest | .... | unit manager | |
| Ron French | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Dashkewytch | .... | first assistant director | |
| Sara Irvine | .... | third assistant director | |
| Brad Jubenville | .... | second assistant director | |
Art Department | |||
| Dominique Arcadio | .... | art researcher | |
| David Asmodeus | .... | props buyer | |
| Sandra Baier | .... | assistant properties | |
| Nancy Anna Brown | .... | set designer | |
| John Burke | .... | set designer | |
| Eric Chu | .... | concept designer | |
| Joelle Ciona | .... | set designer | |
| Chris Claridge | .... | construction coordinator | |
| Jennifer Donaldson | .... | set designer | |
| Osheen Harruthoonyan | .... | set dresser | |
| Ray Lai | .... | illustrator | |
| Richard Carl Livingston | .... | concept artist | |
| Michael Love | .... | assistant property master | |
| Max Matsuoka | .... | first assistant property master | |
| Colin Meacham | .... | on-set dresser | |
| Ken Rabhel | .... | additional art director | |
| Paitoon Ratanasirintrawoot | .... | concept artist | |
| Margot Ready | .... | assistant art director | |
| Dan Sissons | .... | property master | |
| Gary Young | .... | prop builder | |
Sound Department | |||
| Vince Balunas | .... | sound editor | |
| Chris Boyett | .... | adr editor | |
| Chris Boyett | .... | sound editor | |
| Murray Brown | .... | sound | |
| Jeff K. Brunello | .... | sound editor (as Jeff Brunello) | |
| Daniel Colman | .... | sound designer | |
| Daniel Colman | .... | sound editor | |
| Wendy Czajkowsky | .... | adr mixer: Vancouver | |
| Sean Keegan | .... | foley mixer | |
| Jack Levy | .... | supervising sound editor | |
| Doug Madick | .... | foley artist | |
| Roderick Matte | .... | boom operator | |
| Frank Nolan | .... | adr supervisor | |
| Richard Partlow | .... | foley artist (as Rick Partlow) | |
| Dennis Petersen | .... | sound recordist | |
| Paulette Victor-Lifton | .... | sound facility supervisor | |
Special Effects by | |||
| Douglas W. Beard | .... | special effects technician | |
| Terry Sonderhoff | .... | special effects coordinator | |
| Robert Yeager | .... | special effects assistant | |
| Kenneth Thomson Jr. | .... | special effects (uncredited) | |
Visual Effects by | |||
| Sean Apple | .... | digital compositor | |
| William L. Arance | .... | 3D modeler | |
| Joel Ashman | .... | digital compositor: Zoic Studios | |
| Robert J. Baldwin | .... | digital artist (as Rob Baldwin) | |
| Justin Ball | .... | senior systems engineer: Zoic Studios | |
| Raoul Bolognini | .... | visual effects coordinator | |
| Rob Bonchune | .... | computer graphics artist | |
| Corey Bramall | .... | digital artist | |
| Kristen Branan | .... | visual effects producer | |
| Jamie Clark | .... | digital artist | |
| Jarrod Davis | .... | digital artist | |
| Patti Gannon | .... | lead visual effects compositor | |
| Aram Granger | .... | digital artist | |
| Gary Hutzel | .... | miniature cinematographer | |
| Gary Hutzel | .... | visual effects supervisor | |
| Chris John Jones | .... | creative director: Zoic Studios | |
| Christopher Jones | .... | lead visual effects compositor | |
| Gabriel Köerner | .... | digital artist | |
| Errol Lanier | .... | digital artist | |
| Paul Maples | .... | previsualization artist | |
| Steven Meyer | .... | digital compositor | |
| Terry Naas | .... | digital artist | |
| Fabio Passaro | .... | digital artist | |
| Jose Perez | .... | visual effects | |
| Kevin Quattro | .... | digital artist | |
| Jeffery Quinn | .... | effects production assistant | |
| Mark Rasmussen | .... | design supervisor: Enigma Studios Inc | |
| Jon Rosenthal | .... | digital artist | |
| Mark Shimer | .... | visual effects animator | |
| Emile Edwin Smith | .... | digital effects supervisor | |
| Mark Spatny | .... | visual effects producer: Modern VideoFilm | |
| Lee Stringer | .... | CG supervisor | |
| Kyle Toucher | .... | digital artist | |
| Jesse Toves | .... | digital artist | |
| Scott Wheeler | .... | digital effects artist | |
| Nina Yoon | .... | paint/roto artist | |
Stunts | |||
| Lauro Chartrand | .... | stunt performer | |
