| Photos (see all 20 | slideshow) | Videos (see all 11 NEW) |
| Alexandre Rodrigues | ... | Buscapé - Rocket | |
| Leandro Firmino | ... | Zé Pequeno - Li'l Zé (as Leandro Firmino da Hora) | |
| Phellipe Haagensen | ... | Bené - Benny | |
| Douglas Silva | ... | Dadinho - Li'l Dice | |
| Jonathan Haagensen | ... | Cabeleira - Shaggy | |
| Matheus Nachtergaele | ... | Sandro Cenoura - Carrot | |
| Seu Jorge | ... | Mané Galinha - Knockout Ned | |
| Jefechander Suplino | ... | Alicate - Clipper | |
| Alice Braga | ... | Angélica | |
| Emerson Gomes | ... | Barbantinho - Stringy | |
| Edson Oliveira | ... | Barbantinho Adulto - Older Stringy | |
| Michel de Souza | ... | Bené Criança - Young Benny (as Michel De Souza Gomes) | |
| Roberta Rodrigues | ... | Berenice - Bernice | |
| Luis Otávio | ... | Buscapé Criança - Young Rocket | |
| Maurício Marques | ... | Cabeção - Melonhead | |
| Gustavo Engracia | ... | Editor do Jornal - Rogerio Reis | |
| Darlan Cunha | ... | Filé-com-Fritas - Steak and Fries | |
| Robson Rocha | ... | Gelson - Gerson | |
| Thiago Martins | ... | Lampião | |
| Leandra Miranda | ... | Lúcia Maracanã | |
| Graziela Moretto | ... | Marina Cintra (as Graziella Moretto) | |
| Renato de Souza | ... | Marreco - Goose | |
| Karina Falcão | ... | Mulher do Paraíba - Shorty's Wife | |
| Sabrina Rosa | ... | Namorada do Galinha - Knockout's Girlfriend | |
| Rubens Sabino | ... | Neguinho - Blacky | |
| Marcos 'Kikito' Junqueira | ... | Otávio | |
| Edson Montenegro | ... | Pai Buscapé - Rocket's Father | |
| Gero Camilo | ... | Paraíba - Shorty | |
| Felipe Silva | ... | Rafael | |
| Daniel Zettel | ... | Thiago - Tiago | |
| Charles Paraventi | ... | Tio Sam - Uncle Sam | |
| Luiz Carlos Ribeiro Seixas | ... | Touro | |
| Paulo 'Jacaré' César | ... | Tuba | |
| Danielle Ornelas | ... | Vizinha do Paraíba - Shorty's Neighbor (as Danielle Ornellas) | |
| Bernardo Santos | ... | Caixa Baixa - Runts | |
| Diego Batista | ... | Caixa Baixa - Runts | |
| Diego Ferreira | ... | Caixa Baixa - Runts | |
| Marcio Vinicios | ... | Caixa Baixa - Runts | |
| Micael Borges | ... | Caixa Baixa - Runts | |
| Rafael de Castro | ... | Caixa Baixa - Runts | |
| Ramon Francisco | ... | Caixa Baixa - Runts | |
| Thiago Wallace | ... | Caixa Baixa - Runts | |
| Alexander Cerqueira | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Alexandre 'China' Tavares | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| André Pires Martins | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| António Rodrigues | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Bartolomeu Braga | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Carlos Henrique Avernas | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Cláudio César | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Cleiton Ventura | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Damião Firmino | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Euclides Garcia | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Fábio Castor Conceição | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Felipe Nogueira | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Ivan Martins | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| John Lima | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Jonas Michel | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Leandro Lucas | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Leandro Dias Batista | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Lúcio Andrey | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Luis Carlos Rodrigues Oliveira | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Luís Nascimento | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Marcello Melo Junior | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Márcio Costa | ... | Bando Zé Pequeno - Li'l Zé's Gang / Bando Cenoura - Carrot's Gang | |
| Mário Luiz Costa Oliveira | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Nelson Amaral | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Omar 'Mazinho' Barcelos | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Otto Amorim | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Peter Soares | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Rafael de Souza | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Roberto Miguez | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Rómulo 'Guinomo' Sech | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Ruy Vitório | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Sérgio Bispo | ... | Bando Zé Pequeno - Li'l Zé's Gang | |
| Alex dos Santos | ... | Bando Cenoura - Carrot's Gang | |
