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7 December 2002 (USA) more
The Gulf War, 1991. No story is worth dying for - but this was the story of a lifetime.
A group of CNN reporters wrestle with journalistic ethics and the life-and-death perils of reporting during the Gulf War. full summary | add synopsis
Nominated for 3 Golden Globes. Another 7 wins & 13 nominations more
watch it: ‘Battlestar Galactica: The Face of the Enemy: Webisode 1’
(From FlickFilosopher. 17 December 2008, 11:56 AM, PST)
CNN Gulf War Producer Says He Became "Disillusioned"
(From Studio Briefing - Film News. 10 February 2003)
Not a movie as much as a prompt more (39 total)
| Michael Keaton | ... | Robert Wiener | |
| Helena Bonham Carter | ... | Ingrid Formanek | |
| Joshua Leonard | ... | Mark Biello | |
| Lili Taylor | ... | Judy Parker | |
| David Suchet | ... | Naji Al-Hadithi | |
| Bruce McGill | ... | Peter Arnett | |
| Michael Murphy | ... | Tom Johnson | |
| Paul Guilfoyle | ... | Ed Turner | |
| Hamish Linklater | ... | Richard Roth | |
| Michael Cudlitz | ... | Tom Murphy | |
| Robert Wisdom | ... | Bernard Shaw | |
| Pamela Sinha | ... | Fatima (as Pamela Sinna) | |
| Clark Gregg | ... | Eason Jordan | |
| Matt Keeslar | ... | Nic Robertson | |
| Kurt Fuller | ... | Inky | |
| Mark Arnott | ... | Bob Furnad | |
| Inny Clemons | ... | CNN Deskman | |
| Chet Grissom | ... | Will King | |
| John Carroll Lynch | ... | John Holliman | |
| Val Lauren | ... | CNN Technician | |
| Kymberly Newberry | ... | Secretary (as Kimberly S. Newberry) | |
| Kurt Hargan | ... | CNN Control Room Manager | |
| Paul Tranghese | ... | CNN Stage Manager | |
| Emily Rose Debinie | ... | CNN Office Girl | |
| Tom Amandes | ... | Joe Erlichman | |
| Thomas Crawford | ... | Nigel Babcock | |
| David Kaye | ... | Ben Dupont | |
| James Waterston | ... | Eric | |
| Bill Moseley | ... | Rex | |
| Roy Werner | ... | Bob | |
| Jimmy Palumbo | ... | News Producer | |
| John Ciccolini | ... | 1st Journalist | |
| Andrew Borba | ... | 2nd Journalist | |
| Jack Armstrong | ... | 3rd Journalist | |
| Will Radford | ... | British Journalist #1 | |
| Kevin Brief | ... | Singing Brit #2 | |
| Steven Houska | ... | British Journalist #3 | |
| Daniel Deca | ... | British Journalist #4 | |
| David Shatraw | ... | Joe Wilson | |
| Murphy Dunne | ... | Bob Vinton | |
| Lee Dawson | ... | Raymond Page | |
| Peter Jason | ... | Stu | |
| Michael James Kacey | ... | American Hostage #1 | |
| Craig Anton | ... | American Hostage #2 | |
| Jason Antoon | ... | Mr. Mazin | |
| Carole Davis | ... | Mrs. Awatiff (as Carole Raphaelle Davis) | |
| Shaun Toub | ... | Sadoun Al-Jenabi | |
| Brian George | ... | Al Rasheed Manager | |
| Mahryah Shain | ... | Al Rasheed Waiter | |
| Joel Swetow | ... | Taxi Driver | |
| Rafael Petrosian | ... | Soldier | |
| Alan De Satti | ... | Iraqi Guard #1 (as Alan DeSatti) | |
| Homic Dordodian | ... | Iraqi Guard #2 | |
| Ofer Samra | ... | Iraqi Bomb Shelter Guard | |
| Jay Harik | ... | Sadam's Translator | |
| David Franco | ... | Saddam's Security Man | |
| Jerry Haleva | ... | Saddam Hussein | |
| Cos Dellin | ... | Italian Cashier | |
| Castulo Guerra | ... | Kuwaiti Doctor | |
| rest of cast listed alphabetically: | |||
| Jack Armstrong | ... | Reporter | |
| Daniel Beer | ... | Singing Brit #4 | |
| Ammar Daraiseh | |||
| Homie Doroodian | ... | Iraqi Guard #2 | |
| Ofea Samaa | ... | Iraqi Bomb Shelter Guard | |
| Toufig Tulsiram | ... | Voices (as toufiq touzene) | |
| Nayirah al-Sabah | ... | Herself - testifies about incubator babies (archive footage) (uncredited) | |