| Janina Dall | .... | stunts | |
| Crystal Dalman | .... | stunt double (unconfirmed) | |
| Monique Ganderton | .... | stunt double | |
| Mike Mitchell | .... | stunt coordinator | |
| Aleks Paunovic | .... | boxing coordinator | |
Camera and Electrical Department | |||
| Jean Chiasson | .... | dolly grip | |
| Curt Griebel | .... | key grip | |
| Simon Hall | .... | video playback operator | |
| Jeffrey M. Hoffman | .... | camera operator | |
| Prem Marimuthu | .... | electrician | |
| Ryan McMaster | .... | camera operator: "a" camera | |
| Scott Mitchell | .... | best boy | |
| Scott Mitchell | .... | rigging electrician | |
| Saubrie Mohamed | .... | rigging best boy | |
| Joe Waistell | .... | additional first assistant camera | |
| Christian Stevens | .... | camera trainee (uncredited) | |
Casting Department | |||
| Corbin Bronson | .... | casting associate | |
| James Forsyth | .... | extras casting | |
| Rita Foung | .... | casting associate | |
| Sibby Kirchgessner | .... | casting associate | |
| James Moore | .... | casting assistant | |
| Jill Warner | .... | casting intern | |
Costume and Wardrobe Department | |||
| Cori Burchell | .... | assistant costume designer | |
| Shane Deschamps | .... | set costume supervisor | |
| Nicole Gorsuch | .... | costume supervisor | |
| Scott Maple | .... | costume consultant: classic "Cylon" costumes | |
| Katherine Wigzell | .... | truck costumer | |
Editorial Department | |||
| Jason Dale | .... | first assistant editor | |
| Luben Izov | .... | first assistant editor | |
| Sondra Watanabe | .... | second editor | |
Music Department | |||
| Jordan Corngold | .... | music editor | |
| Robert Fernandez | .... | orchestral engineer | |
| Steve Kaplan | .... | score mixer | |
| Bear McCreary | .... | composer: additional music | |
Other crew | |||
| John K. Alexander | .... | assistant location manager | |
| Craig Anderl | .... | assistant: director | |
| Carol Bailey | .... | first assistant accountant | |
| Ron Blecker | .... | technical advisor: military | |
| Laurie Boyle | .... | production accountant | |
| Charles Crossin | .... | extras wrangler | |
| Maril Davis | .... | assistant: Ronald D. Moore | |
| Tee Fargo | .... | lead stand-in | |
| Carol Green-Lundy | .... | second script supervisor | |
| Jennifer Harland | .... | background coordinator | |
| Carol Marks-George | .... | unit publicist | |
| Shaun Mckay | .... | payroll accountant | |
| Bonny Northcott | .... | scout | |
| Nicole Oguchi | .... | assistant production coordinator | |
| Cara Rogers | .... | production coordinator | |
| Peter Ruttan | .... | playback designer | |
| Tisha Simpkins | .... | key production assistant | |
| Kent Sponagle | .... | location manager | |
| Ryan Steacy | .... | armorer | |
| Scott Steyns | .... | playback coordinator | |
| Camryn Thomas | .... | assistant: Ronald D. Moore | |
| Elizabeth Weinstein | .... | photo double (uncredited) | |
Battlestar Galactica: The Miniseries (USA) (long title)
Battlestar Galactica (Germany) [de]
Battlestar Galactica (France) [fr]
Csillagközi romboló (Hungary) [hu]
Galactica - Astronave de Combate (Brazil) (DVD title) [pt]
O Retorno de Galactica (Brazil) (cable TV title) [pt]
Taisteluplaneetta Galactica (Finland) [fi]
Thorikto Galactica (Greece) [el]
more
USA:180 min
1.78 : 1 more
Canada:14A (DVD/video rating) | Netherlands:12 | Sweden:11 | Australia:M | Germany:12 | Singapore:NC-16 | UK:12 | USA:TV-14 (part 1) | USA:TV-PG (part 2) | Iceland:L
Bloedel Floral Conservatory, Vancouver, British Columbia, Canada more
During the first Viper/Cylon engagement, the lead pilot calls for his wingman, "Jolly". Jolly was one of the pilots on the original "Battlestar Galactica" (1978). more
Audio/visual unsynchronized: In part 2, when the fleet is preparing to leave the storm at Ragnar station, Col. Tigh is heard giving orders to lay down covering fire, but his mouth isn't moving while he speaks into the radio. more
[his decommissioning speech]
Adama:
The Cylon War is long over, yet we must not forget the reasons why so many sacrificed so much in the cause of freedom. The cost of wearing the uniform can be high, but...