| Anderson Bruno Marques | ... | Bando Cenoura - Carrot's Gang | |
| Anderson Lugão | ... | Bando Cenoura - Carrot's Gang | |
| André Luiz Mendes | ... | Bando Cenoura - Carrot's Gang | |
| Antoni Guedes | ... | Bando Cenoura - Carrot's Gang | |
| Bruno Ricardo | ... | Bando Cenoura - Carrot's Gang | |
| Charles Samuel | ... | Bando Cenoura - Carrot's Gang | |
| Éder Júlio Martins | ... | Bando Cenoura - Carrot's Gang | |
| Eduardo 'BR' Piranha | ... | Bando Cenoura - Carrot's Gang | |
| Erick Oliveira | ... | Bando Cenoura - Carrot's Gang | |
| Fábio 'Dog' da Cunha | ... | Bando Cenoura - Carrot's Gang | |
| Felipe Villela Mendonça | ... | Bando Cenoura - Carrot's Gang | |
| Frederico Lins | ... | Bando Cenoura - Carrot's Gang | |
| Guilherme Estevam | ... | Bando Cenoura - Carrot's Gang | |
| Guilherme William | ... | Bando Cenoura - Carrot's Gang | |
| Harlem Teixeira | ... | Bando Cenoura - Carrot's Gang | |
| Leandro Gonçalves | ... | Bando Cenoura - Carrot's Gang | |
| Leandro Lima | ... | Bando Cenoura - Carrot's Gang | |
| Leiz Moreira | ... | Bando Cenoura - Carrot's Gang | |
| Leonardo Melo | ... | Bando Cenoura - Carrot's Gang | |
| Luis Carlos Oliveira | ... | Bando Cenoura - Carrot's Gang | |
| Marcelo Melo | ... | Bando Cenoura - Carrot's Gang (as Marcello Melo) | |
| Marcello 'Máscara' Alves | ... | Bando Cenoura - Carrot's Gang | |
| Wallace Araújo | ... | Bando Cenoura - Carrot's Gang | |
| Wallace Nascimento | ... | Bando Cenoura - Carrot's Gang | |
| Wanderson 'Petão' Lopes | ... | Bando Cenoura - Carrot's Gang | |
| Wellington Costa Ricardo | ... | Bando Cenoura - Carrot's Gang | |
| Wemerson Gonçalves | ... | Bando Cenoura - Carrot's Gang | |
| Wendel Barros | ... | Bando Cenoura - Carrot's Gang | |
| Yuri Krushewsky | ... | Bando Cenoura - Carrot's Gang | |
| Anderson Faria | ... | Cocotas - Groovies | |
| Arlindo Lopes | ... | Cocotas - Groovies | |
| Carol Meirelles | ... | Cocotas - Groovies | |
| Carlos 'Lencinho' Smith | ... | Cocotas - Groovies | |
| Christiano | ... | Cocotas - Groovies | |
| Diego Mendes | ... | Cocotas - Groovies | |
| Jéssica da Silva | ... | Cocotas - Groovies | |
| Luciana Roque | ... | Cocotas - Groovies | |
| Marina Mandonça Pinheiro | ... | Cocotas - Groovies | |
| Michele Gonçalves | ... | Cocotas - Groovies | |
| Pierre dos Santos | ... | Cocotas - Groovies | |
| Renan Monteiro | ... | Cocotas - Groovies | |
| Vinicius Faria | ... | Cocotas - Groovies | |
| Delano Valentim | ... | Polícia - Police | |
| Ed Money | ... | Polícia - Police | |
| Fabiano Gonçalves | ... | Polícia - Police | |
| Felipe Porto | ... | Polícia - Police | |
| Francisco Marcos | ... | Polícia - Police | |
| Leo Generoso | ... | Polícia - Police | |
| Marcelo António Santos | ... | Polícia - Police | |
| Marcelo Araújo | ... | Polícia - Police | |
| Marcos Viana | ... | Polícia - Police | |
| Maurício Figueiras | ... | Polícia - Police | |
| Ricardo Lira | ... | Polícia - Police | |
| Ricardo Rocha da Silva | ... | Polícia - Police | |
| Wagner Mello | ... | Polícia - Police | |
| Waldeck Roque | ... | Polícia - Police | |
| Júlio César Siqueira | ... | Aristóteles | |
| Denise Fonseca | ... | Ba | |
| Adão Xalebaradã | ... | Exu (as Adão dos Santos Thiago) | |
| Edward Boggiss Lustosa | ... | Garoto viciado - Addicted Kid | |
| Guti Fraga | ... | Gerente do supermercado - Supermarket Manager | |
| Babu Santana | ... | Grande - Big Boy (as Alexandre Santana) | |
| Marcello Costa | ... | Irmão Mané Galinha - Knockout Ned's Brother (as Marcelo Costa) | |
| Marcos Coutinho | ... | Irmão Mané Galinha - Knockout Ned's Brother | |
| João Soares | ... | Jabá | |
| Rafael Fontenele | ... | Jovem Trabalhador - Young Worker | |
| Rosangela Rodrigues | ... | Mãe Buscapé - Rocket's Mother | |
| Jota Farias | ... | Motorista do DKW - Driver | |
| Mary Sheila | ... | Mulher do Neguinho - Blacky's Wife (as Mary Sheyla de Paula) | |
| Gil Torres | ... | Mulher do Ônibus - Woman on Bus | |
| Paulo Lins | ... | Pastor da Igreja - Shepherd of the Church | |
| Christian Duurvoort | ... | Paulista - Man from São Paulo | |
| Olivia Araújo | ... | Recepcionista do Motel - Motel Receptionist (as Olívia Araújo) | |
| rest of cast listed alphabetically: | |||
| Sérgio Chapelin | ... | Himself - Reporter (archive footage) (uncredited) | |
| Tulé Peak | ... | Newspaper Employee (uncredited) | |
Directed by | |||
| Fernando Meirelles | |||
| Kátia Lund | (co-director) | ||
Writing credits(in alphabetical order) | ||
| Paulo Lins | novel | |
| Bráulio Mantovani | screenplay | |
Produced by | |||
| Andrea Barata Ribeiro | .... | producer | |