| Tariq Aziz | ... | Himself (archive footage) (uncredited) | |
| Kevin Bacon | ... | Himself (archive footage) (uncredited) | |
| James Baker III | ... | Himself (archive footage) (uncredited) | |
| Tom Brokaw | ... | Himself (archive footage) (uncredited) | |
| George Bush | ... | Himself (archive footage) (uncredited) | |
| Dick Cheney | ... | Himself (archive footage) (uncredited) | |
| Tom Foley | ... | Himself - in Saudi Arabia behind George Bush (archive footage) (uncredited) | |
| Saddam Hussein | ... | Himself (archive footage) (uncredited) | |
| Peter Jennings | ... | Himself (archive footage) (uncredited) | |
| Ted Koppel | ... | Himself (archive footage) (uncredited) | |
| Dan Rather | ... | Himself - with Saddam Hussein (archive footage) (uncredited) | |
| Bernard Shaw | ... | Himself - interviews Saddam Hussein, reverse angle (archive footage) (uncredited) | |
| Fred Ward | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Mick Jackson | |||
Writing credits(WGA) | ||
| Robert Wiener | (book) | |
| Robert Wiener | (teleplay) & | |
| Richard Chapman | (teleplay) and | |
| John Patrick Shanley | (teleplay) and | |
| Timothy J. Sexton | (teleplay) | |
Produced by | |||
| Richard Chapman | .... | co-producer | |
| Sara Colleton | .... | executive producer | |
| Juanita F. Diana | .... | associate producer (as Juanita Diana Feeney) | |
| Thomas D. Herman | .... | co-producer | |
| Geyer Kosinski | .... | executive producer | |
| George W. Perkins | .... | producer | |
| Rosalie Swedlin | .... | executive producer | |
| Robert Wiener | .... | co-producer | |
Original Music by | |||
| Steve Jablonsky | |||
Cinematography by | |||
| Ivan Strasburg | |||
Film Editing by | |||
| Joe Hutshing | |||
Casting by | |||
| John Papsidera | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Ahmed Abounouom | |||
| Matthew C. Jacobs | |||
Set Decoration by | |||
| Brian Kasch | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Mustaque M. Ashrafi | .... | makeup artist (as Mustaq Ashrafi) | |
| Suzan Bagdadi | .... | hair stylist | |
| Amina Ben Cherki | .... | hair stylist: Morocco | |
| David Forrest | .... | makeup department head (as David Craig Forrest) | |
| Mary L. Mastro | .... | hair stylist: Michael Keaton | |
| Susan Mills | .... | hair department head | |
| Sian Richards | .... | hair supervisor: Morocco | |
| Majdouline Rimmel | .... | makeup artist: Morocco (as Majdouune Remmal) | |
| Robert Ryan | .... | makeup artist: Michael Keaton | |
| Latifa Souihi Maadani | .... | makeup artist: Morocco (as Latifa Souihli) | |
Production Management | |||
| Karim Abouobayd | .... | production manager: Morocco | |
| Marco Giacalone | .... | unit manager: Morocco | |
| Charles Skouras III | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sally Sue Beisel | .... | second second assistant director | |
| Tarik Ait Ben Ali | .... | second second assistant director: Morocco | |
| Yann Mari Faget | .... | key second assistant director: Morocco | |
| Ahmed Hatimi | .... | first assistant director: Morocco | |
| Zinedine Ibnou Jabal | .... | second assistant director: Morocco (as Zine-Eddine Ibnou Jabal) | |
| Kristen Ploucha | .... | second assistant director (as Kristen M. Ploucha) | |
| Liz Radley | .... | second unit director | |
| Mary Ellen Woods | .... | first assistant director | |
Special Effects by | |||
| Al Broussard | .... | special effects coordinator (as Alfred P. Broussard) | |
| Matt DiSarro | .... | special effects technician | |
| Scott Inoue | .... | special effects foreman (as Scott Y. Inoue) | |
| Mark Koivu | .... | special effects pyrotechnician | |