[very long pause]
Adama:
sometimes it's too high. You know, when we fought the Cylons, we did it to save ourselves from extinction. But we never answered the question "Why?" Why are we as a people worth saving? We still commit murder because of greed and spite, jealousy, and we still visit all of our sins upon our children...
more
|
|
|
|
|
| The Transformers: The Movie | Star Wars | Serenity | Star Wars: Episode V - The Empire Strikes Back | Star Wars: Episode VI - Return of the Jedi |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
Besides saying that I really liked the re-imagining of Galactica, I just wanted to point out the madness in one of the recurring complaints I've noticed among fans *and* nay-sayers of BSG2003. I read a lot of people saying "the new one doesn't have the humour of the original" or "it takes itself so seriously, the characters are too serious," or things to that effect.
I'm just wondering... how funny do you expect a nuclear holocaust to be?? I mean, writers of fiction are hoping that you can suspend your disbelief and try for a moment to imagine that what you are seeing is real, or could be real. So imagine for a moment, if you can, that you live in NYC and you just heard on the news that H-bombs have started falling from the sky in LA, and they're coming down in waves, west-to-east, and humanity is being utterly wiped out. Millions of people-- men, women and children, perhaps members of your own family, are dying in terror. Are you *really* going to be cracking jokes? Imagine that the human race is quickly being massacred, only a few hundred are managing to escape-- a tiny fraction of what civilization was, and you aren't sure if you're going to survive into tomorrow. Just how much humour is going to be in the air, mixing with the fallout and all? Even before the bombs start falling, all of the "overly serious" characters seem to me to have pretty good reasons... Adama's ship is being turned into a museum, effectively ending a major chapter in his military career (which is his life), Apollo's having to face his father, whom he blames for his brother's death, Teague is a drunk (they're not often the cheeriest people), Lauren's just been diagnosed with terminal cancer... you expect these people to be making with the ha-ha?
The character I did find funniest was Starbuck. Be it because she was a little 'crazy' or because she had the least on her shoulders (besides her boyfriend dying 2 years ago because of a decision she made... hm, may explain the 'crazy' a little, y'think?) to spoil her mood, and what do people say about Starbuck? "She was too crazy." There really *is* no pleasing some people.
Arguing that the characters in a story that depicts the extermination of said characters' species are "too serious" is... well, it only shows that you either can't do what the writers would like you to do-- and imagine yourself as a part of this world-- or that you can, but you're a suicidal sociopath.
I thought the miniseries was excellent; the re-worked premise made for a more textured story, the characters actually had some depth this time around, and were well-played by actors who obviously tried to 'get' some of the nuances of their characters and could take a serious situation (however imaginary) seriously. And I loved the special effects, too.
So with all due respect, the puritans who prefer the shallow, campy 70's series with its recycled fx footage, its 2-dimensional characters and it's plot that provides little context or background, can stick their complaints in their old pipes and smoke 'em.