| Marc Beauchamps | .... | co-producer | |
| Bel Berlinck | .... | line producer | |
| Daniel Filho | .... | co-producer | |
| Hank Levine | .... | co-producer | |
| Vincent Maraval | .... | co-producer | |
| Mauricio Andrade Ramos | .... | producer | |
| Donald Ranvaud | .... | executive producer (as Donald K. Ranvaud) | |
| Juliette Renaud | .... | co-producer | |
| Walter Salles | .... | executive producer | |
| Elisa Tolomelli | .... | line producer | |
Original Music by | |||
| Ed Cortês | |||
| Antonio Pinto | |||
Cinematography by | |||
| César Charlone | |||
Film Editing by | |||
| Daniel Rezende | |||
Production Design by | |||
| Tulé Peak | |||
Costume Design by | |||
| Bia Salgado | |||
| Inês Salgado | |||
Makeup Department | |||
| Donna Meirelles | .... | makeup artist | |
| Anna Van Steen | .... | makeup designer | |
Production Management | |||
| René Bittencourt | .... | production manager | |
| Claudine Franco | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lamartine Ferreira | .... | assistant director | |
| Malu Miranda | .... | third assistant director | |
| Isabella Teixeira | .... | second assistant director | |
Art Department | |||
| Bia Pessoa | .... | art painter | |
| Bia Pessoa | .... | special paint effects | |
| Rafael Ronconi | .... | assistant production designer | |
| Severo Santos | .... | assistant art producer | |
Sound Department | |||
| Guilherme Ayrosa | .... | sound | |
| Lisa Geffcken-Reinhard | .... | dialogue editor | |
| Martín Hernández | .... | sound designer | |
| Carlos Honc | .... | sound | |
| Alessandro Laroca | .... | sound | |
| Samuel Mendoza | .... | foley artist | |
| Paulo Ricardo Nunes | .... | sound | |
| Rudy Pi | .... | sound re-recording mixer | |
| Alejandro Quevedo | .... | sound | |
| Pradip Romay | .... | sound editor | |
| Adam Sawelson | .... | sound | |
| Unsun Song | .... | sound re-recordist | |
| Roland N. Thai | .... | sound effects editor | |
Visual Effects by | |||
| Renato Batata | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Pablo Baião | .... | second assistant camera (as Pablo Giannini Baião) | |
| Francisco Bispo | .... | best boy | |
| Roberto Brito | .... | electrician | |
| Lula Carvalho | .... | first assistant camera | |
| Cristiano Conceição | .... | assistant camera: second unit | |
| Amarildo Cruz | .... | electrician | |
| Breno Cunha | .... | assistant camera: second unit | |
| Alexandre Dantas | .... | video assistant: second unit | |
| Pablo Hoffmann | .... | video assist operator | |
| Sérgio Isidoro | .... | gaffer | |
| Márcio Manhães | .... | assistant electrician | |
| Clóvis Marinho | .... | assistant grip | |
| Paulo Miranda | .... | grip | |
| Mário Moraes | .... | grip | |
| Julia Schmidt | .... | third assistant camera | |
| Vitor Scola | .... | assistant grip | |
| Fabricio Tadeu | .... | Steadicam operator | |
Costume and Wardrobe Department | |||
| Patricia Monteiro | .... | costume assistant | |
Editorial Department | |||
| Alessandra Casolari | .... | post-production coordinator | |
| João Cutileiro Nunes | .... | first assistant editor | |
| Fred Ricci | .... | assistant editor | |
| Ana Teixeira | .... | assistant editor | |
Music Department | |||
| Simon Katz | .... | featured musician | |
| Armando Torres Jr. | .... | music mixer assistant | |
Other crew | |||
| John Kaylin | .... | dubbing producer | |
| Maria Fatima Toledo | .... | coach | |
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| Pulp Fiction | The Departed | Goodfellas | Pixote: A Lei do Mais Fraco | Plata quemada |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Action section |
| IMDb Brazil section | Add this title to MyMovies |
The film, directed by Fernando Meirelles, tells the story of life in the slums of Rio de Janeiro, in an area known as the Cidade De Deus, the City of God. The story is told from the narration of the young photographer, Rocket. The different scenarios of life that make up the wider-story are presented in Pulp Fiction style chapters, complete with on-screen titles for each different story component. The story covers all the facets of the life, charting the growth of several key members of the gangs from childhood through to young adulthood, with their transformation from young hoodlums to local drugs barons. The final parts of the story focus on the battle within the Cidade De Deus between two different groups, when business and personal matters lead to an unavoidable confrontation. And what a confrontation it is, although details will not be given away here. The result is a powerful telling of life based around real-life events.