| Matt Kutcher | .... | special effects supervisor | |
| Thomas Rasada | .... | special effects technician | |
| Rosario Reyes-Kutcher | .... | special effects coordinator | |
| Larry Roberts | .... | special effects technicians | |
| Mustapha Steila | .... | special effects coordinator: Morocco | |
| Kenneth Van Order | .... | special effects technician (as Ken Van Order) | |
| Arnold J. Verbiesen | .... | special effects technician | |
Visual Effects by | |||
| Camille Cellucci | .... | visual effects producer | |
| Jonathan Keeton | .... | visual effects supervisor | |
| Anastacia Maggioncalda | .... | visual effects producer (as Anastacia Feldman) | |
| Tom Mahoney | .... | digital artist | |
| Steven Meyer | .... | digital compositor | |
| Mike Pemberton | .... | video technical assistant | |
| Katrina Salicrup | .... | digital artist | |
| Edward L. Williams | .... | visual effects producer (as Eddie Williams) | |
Stunts | |||
| Michael Adams | .... | stunts (as Mike Adams) | |
| Faycal Attougui | .... | stunts | |
| Michael Cassidy | .... | stunt coordinator (as Mike Cassidy) | |
| Loren Dennis | .... | stunts | |
| Gérard Lesage | .... | stunt driver | |
| Philippe Losson | .... | stunt driver | |
| Kurt D. Lott | .... | stunts (as Kurt Lott) | |
| Bob Minor | .... | stunts | |
| Cedric Proust | .... | stunt driver | |
| Anthony G. Schmidt | .... | stunts (as Anthony Schmidt) | |
Casting Department | |||
| L.A. Maddos | .... | adr voice casting | |
| Wendy O'Brien | .... | casting associate | |
| Kathleen Tomasik | .... | casting assistant | |
| Vanessa Portillo | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Said Ghaine | .... | costumer: Morocco | |
| April Krueger | .... | set costumer | |
| Deborah Latham | .... | set costumer (as Deborah Latham Binkley) | |
| Ann Miller | .... | set costumer (as Ann Marie Miller) | |
| Christine Orth | .... | costumer | |
| Leila Oumami | .... | costumer: Morocco (as Laila Oumami) | |
| Richard Schoen | .... | costume supervisor | |
| Dana Schondelmeyer | .... | costume supervisor: Morocco | |
Editorial Department | |||
| Randy L. Anderson | .... | color timer | |
| David Bilow | .... | post-production assistant | |
| Arthur Coburn | .... | additional editor | |
| Christina Kim | .... | post-production coordinator | |
| Richard Perkins | .... | assistant editor | |
| Jim Sevin | .... | editor: video (as James Laurence Sevin) | |
| Kathy Thomson | .... | final color timer | |
| Fulvio Valsangiacomo | .... | assistant editor | |
| Craig White | .... | post-production assistant | |
Music Department | |||
| James Bladon | .... | supervising music editor | |
| P.J. Bloom | .... | associate music supervisor | |
| Evyen Klean | .... | music supervisor | |
| Malcolm Luker | .... | scoring mixer | |
| Hugh Marsh | .... | musician: violin | |
| Melissa Muik | .... | score recordist | |
| Jay B. Richardson | .... | music editor | |
| Bruno Roussel | .... | music editor | |
| Martin Tillman | .... | musician: cello | |
| Geoff Zanelli | .... | composer: additional music | |
| Hans Zimmer | .... | executive music producer | |
Transportation Department | |||
| Mohamed Rachid Ahattas | .... | driver: Mick Jackson: Morocco | |
| Mustapha Ismaili Alaoui | .... | assistant transportation manager: Morocco | |
| Jalal Aziz | .... | assistant transportation manager: Morocco | |
| Glenn Coopersmith | .... | driver | |
| Bo Ehrig | .... | transportation coordinator | |
| David Frederick | .... | driver | |
| Jeffrey R. Gold | .... | driver | |
| Barry E. Golob | .... | driver | |
| Michael Helgesen | .... | driver | |
| Randall D. Krasomil | .... | driver | |