Martin Scorsese seems to have a heavy influence on the direction of this picture, with many moments looking familiar to fans of the legendary American filmmaker. Close ups, sweeping scene shots, freeze-and-zoom shots, and a frenzied handheld approach are all trademarks that will be recognisably traceable to Scorsese, having been used throughout his career. Many shots remind the viewer of Scorsese's narrative dialogue-camera relationship in Goodfellas, in which the camera was used to brilliant effect to highlight the main points in the script. This technique is used heavily in the first twenty minutes of Cidade De Deus, with the freeze frame trick being used to introduce the story's main characters alongside the dialogue of narrator, Rocket.
Throughout the film one cannot help but watch a scene and think, 'I've seen that in Raging Bull, Goodfellas, or Casino', and this may make some look less favourably on the film's direction. However, it is not fair to consider this 'a Brazilian Goodfellas', as one critic has observed. The story has parallels - the underlying ideas of gangsters, drugs and violence -, the direction is similar, and the story is told with narration, much like Ray Liotta's role in Scorsese's epic. But to regard this film in terms of what styles it repeats or nods it's hat to, is to be very ignorant. Fernando Meirelles, has done a wonderfully hypnotic job of blending the old styles, and bringing them up to date with flashy and sometimes dangerously kinetic direction and editing. Look only to the leaving-party scene in which strobe lighting is used to extraordinary effect, almost suffocating the story below a bombardment on the visual senses. Think of a crossover between the visual energy of the Matrix and the violence of the club scene in Bad Boys.
Cidade De Deus is much more than a directorial assault on the senses. As Raul Walsh said if you don't have a story you have nothing, and many flashy Hollywood films have fallen short in using 'ultra-modern' direction to disguise the fact that no substantial story exists underneath. Cidade De Deus is most brilliant in that it combines directorial and editorial brilliance with a story that is almost second to none in recent times. Only the true greats manage to cater to these two needs of cinema, and this is one that does. The direction is amazing, but not to disguise the story flaws, and the story is brilliant, but does not overwhelm directorial originality. But simply, Cidade De Deus is a perfect film for avid fans of cinematography, and those just in search of two hours of a bloody good story.
I cannot decide yet if I would consider this better than Amores Perros, but it is certainly not inferior. The at-the-same-time stylish and brutal visuals of Amores Perros are replaced by a grittier, more hands on approach to the subject. Whilst in Amores Perros the characters took precedent, in Cidade De Deus the location is as big a character as those who live there. As a result we get a much greater feeling of the environment in which the characters exist, and so it is perhaps easier to empathise, and/or sympathise with them. As the official press synopsis says, Cidade De Deus is a character, but is a place not a person. Amores Perros triumphs in creating relationships between the audience and the characters, as it concentrates for a long time on relatively few people, each of whom we grow to know and ultimately care about, which is important for the emotional impact of the film. Cidade De Deus deals with dozens, even hundreds, of characters, and so it is only a minority that we become attached to. This means that while the film leaves a lasting impact we are not left with the same inquisitiveness about the future for the characters that we meet in Amores Perros. Both films leave open ends, but Cidade De Deus feels closed. Whether you consider this a good or bad thing is a matter for personal choice.
Cidade De Deus is essential viewing, and is cinema at its most brilliant. It will of course feel the wrath of critics who will dwell on the almost unimaginably high body count, but there are always those who will reject violence in the movies. In fact the violence in Cidade De Deus, even the apocalyptic ending, is not as raw and bloody as many will expect. Blood spilling is a rare sight, and the violence rests mostly, but not always, on choreography rather than in your face bloodshed. The result is violence, but it is often so artistic that it looks beautiful rather than deterring. Like Scorsese's Taxi Driver the violence is abhorrent, but admirable from a cinematic perspective.
In short, this is a superb achievement, and is easily one of the best films of the year, and of the decade so far. Like it's predecessors, this is the latest film to come out of South America that indicates the emergence of major new talent in filmmaking. Hollywood beware.