| Joseph Napoli | .... | driver | |
| Steve Polon | .... | transportation captain (as Steven W. Polon) | |
| Hicham Regragui | .... | transportation manager: Morocco | |
| Abdelhadi Rejraji | .... | driver: producers, Morocco | |
| Alan Stepp | .... | driver | |
| Jenny Tallent | .... | transportation assistant | |
| Patrick Tousignant | .... | driver | |
| Bob Wachs | .... | driver | |
| Kevin Walters | .... | action vehicles supervisor: Morocco | |
Thanks | |||
| John Holliman | .... | dedicatee | |
| Ed Turner | .... | dedicatee | |
En direct de Bagdad (Canada: French title) (France) [fr]
Ao Vivo de Bagdá (Brazil) [pt]
Fuego sobre Bagdad (Spain) [es]
Live aus Bagdad (Germany) [de]
Zontana apo ti Vagdati (Greece) [el]
more
110 min | USA:108 min | Argentina:107 min | Spain:104 min (DVD edition)
Iceland:LH | South Korea:12 | Spain:18 | Australia:M | Finland:K-11 | USA:Unrated | Argentina:13 | Singapore:PG
Culver Studios - 9336 W. Washington Blvd., Culver City, California, USA more
Continuity: In the scene when Ingrid and Robert are sitting at the bar, the current angle shows Ingrid's fingers by her mouth. In the next shot, they are on her neck. In the next shot, her fingers are back by her mouth. more
Judy Parker:
Goodbye, Richard. I think you're really smart.
Richard Roth:
Goodbye, Judy. I think I'm really smart, too.
more
References "ABC News Nightline" (1980) more
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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'Live from Baghdad' is a political movie in the sense that it asks very tough questions; however, its center lies not in politics but in people. It relates the story of Robert Wiener and his CNN team as they struggle to report the news from Baghdad in the six month antebellum period leading up to the Persian Gulf War of 1991. The team battles with tough Iraqi censorship, enormous political tension, and the reality of impending war. While still presenting the historical events of the time, Baghdad focuses on interpersonal relationships and intrapersonal struggles. Questions over the role of the media emanate from the various stories and struggles that the CNN team faces. The issues of censorship and propaganda, for example, plague the CNN team and their coverage. The use of the media as a diplomatic pawn befalls Wiener and his crew several times in the film. In many senses Baghdad is a media mood ring: different situations in the movie stress and display the various characteristics of the press from a governmental tool to diplomatic connection.
The acting in this movie is superb. Keaton is a very strong actor in this film and in every sense epitomizes the gung-ho, balls-out attitude of the real Robert Wiener. In stark contrast, David Suchet, as Naji Al-Hadithi, presents the exquisiteness of his character with a sense of calculation and deliberation. He very much captures a cultured, borderline-aristocratic dignity that an Iraqi official in Saddam Hussein's cabinet might hold.
The particular strength of this movie is not in the plot, the production or the characters, however--and in fact none of these really stand out as excellent--but in the broad questions it raises. At the heart of this film is the implied question as to the role of the media. To what extent should we censor? How much should we analyze? What does the public have the right to now and how far can the press go to get it? 'Live from Baghdad' is an incredible movie in the sense that it can raise these questions from an emotional and factual base.
I give this movie an 8 out of 10 for its generally entertaining plot and tough press-related questions.